Father Maurice, a priest living in a residential college for priests in Rome, is called out one day to "exorcise" the devil from someone. The devil turns out to be in the form of a ... See full summary »
Necchi (a bar owner), Perozzi (a journalist), Melandri (an architect) and Mascetti (a broken nobleman) live in Florence. They have been friends since their youngest years and spend every ... See full summary »
Traces events in the life of Carlo, from his christening in 1906, where his grandfather reminds his father that Carlo means "free man," to his 80th birthday party. The film principally ... See full summary »
A wealthy manufacturer agrees to a tantalizingly dangerous proposition in the Italian film L'Attrazione (1987). As a guest at the villa of an eccentric host, the industrialist is challenged... See full summary »
An evening at an Italian restaurant. Hosted by tolerant and relaxed Flora, various parties of middle-class people come in -- large and small, young and old, regulars and tourists, married ... See full summary »
Molinat is assigned to the case of a man found with a bullet in his ear on the shore of a little Atlantic coast resort he knows well. Indeed, he used to live there before his wife ... See full summary »
In a bleak rundown industrial area a young woman, Giuliana, tries to cope with life. She's married to Ugo the manager of a local plant but is soon having an affair with one of his ... See full summary »
Twisted and hilarious. Nietzschean morality and uncanny charm.
I would say it's a bad title but he really is sleazy--and beautiful. This is a great example of the you-forgive-his-sins-because-he's-an-artist movie. Like The Horse's Mouth but darker, deeper and funnier. Vittorio Gassman as the poet who won't draw the line at molesting women, stealing, lying yet his charm, innocence and life force conquer all. There's still something painful in the sins, and he has to go through a trial to work some of that out, for the viewer. Yet there's always another yet. Giancarlo Giannini shows humanity as the bourgeois foil. The movie isn't quite consistent: Gassman's crude hitting on women in a movie theater in the beginning seems unnecessary when you later see his seductive charm at work. He tries to sell, literally, a black mistress, who won't be sold. This odd scene seems more written than lived. He lies to a sympathetic niece, shaming her for suspecting his actual crime. Hard to take--but that's part of the point. You laugh, give in, and wonder about morality versus life. This guy really seems beyond good and evil. The end is touching, both sad and happy.
7 of 8 people found this review helpful.
Was this review helpful to you?