Directed by | |||
| Buzz Kulik | |||
Writing credits(WGA) | ||
| Jackie Collins | (books "Chances" and "Lucky") | |
| Jackie Collins | (teleplay) | |
Produced by | |||
| Susan Baerwald | .... | executive producer | |
| Jackie Collins | .... | executive producer | |
| William Peters | .... | producer | |
Original Music by | |||
| Billy Goldenberg | |||
Cinematography by | |||
| Gayne Rescher | |||
Film Editing by | |||
| David Beatty | |||
| James Galloway | |||
| Les Green | |||
| Susan Heick | |||
Casting by | |||
| Meryl O'Loughlin | |||
Production Design by | |||
| Jan Scott | |||
Art Direction by | |||
| Jack G. Taylor Jr. | |||
Set Decoration by | |||
| Jeff Haley | |||
| Donald Krafft | |||
Costume Design by | |||
| Buffy Snyder | |||
Makeup Department | |||
| Carolyn Elias | .... | hair stylist | |
| Alan Fama | .... | makeup artist (as Al Fama) | |
| Barbara Lampson | .... | hair stylist | |
Production Management | |||
| Dorothy J. Bailey | .... | post-production supervisor | |
| Daniel Franklin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Richard Learman | .... | first assistant director | |
| Lance Mazmanian | .... | second second assistant director | |
| Bruce Solow | .... | second assistant director (as Bruce Alan Solow) | |
Art Department | |||
| Edwin M. Brewer | .... | assistant property master | |
| R. Gilbert Clayton | .... | set designer | |
| Mark Heiner | .... | assistant property master | |
| Allan Lotta | .... | construction coordinator | |
| David Moll | .... | property master | |
| Charles Vassar | .... | set designer | |
Sound Department | |||
| Joe Campana | .... | assistant sound editor (1990) | |
| Tom Gerard | .... | sound re-recording mixer | |
| Randall L. Johnson | .... | boom operator (as Randy Johnson) | |
| Peter Reale | .... | sound re-recording mixer | |
| Roger V. Stevenson | .... | cable person | |
| Clancy T. Troutman | .... | supervising sound editor | |
| Robert Wald | .... | sound mixer | |
Camera and Electrical Department | |||
| Malcolm Brown | .... | first assistant camera | |
| Jamie Hitchcock | .... | second assistant camera | |
| Leo J. Napolitano | .... | camera operator | |
Casting Department | |||
| Jackie Margey | .... | casting associate | |
Costume and Wardrobe Department | |||
| Jane Janiger | .... | key costumer: women | |
| Michelle Kurpaska | .... | key costumer: men | |
| Buffy Snyder | .... | costume supervisor | |
Editorial Department | |||
| Tom Clagett | .... | assistant film editor | |
| David Martell | .... | assistant film editor | |
| Joe McJimsey | .... | assistant film editor | |
Music Department | |||
| Richard Bronskill | .... | orchestrator | |
| Dan Wallin | .... | music scoring mixer | |
Other crew | |||
| Deanna Bernal | .... | assistant production coordinator | |
| Richard Dixon | .... | production accountant | |
| Robert Eggenweiler | .... | location manager | |
| Jason Gaudio | .... | production assistant | |
| Jimmy Goldstein | .... | production assistant | |
| Vera Martin | .... | production coordinator | |
| Ronald M. Quigley | .... | location manager | |
| Frank Tudisco | .... | script supervisor | |
| Karen White | .... | location manager | |
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| "North and South" | "North and South, Book II" | "A Death in California" | "Washington: Behind Closed Doors" | Gentlemen Are Born |
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| Full cast and crew | Company credits | IMDb TV section |
| IMDb Drama section | IMDb USA section |
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As usual, the movie is nothing like the book. I really enjoyed the book, because you became invested in the characters. However, I did the process backwards: I saw the movie before I saw the film and liked the film. I saw it at a fairly young age, but I still liked it. Vincent Irizarry was on my mother's soap, so we had to see anything he was in. Nicolette was not the right person for Lucky I think. And Sandra Bullock as Maria? The entire purpose of the character was not what Bullock represented, but it's how I first fell in love with her and remember her to this day. However, she wasn't right for the part either. The movie was fair enough, but you could tell that NBC wasn't ready to deal with Dario's homosexuality and real mob violence. It almost had the moral appeal of an after school special. The movie should of took itself more seriously. I liked the movie, but after reading the book, the actors were all wrong for the characters.