While strolling along the country side, Hyacinth decides to hold a water-side supper with riparian entertainments, otherwise known as a river-side picnic. Bringing Elizabeth and Emmet and the vicar ...
About to embark on their yachting vacation, Hyacinth and Richard get kitted out with old sea-dog jerseys and caps. However, when they arrive at the docks, their magnificent yacht does not live up to ...
Hetty wakes on her 60th birthday and decides to become a private investigator. With assistance from a teenager called Geoffrey and her husband Robert, combined with her own common sense, Hetty is confident she can solve any case.
When Tom Ballard moves to Bayview Retirement Vilage, he meets Diana Trent, a feisty old woman who complains about everything and wants nothing more than just to die. Much to the dislike of ... See full summary »
This BBC comedy skit show is the brainchild of longtime comedy duo Dawn French and Jennifer Saunders. Each episode would feature satire on British life, television, and parodies on big box ... See full summary »
Arkwright is a tight-fisted shop owner in Doncaster, who will stop at nothing to keep his profits high and his overheads low, even if this means harassing his nephew Granville. Arkwright's ... See full summary »
Hyacinth Bucket (whose name she insists is pronounced "bouquet") continually looks for opportunities to climb the social ladder, though she's wedged on a rung just below her sister Violet (whose house has a swimming pool, sauna, and room for a pony) and just above her working class sisters Daisy and Rose. Hyacinth's passion for flawless entertaining unnerves her neighbor Elizabeth, who is often invited to the Bucket home for coffee. Elizabeth's divorced brother Emmet, who also lives next door to the Buckets, tries to avoid Hyacinth because she breaks into song in his presence in the hope he'll cast her in one of his "little theater" musical productions. Written by
Dennis Lewis <email@example.com>
In most episodes following the introduction of Emmet, he is frequently seen to stare out the side living room window of Elizabeth's house at the assorted goings-on next-door at Hyacinth's. However, all exterior shots of the house clearly show that there are no windows on that side of this room. See more »
I've just been insulted on my own telephone!
I expect the opportunities are rare for being insulted on somebody else's.
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During the end credits, we see a table set for a posh dinner. When all credits have been shown, Hyacinth is shown rearranging a fork and a spoon and then putting a name plate on the table. As the camera zooms in on it, you can see that it reads Harold Snoad and the words "Produced & Directed by" appear above it (plus a copyright notice below it). See more »
The dry humour of the Brits has no problem mixing up the slapstick in Keeping Up Appearances, a delicious series poking fun at the social graces of upper crust English society in the eyes of a lowly middle-class British wife.
Patricia Routledge can't be more perfect as Hyacinth Bucket, the charming and altogether frightening definition of an English lady, despite her mediocre financial status. The series follows her incessant efforts to make a name for herself as a social elite, inviting neighbors and important townsfolk over for "candlelight suppers," among other social events she so daftly names. Of course, the whole Hyacinth image wouldn't be nearly as funny unless the hysterical supporting cast weren't there to ground Mrs. Bucket (pronounced "Bouquet") in her place. Her working class sisters, the hussy Rose and the meek Daisy are perfect as Hyacinth's inescapable link to mediocrity. The image is complete with Daisy's slob of a husband Onslo, who dispenses his frank advice with racous results. Rounding up the innocent bystanders of Hyacinth's misadventures are her nervous neighbor Elizabeth and her brother Emmitt, but most of all Hyacinth's whipped yet sardonic husband, Richard, whom you can't help but pity and root for at the same time.
This is a British comedy to end all comedies. The chances for conflict between Hyacinth's goal as a social mistress and her bourgeois reality are infinite, and the laugh track doesn't lie when Hyacinth is caught between a rock and a hard place - more often literally than figuratively. If you aren't a fan of Brit comedy, you may only be able to stomach a few episodes before the formula seems to wear. However, a true social connoiseur of such a series would scoff at the idea. :-)
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