While Joel gives Ed golf lessons, the Indian warns him Adam is around, the never actually seen monster-prankster, blamed for all kinds of weirdness since 15 years. Passing the night in his car in the...
Joel Fleishman is fresh out of medical college, and fresh out of luck. Failing to read the fine print in his scholarship conditions, he finds he has no choice but to move to the remote and somewhat eccentric town of Cicely, in the wilds of Alaska. Once there, he is welcomed by the peculiar locals who are not keen to see him go, most especially Maurice Minnifield, the ex-NASA astronaut. Despite Joel's adamant denials, one gets the impression that he enjoys life in Cicely more than he admits. Written by
Murray Chapman <firstname.lastname@example.org>
During the early 1990s, creators Joshua Brand and John Falsey were working on two shows simultaneously: Northern Exposure, and the civil-rights-era family drama "I'll Fly Away." The two shows had writing and production offices in the same building, across the hall from each other. In the 2013 book Difficult Men: Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad, David Chase (who was a writer and executive producer on "I'll Fly Away") talked about how much he had disliked the other Brand/Falsey show being made across the hall from his show: "The people who worked on Northern Exposure thought they were curing cancer and reinventing drama.... To me it was so precious, so self-congratulatory. It strained so hard for whimsy. We'd go to the Emmys every year and they'd get these awards and we'd get nothing. It wasn't that we really wanted these Emmys, but that show was being celebrated to the hilt and I felt it was a fraud at its core." But after both Brand and Falsey left "Northern Exposure," Chase took over, and he was its showrunner from late 1993 until the end of its run in 1995. Chase said that he "did it for the money." See more »
For me, this series tied with the X-Files as 'Best of the Decade: 90's' and I miss it terribly (but I'm not willing to buy the DVD package that is out now -- I'm waiting for the owners to give this program the kind of presentation it deserves.)
I don't mind paying for quality and this show had that in premise, setting, plotting, characterization, acting, and don't forget music -- the works. Humor, drama, introspection, surrealism, dream-scapes. Characters young and old, native and transplant, cynical and naive, material, mystical, and misanthrope -- and all (eventually) lovable.
It made me care about real people I had already written off as too something -- too neurotic, too caustic, too silly. I helped me see the flaws in people I had been too easily persuaded by -- intellectuals, philosophers, and mystics, with clay feet in mud that I had never noticed.
It made me want to fling pianos, and dance on my own grave. I can't wait to get it into my permanent collection.
UPDATE: I did buy the DVDs, used, and I haven't been sorry. There are scenes where the generic music is SO WRONG -- in particular the Flying Man dancing with the scarf -- but even so, the quality of the material outweighs the problems with the package.
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