Francis Urquhart is the chief whip of the Conservative party. When Margaret Thatcher resigns as leader, he remains neutral and after a general election where the conservatives are returned ...
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Francis Urquhart is too experienced a politician not to know that everything must end, even his long career as British prime minister. In order to secure his retirement and establish ... See full summary »
The Right Honorable James Hacker has landed the plum job of Cabinet Minister to the Department of Administration. At last he is in a position of power and can carry out some long-needed reforms - or so he thinks.
A thriller set in London, in which a politician's life becomes increasingly complex as his research assistant is found dead on the London Underground and, in a seemingly unrelated incident, a teenage pickpocket is shot dead.
When Ruth Matthews's husband is killed in a fall at an archaeological dig, her daughter Sally handles her father's death in a very odd manner. As Sally's condition worsens, Ruth takes her ... See full summary »
Tommy Lee Jones,
Francis Urquhart is the chief whip of the Conservative party. When Margaret Thatcher resigns as leader, he remains neutral and after a general election where the conservatives are returned with a reduced majority, he fully expects the new Prime Minister, Henry Collingridge, to give him his just reward: a senior Cabinet post. When he's informed that he is to stay in his current position, he devises a plot to unseat Collingridge and ensure his own election as party leader which would make him Prime Minister. Written by
On the first day of filming, production designer Ken Ledsham pulled a practical joke on director Paul Seed by showing the rest of the cast and crew a video of Seed's over-the-top performance as the villain in the Doctor Who (1963) story "The Ribos Operation," which both had worked on earlier in their careers when Seed was still an actor. See more »
Daniel Baker has mentioned echoes of Macbeth in HOC. One of the many clever things about it and its two sequels was the liberal use of quotations from Shakespeare and other dramatists of the period (I think I caught some from Middleton's "The Changeling").
After all, this really is Jacobean drama set in the 1990s!
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