A jilted husband takes his revenge by filming his wife and her lover and showing the result at the local cinema. This was one of Starewicz' first animated films, and stars very realistic ... See full summary »
Gianni, Nicola and Antonio become close friends in 1944 while fighting the Nazis. After the end of the war, full of illusions, they settle down. The movie is a the story of the life of ... See full summary »
Stuck in a dark limbo between life and death, a deceased soldier Nathan Rijckx collects shadows of dying men and women to buy back his own second chance at life. Obsessed by a girl he met ... See full summary »
Tom Van Avermaet
Peter van den Eede
Jerzy is a writer and a chronic alcoholic. We meet him at the point when he believes that he can beat his addiction. Him and her in bed. Somebody says "I love you". It seems that there is a... See full summary »
Twisted and hilarious. Nietzschean morality and uncanny charm.
I would say it's a bad title but he really is sleazy--and beautiful. This is a great example of the you-forgive-his-sins-because-he's-an-artist movie. Like The Horse's Mouth but darker, deeper and funnier. Vittorio Gassman as the poet who won't draw the line at molesting women, stealing, lying yet his charm, innocence and life force conquer all. There's still something painful in the sins, and he has to go through a trial to work some of that out, for the viewer. Yet there's always another yet. Giancarlo Giannini shows humanity as the bourgeois foil. The movie isn't quite consistent: Gassman's crude hitting on women in a movie theater in the beginning seems unnecessary when you later see his seductive charm at work. He tries to sell, literally, a black mistress, who won't be sold. This odd scene seems more written than lived. He lies to a sympathetic niece, shaming her for suspecting his actual crime. Hard to take--but that's part of the point. You laugh, give in, and wonder about morality versus life. This guy really seems beyond good and evil. The end is touching, both sad and happy.
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