Briscoe and Green catch three murder cases and one kidnapping on the same day, and one murder is tied to a fourth murder which happened ten years ago. Each case apparently involves domestic disputes ...
The cases of the F.B.I. Behavioral Analysis Unit (B.A.U.), an elite group of profilers who analyze the nation's most dangerous serial killers and individual heinous crimes in an effort to anticipate their next moves before they strike again.
Matthew Gray Gubler,
The show follows a crime, ususally adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court. Written by
Towards the end of the fifth season, Executive Producer Dick Wolf decided not to renew Chris Noth's contract, citing that the interaction between Logan and the similarly jaded Briscoe (Jerry Orbach) lacked enough dramatic contrast. Viewers and critics were shocked at the dismissal of the most popular and only original remaining cast member at that time. Years later, Noth convinced Wolf to produce Exiled (1998) to wrap up the story of Mike Logan, which Noth felt had been prematurely extinguished on the show. Noth returned again to revive the character for two seasons of Law & Order: Criminal Intent (2001). See more »
Number of times "ballistic fingerprinting" has been used to ID a murder weapon in New York = 0. See more »
At the start of the season one episode "Torrents of Greed, Part 2" the customary "In the criminal justice system..." opening monologue and screen title were replaced with a monologue and screen title about manipulation of the legal system. See more »
This intense drama, now in its 15th season and still going strong, set the stage for ensemble drama, in which the cast plays a secondary role to the story. Law & Order, as originally conceived, drew the viewer into the process by which American law enforcement and litigation works, or doesn't, depending on the viewer's opinion. The first half-hour is devoted to the investigation of a crime, the second to its prosecution. Cases are made or lost by evidence, lack thereof, a technicality, or even judicial whim. Dick Wolf made it clear from day one that the cast was expendable; no prima donnas here. The first cast was all male, with one African-American. Wolf apparently caved to fan pressure for a more politically-correct spectrum, but it really didn't matter so long as the actors could carry the story forward. His best casting choice was Jerry Orbach, his worst Elisabeth Rohm, but with or without these people, the drama continues. In recent years, L&O has lost some of the grittiness that made it so compelling, and I do miss actors such as Steven Hill, Michael Moriarty, Chris Noth, Jill Hennessy and now Orbach, but the show is still far superior to the majority of what passes for prime-time programming. It only suffers in the rare episodes when a politically-correct message is pushed into the story, i.e., whenever it deviates from its original format of presenting how the criminal justice system works. Ignore the spinoffs; the original Law & Order is still the best.
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