The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
Briscoe and Green catch three murder cases and one kidnapping on the same day, and one murder is tied to a fourth murder which happened ten years ago. Each case apparently involves domestic disputes ...
The show follows a crime, ususally adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court. Written by
The distinctive typeface used for all titles, credits, and on-screen "scene change" cards, for "Law & Order" and all of its spin-offs, is named "Friz Quadrata." The typeface used for "Starring" and "Created By" in the opening credits, the lone exception, is Eurostile. See more »
In one episode of Law & Order, Judge William Wright says that he's entering a not-guilty verdict after the jury foreman reads "guilty". While he can do this using "Judgement Notwithstanding", the procedure is that the defendants defense attorney must file a JNOV after the trial and in a set time frame. See more »
A first-year law student could punch more holes in your case than Con Ed has in Third Avenue.
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When the 15th season episode "Gunplay", originally aired in October 2004, was rebroadcast in March 2005, it ran with the opening credits showing Annie Parisse, even though the episode features Elizabeth Rohm who was originally credited. As a result, Rohm is uncredited in the rebroadcast of this episode. See more »
This intense drama, now in its 15th season and still going strong, set the stage for ensemble drama, in which the cast plays a secondary role to the story. Law & Order, as originally conceived, drew the viewer into the process by which American law enforcement and litigation works, or doesn't, depending on the viewer's opinion. The first half-hour is devoted to the investigation of a crime, the second to its prosecution. Cases are made or lost by evidence, lack thereof, a technicality, or even judicial whim. Dick Wolf made it clear from day one that the cast was expendable; no prima donnas here. The first cast was all male, with one African-American. Wolf apparently caved to fan pressure for a more politically-correct spectrum, but it really didn't matter so long as the actors could carry the story forward. His best casting choice was Jerry Orbach, his worst Elisabeth Rohm, but with or without these people, the drama continues. In recent years, L&O has lost some of the grittiness that made it so compelling, and I do miss actors such as Steven Hill, Michael Moriarty, Chris Noth, Jill Hennessy and now Orbach, but the show is still far superior to the majority of what passes for prime-time programming. It only suffers in the rare episodes when a politically-correct message is pushed into the story, i.e., whenever it deviates from its original format of presenting how the criminal justice system works. Ignore the spinoffs; the original Law & Order is still the best.
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