In what must have been one of the shortest lived series on network television, "Cop Rock" was part "Real Stories of the Highway Patrol" and part "The Sound of Music". After chasing down a ... See full summary »
Three West Point 1861 generation cadets and friends go on opposite sides after the breakout of The Civil War, with tragic consequences. A subplot involves Lucius, a Shelby Peyton's slave, who kills a slave trader and goes on the run.
Free-wheeling San Francisco cop Harry Hooperman inherits a run down apartment building, and the building owner's mean, hateful and just plain annoying dog Bijoux. Not having the time to ... See full summary »
1992 and 1993 saw great changes in late-night talk shows: Jay Leno took the place of Johnny Carson, David Letterman switched networks and time slots, and Chevy Chase and newcomer Conan ... See full summary »
Jack Bowman is a cop from New Orleans who doesn't exactly play by the rules. When he is sent to California on a brief assignment, he is wrongfully blamed for something he didn't do. To get ... See full summary »
In what must have been one of the shortest lived series on network television, "Cop Rock" was part "Real Stories of the Highway Patrol" and part "The Sound of Music". After chasing down a criminal, the force would take to the street for an organized dance number, then haul the guy back to HQ. This may have been the only series to have been based on a Broadway musical format. Written by
Michael Silva <firstname.lastname@example.org>
I remember Cop Rock fondly. It was an attempt to deliver the Broadway musical style to the popular police story genre. Now, I'm not one of those "Aren't we so cosmopolitan" self-congratulatory Broadway mavens, but I can appreciate a storyline interrupted by a soliloquy, even if it's musical - even if it's rock music! I distinctly remember an excellent opening scene of one episode, where the police are busting a crowd purchasing pot, loading the customers on a bus, as one detainee sings heartily about his civil rights being trampled. The cast was truly exceptional for a TV show, but the producers did not have proper respect for the amount of time and polishing necessary to deliver Broadway style entertainment. There was a lot of good stuff, but such material cannot be extruded at the rate needed for the voracious TV box. The general public could not forgive the uneven quality. I can't blame them, but there were payoffs for the patient. Live audiences collude with the performers, but TV viewers want to be entertained NOW, or they will click to the other 120 channels.
There was a clever end tacked on the final episode. It opens up with Ronny Cox and Curtis Vonde-Hall talking, and you quickly realize that they are not playing their characters. They are playing themselves discussing the impending cancellation. It's over when the fat lady sings, so the final pullaway has the entire cast onstage, with a Wagnerian Valkyrie, singing goodbye. Cool.
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