The Right Honorable James Hacker has landed the plum job of Cabinet Minister to the Department of Administration. At last he is in a position of power and can carry out some long-needed reforms - or so he thinks.
A comedy panel game in which being Quite Interesting is more important than being right. Stephen Fry is joined each week by four comedians to share anecdotes and trivia, and maybe answer some questions as well.
This series chronicles the misadventures (romantic and otherwise) of the impeccably dressed Bertie Wooster and his trusty and sagacious valet, Jeeves. Peppered with sporting dialogue and memorable, dim-witted and eccentric characters. Written by
Kathleen Mortensen <email@example.com>
The theme called "Jeeves and Wooster" is an original piece of music in the jazz/swing style written by composer Anne Dudley for the program. Dudley uses variations of the theme as a basis for all scores and was nominated for a British Academy Television Award for her work on the third series. See more »
Yes! And, of course the old devil himself. Yes, he really put one up on the uncle didn't he? Thanks to Jeeves's masterpiece. What a wheeze!
Darling, this is a friend of mine, Mr. Wooster. Mr. Wooster I'd like you to meet my husband, Mr. Worple.
Husband? Huh! What rot!
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A wonderful and almost perfect rendition of a classic.
Some people (few people) scoff at this version for being too visual. In fact, they scoff at any visual version for trying to interpret what in essence are novels driven by wonderful narrative. However, the charm comes in the perspective as well as the aesthetic.
Yes it's a beautiful show. It uses locations perfectly and remains diligent to those halls as to their fictitious namesake. You eventually come to know these halls and manors yourself as Bertie once again is called out to Tottley.
The music is a beautiful pastiche of all things 20s. Incidental score, while fairly repetitive (you'll hear the same motifs and themes pop up regularly) just adds to the warm familiar atmosphere. It adds charm and period distinction. The actual songs in the show are fun as well and made for a wonderful soundtrack.
The acting as well is perfect. It characterises the pomp without anyone seeming awkward. The scripts flow and the pace always complements the stories. Fry and Laurie were born for this part and never once slip from character or wither in the spotlight.
But as I was saying, the beauty comes in perspective. Some people have grumbled that Laurie's "Wooster" is too much of a fool compared to the beautiful prose he's meant to have jotted in "his" books, yet I think it adds, as I said, perspective. We all write and dictate experiences from a personal perspective, what the show does is offer similar instances (and they are similar not exact in most cases) from a third party perspective. What we write in hindsight is rare to what objectively happened. This warm hearted Oxford gentlemen is educated, but not over gifted in the sense department. He writes and plays beautifully, but he's not quick and we see that demonstrated perfectly through Laurie.
Fry is masterful as Jeeves. Younger than what some would prefer, nevertheless you don't doubt his presence for a second.
The stories are a mix of accurate rendition and loose interpretation. The final fourth season especially has a couple of episodes which don't really feel quite on the ball as the rest, possibly because the divert too far from Wodehouse's material, nevertheless, the fourth season does sort of tie up the loose ends yet has a finale which keeps Jeeves And Wooster feeling as eternal on the TV screen as it does in book form.
A wonderful compliment to Wodehouse's masterful books. Miss at your peril.
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