Seinfeld (1989–1998)

TV Series  |  TV-PG  |   |  Comedy
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The continuing misadventures of neurotic New York stand-up comedian Jerry Seinfeld and his equally neurotic New York friends.

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Airs Wed. May. 27, 6:00 PM on TBS

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Title: Seinfeld (1989–1998)

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9   8   7   6   5   4   3   2   1  
1998   1997   1996   1995   1994   1993   … See all »
Won 3 Golden Globes. Another 66 wins & 177 nominations. See more awards »

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Cast

Complete series cast summary:
...
 Jerry Seinfeld (172 episodes, 1990-1998)
...
 Elaine Benes (172 episodes, 1990-1998)
...
 Kramer / ... (172 episodes, 1990-1998)
...
 George Costanza (172 episodes, 1990-1998)
Ruth Cohen ...
 Ruthie Cohen / ... (101 episodes, 1992-1998)
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Storyline

Jerry Seinfeld stars in this television comedy series as himself, a comedian. The premise of this sitcom is Jerry and his friends going through everyday life, discussing various quirky situations that we can all relate to (especially if we live in New York). The eccentric personalities of the offbeat characters who make up Jerry's social circle contribute to the fun. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

TV-PG | See all certifications »

Parents Guide:

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Details

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Release Date:

31 May 1990 (USA)  »

Also Known As:

Good News, Bad News  »

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Aspect Ratio:

4:3
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Did You Know?

Trivia

Kramer's first name was originally going to be "Conrad". This was planned to revealed in a season 2 episode titled "The Bet" written by Larry Charles. But the episode was scrapped due to its controversial storyline in which Elaine buys a gun. Kramer's first name was finally revealed to be "Cosmo" in the season 6 episode, "The Switch". See more »

Goofs

In common with many other sitcoms, details of characters' back-histories change through the life of the series. We don't count these inconsistencies as goofs in long-running shows. See more »

Quotes

Dr. Sarah Sitarides: Wow, restaurant. Flowers...
Jerry: Well, I'm a classy guy. How's the life-saving business?
Dr. Sarah Sitarides: It's fine.
Jerry: Well, it must take a really big zit to kill a man.
Dr. Sarah Sitarides: What is with you?
Jerry: You say you're a dermatologist? Well, I call you Pimple Popper, MD.
See more »

Crazy Credits

In the season 2 episode "The Apartment", Michael Richards is credited twice in the opening credits. See more »

Connections

Featured in In the Land of Women (2007) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Seinfeld, a cultural landmark?
26 December 2004 | by (singapore) – See all my reviews

I caught a few episodes of Seinfeld over it's final two seasons run on public channel, and made it a point to catch a lot more of Jerry and friends during it's reruns. I found it very amusing on first viewings, but as time wore on, I began to like it more and more, and to eagerly borrow taped episodes from friends, and to hunt for re-runs on syndicated channels.

Of the two comedy TV series in the history of television, I would choose both Seinfeld and Monty Python as the cultural landmarks of the medium. In Seinfeld, there is not a trace of sentimentality and glib moralizing that plagues the American sitcom genre. Characters do not hug each other on Christmas, fall in love, wax on and on about family and friends, there is no faux-cathartic season ender so favoured by the writers of, say, "Friends".

Instead, we have the narcissistic Jerry, constantly mining the minutiae of everyday detail for every bit of situational comedy; we have the hyper-aggressive Elaine, whose strings of breakups with boyfriends are as impressive as her petty neuroses leading up to the breakups themselves; the ultimate schlub-loser George, who lies to every single woman he dates, sells faulty equipment to the handicapped and muscles off women and children when fleeing an apartment fire; and the impossibly inventive physical comedy of the entrepreneur cum schmooze Kramer.

Over and over again, week in and week out, the quartet discuss trivialities with unbridled zeal, as the non-descript narrative pings from one mundane setting to another. Seldom has such wit been generated by such gargantually pointless human endeavours. That is where the brilliance of Seinfeld lies, in the ability to go to the most bizarre ends to fulfill the potential of a less than hopeful comedic premise; and the endless, pointlessly smug and nihilistic banter that almost invariably escalates into some of TV's classic lines, such as when George shouts triumphantly after winning an argument that "there is no bigger loser than me!".

Surely, we won't find something like this again, for many more years to come.


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