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Arkwright is a tight-fisted shop owner in Doncaster, who will stop at nothing to keep his profits high and his overheads low, even if this means harassing his nephew Granville. Arkwright's ... See full summary »
Long running BBC comedy show consisting of sketches and humourous musical routines involving the large Ronnie Barker and the small Ronnie Corbett. Most sketches involved both men, but ... See full summary »
The Fred Tomlinson Singers
Classic 1960s British comedy series about a middle aged man and his elderly father who run an unsuccessful 'rag and bone' business (collecting and selling junk). Harold (the son) wants to ... See full summary »
Harry H. Corbett,
This comedy series is all about two mates, Gary and Tony who share a two bedroom home. They are grown men who act like a couple of drunk two year olds, who spend their time either drinking ... See full summary »
The adventures of two "likely lads" ostensibly set in the North East of England (but filmed in Willesden Junction, London). Terry and Bob have been friends since childhood. Bob is the ... See full summary »
In this classic bitter-sweet sitcom from award winning writer David Renwick, Richard Wilson plays the short tempered Victor Meldrew, a man who doesn't suffer fools gladly and to his misery frequently encounters them as well as a bad case of misfortune. His long suffering wife Margrat played by Annette Crosbie struggles to cope with her husbands rants against the world and the bad luck that befalls them. The hilarity that ensures his also underpinned by a poignant and often darker edge little seen in most sitcoms. Written by
Although not as funny as Fawlty Towers, this is one of the best comedy series to come out of the UK in recent years. I can understand it not appealing at all to non-British people but to a normal Brit, this series embodies everything that is typical of British humour of the latter half of the twentieth century. The crisis of trying to adjust to retirement is a universal one and Victor Meldrew reactions to present day society are in fact those of all or most of us, even if he has the courage to express them vocally and us, not. Certainly the catch phrase from the series "I don't believe it" is common in people's mouths today. Just think when you have to call a company and you are no longer put thru to a switchboard but to some kind of robot and to access the department you want you have to press button one, then two etc etc. If you make one cock-up, the whole thing goes wrong. This is the kind of stupidity Meldrew is having to battle with. SOme of the episodes are so funny ( when Meldrew finds a strange old lady in his bed !! ) that you seriously risk of ending up in the grave yourself from too much laughter. Others can be tedious and you feel that the scriptwriters were more inspired some days than others. That said, from the fairly large number of episodes I've seen, I would say that about at least 65 to 70 percent of the episodes are side-splitting. When I watch this programme, I feel I am watching something peculiarly common to BRitish Humour. I could not imagine Amercians laughing at this, not to speak of French, Germans or Spanish ! Some of the humour is indeed fairly "morbid" and "sick" and would have limited appeal outside the UK. THat doesn't matter at all, but I'm just stating it as a fact. The last episode to end them all has to be seen but is bitter and sad and not funny at all - very strange compared with the others. Obviously, the BBC had decided to number Meldrew's days for once and for all but weren't too sure how to go about it. When I saw the final result, I "just didn't believe it" !!!!!!!!!!!!
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