The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
Briscoe and Green catch three murder cases and one kidnapping on the same day, and one murder is tied to a fourth murder which happened ten years ago. Each case apparently involves domestic disputes ...
The cases of the FBI Behavioral Analysis Unit (BAU), an elite group of profilers who analyze the nation's most dangerous serial killers and individual heinous crimes in an effort to anticipate their next moves before they strike again.
Matthew Gray Gubler,
The series shows the workings of the judicial system, beginning with the arraignment and continuing through the lawyers process of building a case, investigating leads and preparing witnesses and defendants for trial.
The show follows a crime, ususally adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court. Written by
Throughout the series, the detectives (or Crime scene analysts) are able to ID a butter caliber from the wound size. In reality this is impossible. A .9mm, .38, .40 and even a .45 all make wounds that are indistinguishable from each other on a body.
The police also often look at a bullet and ID the pistol from it. While possible, this requires forensic analysis a dis generally not very conclusive because the bullet is too deformed.
The conformation of a particular bullet coming from a particular gun using "ballistic fingerprinting" has never resulted in a conviction. See more »
ADA Jack McCoy:
There comes a time in everyone's political career when you have to expect a couple over easy in the kisser.
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When the 15th season episode "Gunplay", originally aired in October 2004, was rebroadcast in March 2005, it ran with the opening credits showing Annie Parisse, even though the episode features Elizabeth Rohm who was originally credited. As a result, Rohm is uncredited in the rebroadcast of this episode. See more »
This intense drama, now in its 15th season and still going strong, set the stage for ensemble drama, in which the cast plays a secondary role to the story. Law & Order, as originally conceived, drew the viewer into the process by which American law enforcement and litigation works, or doesn't, depending on the viewer's opinion. The first half-hour is devoted to the investigation of a crime, the second to its prosecution. Cases are made or lost by evidence, lack thereof, a technicality, or even judicial whim. Dick Wolf made it clear from day one that the cast was expendable; no prima donnas here. The first cast was all male, with one African-American. Wolf apparently caved to fan pressure for a more politically-correct spectrum, but it really didn't matter so long as the actors could carry the story forward. His best casting choice was Jerry Orbach, his worst Elisabeth Rohm, but with or without these people, the drama continues. In recent years, L&O has lost some of the grittiness that made it so compelling, and I do miss actors such as Steven Hill, Michael Moriarty, Chris Noth, Jill Hennessy and now Orbach, but the show is still far superior to the majority of what passes for prime-time programming. It only suffers in the rare episodes when a politically-correct message is pushed into the story, i.e., whenever it deviates from its original format of presenting how the criminal justice system works. Ignore the spinoffs; the original Law & Order is still the best.
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