| Vittorio Gassman | ... | Uncle Luca | |
| Giancarlo Giannini | ... | Riccardo | |
| Andréa Ferréol | ... | Teresa | |
| Kim Rossi Stuart | ... | Andrea | |
| Beatrice Palme | ... | La Chanteuse | |
| Simona Cavallari | ... | Marina | |
| Stefania Sandrelli | ... | Isabella | |
| Massimiliano Palmese | |||
| David Maunsell | ... | Piero | |
| Paco Reconti | ... | Young uncle Luca | |
| Clelia Rondinella | ... | Luca's mother young | |
| Caterina Boratto | ... | Passante che aiuta Luca | |
| Bruno Corazzari | ... | Il medico | |
| Christine Joan Johnson | ... | Sara | |
| Niels Gullov | ... | William | |
| Richard Berkeley | |||
| Livia Bonifazi | |||
| Carla Cassola | |||
| Roberto Corbiletto | |||
| Pasquale Corrente | |||
| Barbara Folchitto | |||
| Rosa Genovese | |||
| Anne Maj Montonen | (as Anna May Montonen) | ||
| Claudia Pozzi | |||
| Daniele Rocchi | |||
| Elia Schilton | |||
| Robert Spafford | |||
| Herma Wagner | |||
| Paola Mannoni | ... | Voice double: Andréa Ferréol (voice) |
Directed by | |||
| Franco Brusati | |||
Writing credits | ||
| Franco Brusati | (story) | |
| Piero De Bernardi | (screenplay) & | |
| Leonardo Benvenuti | (screenplay) & | |
| Franco Brusati | (screenplay) | |
Produced by | |||
| Guido De Laurentiis | .... | producer | |
| Enzo Doria | .... | producer | |
| Luciano Martino | .... | producer | |
| Leo Pescarolo | .... | producer | |
Original Music by | |||
| Stefano Marcucci | |||
Cinematography by | |||
| Romano Albani | |||
Film Editing by | |||
| Gianfranco Amicucci | |||
Casting by | |||
| Pepi Romagnoli | |||
Production Design by | |||
| Dante Ferretti | |||
Set Decoration by | |||
| Francesca Lo Schiavo | |||
Costume Design by | |||
| Paola Marchesin | |||
Makeup Department | |||
| Maria Vittoria Cascioli | .... | hair stylist | |
| Gino Zamprioli | .... | key makeup artist | |
Second Unit Director or Assistant Director | |||
| Antonio Gesualdi | .... | third assistant director | |
| Rinaldo Ricci | .... | first assistant director | |
| Pepi Romagnoli | .... | second assistant director | |
Art Department | |||
| Nazzareno Piana | .... | assistant production designer | |
| Bruno Tempera | .... | property master | |
Sound Department | |||
| Romano Checcacci | .... | sound mixer | |
| Sandro Pallottini | .... | dubbing technician | |
| Roberto Petrozzi | .... | sound engineer | |
Camera and Electrical Department | |||
| Gianni Caramanico | .... | still photographer (as Giovanni Caramanico) | |
| Bernard De Vries | .... | second assistant camera | |
| Paolo Di Stefano | .... | electrician | |
| Roberto Gengarelli | .... | first assistant camera | |
| Stefano Ricciotti | .... | camera operator | |
Costume and Wardrobe Department | |||
| Maria Luisa Montalto | .... | assistant costume designer | |
Editorial Department | |||
| Roberto Amicucci | .... | assistant editor | |
| Christian Calitri | .... | assistant editor | |
Music Department | |||
| Raffaello Angellini | .... | musician: cello | |
Other crew | |||
| Anita Borgiotti | .... | script supervisor (as Maria Anita Borgiotti) | |
| Vincenza Capone | .... | administrator | |
| Ivana Fedele | .... | assistant dubbing director | |
| Dorina Mari | .... | administrator | |
| Matteo Spinola | .... | publicist | |
| Nicoletta Vegezzi | .... | script supervisor | |
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| Compagni di scuola | Cari fottutissimi amici | Ciao, Professore! | Speriamo che sia femmina | Superfantozzi |
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| Full cast and crew | Company credits | IMDb Comedy section |
| IMDb Italy section |
*** This review may contain spoilers ***
I would say it's a bad title but he really is sleazy--and beautiful. This is a great example of the you-forgive-his-sins-because-he's-an-artist movie. Like The Horse's Mouth but darker, deeper and funnier. Vittorio Gassman as the poet who won't draw the line at molesting women, stealing, lying yet his charm, innocence and life force conquer all. There's still something painful in the sins, and he has to go through a trial to work some of that out, for the viewer. Yet there's always another yet. Giancarlo Giannini shows humanity as the bourgeois foil. The movie isn't quite consistent: Gassman's crude hitting on women in a movie theater in the beginning seems unnecessary when you later see his seductive charm at work. He tries to sell, literally, a black mistress, who won't be sold. This odd scene seems more written than lived. He lies to a sympathetic niece, shaming her for suspecting his actual crime. Hard to take--but that's part of the point. You laugh, give in, and wonder about morality versus life. This guy really seems beyond good and evil. The end is touching, both sad and happy.