Own the rights?
Actually as a documentary of the Wodaabe, this television film leaves much to be desired. There is a brief discussion of the enlarging Sahara and the problem of lack of rain. However this is undercut by actually filming just after one of the rare periods when it did rain. There is also a brief segment on the shanty town next to the uranium mines. Then these are dropped. The major interest is the male beauty competition. The faces of the contestants are scanned as an introduction, and most of the second half of the film is about the competition. This aspect is certainly interesting, and the young men's makeup and clothing is in dramatic contrast to construction of masculinity in the dominant global culture. We think of such makeup and restrictive clothing as feminine. Their appearance is somewhat like drag in Europe/North America, but then yet again is quite different. When the selected young woman walks past the finalists, she does not look them in the face - she appears to be looking mainly at the ground. This aspect of Wodaabe femininity should be explained and contrasted to other male-female interactions.Do they use mirrors to apply their makeup. None are seen, but some of the young men are holding their hands as if they have a mirror, but this is not confirmed by the camera.Amazingly, there are no tourists at the festival. Only the German camera crew. We are not shown how the Wodaabe relate to being filmed by these foreigners.As this film was made for French television, and the opening titles and commentary and the closing credits are in French, should not the French title be the prime one?
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