In 1920s and 1930s New Zealand, Janet Frame grows up in a poor family with lots of brothers and sisters. Already at an early age she is different from the other kids. She gets an education ... See full summary »
While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters, a macho ... See full summary »
An American girl inherits a fortune and falls into a misguided relationship with a gentleman confidence artist whose true nature, including a barbed and covetous disposition, turns her life into a nightmare.
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A father along with his son and sister is driving back home in his car. The son continiously is throwing orange peels onto the road when suddenly the father stops the car and tells his son ... See full summary »
A look at three girls, young teens, in the era of the Beatles. Pam lives with parents who haven't spoken directly to each other in two years, using their daughters to talk across the table ... See full summary »
Based solely on a tea leaf reading, superstitious and introspective Kay believes she and Louis are destined to fall in love with each other, he who she is able to convince of the same despite he just having gotten engaged to her co-worker, Cheryl. That destiny may change with the fortunes of what she sees as the next symbol of their relationship, a somewhat sickly elder tree Louis plants in their garden for their one year anniversary. Their relationship is placed under a strain with the arrival of Kay's formerly institutionalized sister Dawn - nicknamed Sweetie - and Sweetie's current boyfriend, Bob, who Sweetie believes will help her get into show business. Kay's pleas to her father Gordon to help get Sweetie out of her house go largely ignored, as he has never judged Sweetie, who he still sees as his performing loving little girl. Gordon is facing his own issues as Kay and Sweetie's mother, Flo, has just left him on a trial separation, their issues largely stemming from his ... Written by
an original vision..consistently followed through.
The humour is what sets this film apart (as well as lush and particular style of framing/lighting) that makes the film world of "Sweetie" feel idiosyncratic, nightmarish and lurid.
Whether or not it's your cup of tea, (and a pastel pink cup full of sacharine and strichnine is not everybody's cup of tea) it has to be applauded on a critical level.
Along with contemporary Australian classics "The Night The Prowler" "Strictly Ballroom" "Starstruck" and "The Cars that Ate Paris" this film was the innovator of what later became a formula for Australian funding models vis a vis...quirky.
But the early work was wonderfully dark and had a knowing sense of camp -- where later work failed.
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