The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
Briscoe and Green catch three murder cases and one kidnapping on the same day, and one murder is tied to a fourth murder which happened ten years ago. Each case apparently involves domestic disputes ...
The cases of the FBI Behavioral Analysis Unit (BAU), an elite group of profilers who analyze the nation's most dangerous serial killers and individual heinous crimes in an effort to anticipate their next moves before they strike again.
Matthew Gray Gubler,
Deputy Police Chief Brenda Johnson runs the Priority Homicide Division of the LAPD with an unorthodox style. Her innate ability to read people and obtain confessions helps her and her team solve the city's toughest, most sensitive cases.
The show follows a crime, ususally adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court. Written by
In the criminal justice system, the people are represented by two separate, yet equally important groups: the police, who investigate crime and the district attorneys, who prosecute the offenders. These are their stories. See more »
At the time of the show's creation, one-hour dramas were going through a slump, with sitcoms being more popular and much more likely to get strong syndication deals for re-runs. Dick Wolf thought that it might be easier to sell the show in 30-minute segments and came up with the concept of the first half of the show being the police investigation and the second half the legal procedure. Dramas started rebounding in popularity shortly after Law & Order debuted, so this never ended up becoming an issue with re-run deals. See more »
When the Detectives want to "bring in" or "pick up" someone for questioning are usually located instantly. That might work if they had a consistent schedule they followed faithfully every day, but there are few people who do that. Also, many of the people they are looking for are homeless or otherwise itinerant, and even they don't know where they will be tomorrow. See more »
This intense drama, now in its 15th season and still going strong, set the stage for ensemble drama, in which the cast plays a secondary role to the story. Law & Order, as originally conceived, drew the viewer into the process by which American law enforcement and litigation works, or doesn't, depending on the viewer's opinion. The first half-hour is devoted to the investigation of a crime, the second to its prosecution. Cases are made or lost by evidence, lack thereof, a technicality, or even judicial whim. Dick Wolf made it clear from day one that the cast was expendable; no prima donnas here. The first cast was all male, with one African-American. Wolf apparently caved to fan pressure for a more politically-correct spectrum, but it really didn't matter so long as the actors could carry the story forward. His best casting choice was Jerry Orbach, his worst Elisabeth Rohm, but with or without these people, the drama continues. In recent years, L&O has lost some of the grittiness that made it so compelling, and I do miss actors such as Steven Hill, Michael Moriarty, Chris Noth, Jill Hennessy and now Orbach, but the show is still far superior to the majority of what passes for prime-time programming. It only suffers in the rare episodes when a politically-correct message is pushed into the story, i.e., whenever it deviates from its original format of presenting how the criminal justice system works. Ignore the spinoffs; the original Law & Order is still the best.
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