Max Baron (James Spader) is a 27-year-old high-flying advertising executive still recovering from the death of his wife. One night he is in a bar when he meets Nora Baker (Susan Sarandon), ... See full summary »
The life of several people whose lives revolves around a typical Montreal Guest House at the "Plateau-Mont-Royal" district. The main caracter, Symphorien, is a naive but sympathetic fellow,... See full summary »
A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.
Benicio Del Toro,
Ann is married to John, who is having an affair with her sister Cynthia. Ann's a quiet type and unwilling to let herself go. When John's old friend, Graham, shows up, all their lives change. Graham likes to videotape interviews with women. Written by
Each of the four main characters reflects a part of Steven Soderbergh's personality. "At times, I've acted very much like the husband (who is having a torrid affair with his wife's sister)," he told the Chicago Tribune. "Other times, I've been in the Graham mode (the husband's impotent friend, who relates to women sexually only by videotaping them talking about their sex lives). I've also been like Cynthia (sleeping with her sister's husband) when there was a political content to my relationships with women. And there are times when I've been like Ann (the frigid wife), feeling very prudish and put off from sexual things." See more »
When John watches Anne's tape, it doesn't match what we saw when she recorded it. See more »
Garbage. All I've been thinking about all week is garbage. I mean, I just can't stop thinking about it.
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This film is dedicated to Ann Dollard 1956-1988 See more »
The same as you learned in Sunday School, only the exemplars are different
Sex, Lies and Videotape will probably strike the average viewer as irredeemably degenerate, maybe even perverted, since voyeurism is still considered aberrant behavior. But as far as this film is concerned, that's the appearance, not the reality. Whereas the drama revolves to a certain extent around the voyeuristic masturbation of an impotent man, the heart and soul of the film is an unrelenting, hard driving psychological siege on the biggest erogenous zone of all: the brain.
This film is about sex. But it's not about the frothy swapping of fluids and feelings. It's about honesty, without which one can't have intimacy, which is to sexual stimulation what the water valve is to the hydrant. From beginning to end, we see this theme brought into focus by the dramatic contrast between two different relationships the one based on lies and deceit, the other based upon honesty. And guess which one wins out in the long run?
In a sense, it's what your mother and Sunday school teacher taught you all along. But what makes this movie way more interesting than your mother or Sunday school teacher is the level of honesty it suggests is necessary as the basis of a healthy relationship. Ann (Andy McDowell), for example, an acceptably moral person tells the voyeuristic masturbator `You got a problem.' He replies by adding that he has a lot of problems. But, he says, `They belong to me.'
Somehow, the openness about one's problems renders their bile and poison ineffective. `Lilies that fester,' said Shakespeare, `smell far worse than weeds.'
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