When a friendless old widow dies in the seaside town of Crythin, a young solicitor is sent by his firm to settle the estate. The lawyer finds the townspeople reluctant to talk about or go ... See full summary »

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Cast

Cast overview, first billed only:
...
Bernard Hepton ...
David Daker ...
Josiah Freston
...
...
Sweetman
...
John Cater ...
Arnold Pepperell
John Franklyn-Robbins ...
Reverend Greet
Fiona Walker ...
William Simons ...
Robin Weaver ...
Bessie
...
Stella's Mother
Joseph Upton ...
...
Rolfe
...
Jackie (as Andrew Nyman)
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Storyline

When a friendless old widow dies in the seaside town of Crythin, a young solicitor is sent by his firm to settle the estate. The lawyer finds the townspeople reluctant to talk about or go near the woman's dreary home and no one will explain or even acknowledge the menacing woman in black he keeps seeing. Ignoring the towns-people's cryptic warnings, he goes to the house where he discovers its horrible history and becomes ensnared in its even more horrible legacy. Written by D.A. Kellough <dkelloug@infinet.com>

Plot Summary | Add Synopsis

Taglines:

A spine-chilling ghost story

Genres:

Horror | Mystery

Parents Guide:

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Details

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Release Date:

24 December 1989 (UK)  »

Also Known As:

Asszony feketében  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastman Colour)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Actress Fiona Walker (Mrs. Toovey) is the wife of director Herbert Wise. See more »

Goofs

When Mr. Kidd is in the nursery for the first time, just before the toy soldier is supposed to magically appear in his hand, you can see the actor reach into his pocket and retrieve said object then conceal it in his palm. See more »

Connections

References The Gold Rush (1925) See more »

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User Reviews

A forgotten gem
9 July 2004 | by (United Kingdom) – See all my reviews

The book is sinister. The stage play is scary.

The film is devastating.

Pauline Moran's brief appearances as The Woman fill the whole film with a sense of doom and terror. She's seen in the background, almost out-of-focus, a few times. The leering, grimacing expression, white face and red eyes, on the rare occasions they fill the screen, will make your heart stop with terror.

No gore and splatter. No blood, swearing and screaming. This is an old-fashioned ghost story. It has a perfect, atmospheric representation of an isolated community, haunted by something so awful that the locals cannot bear to mention it. The innocent newcomer landed in the middle of this terrorised community quickly gains the audience's sympathy but ... wait ... is that the ghost? No. It's only a shadow. ... Hush ... is that the ghost? No. It's only a creaking floorboard. Here she comes. She's coming to get you. You have no escape.

She is the very image of evil, and she wants to make others as unhappy as she herself was. She can pick her moment. She can pick her place. One you are in her sights, you will not get away. The Woman In Black does not rush to tell you the whole story. It doesn't spoil the shocks by revealing everything at once. Little hints to The Woman's origins sneak out one by one, and taint the entire film with dread.

Several other reviews mention The Woman's biggest appearance, and I can only repeat the other comments. One of the most frightening, shocking, unexpected, sudden moments that telly has ever produced. I found myself pushing further and further back into my chair, trying to get away from the television screen.

Simple, old fashioned story telling, with a great story and great performances. Unforgettable.


58 of 77 people found this review helpful.  Was this review helpful to you?

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