The ghost of John Belushi looks back on his troubled life and career, while journalist Bob Woodward researches Belushi's life as he prepares to write a book about the late comic actor.



(book), (screenplay)

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Cast overview, first billed only:
Angel Velasquez
Cathy Smith
Arnie Fromson
Gary Groomes ...
Lou Connors
Washington Post Editor
Comedy Coach
Studio Executive
Matthew Faison ...
Doctor Robbins


We open up on the evening of March 5, 1982, with the dead body of John Belushi being reeled into a morgue. Suddenly, he awakens as if nothing had happened to him, and is about to undergo an autopsy. Frightened and confused, John goes back to retrace his steps, and find out what went wrong with his life. Meanwhile, journalist Bob Woodward researches Belushi's life as he prepares to write a book about the late comic actor. The story climaxes with Woodward directly conversing with Belushi during the actor's dying moments. Written by Anonymous

Plot Summary | Add Synopsis


For John Belushi, every night was Saturday Night. See more »


R | See all certifications »




Release Date:

25 August 1989 (USA)  »

Also Known As:

Belushi - Wired  »

Filming Locations:


Box Office


$1,089,000 (USA)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
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Did You Know?


Michael Chiklis' participation in Wired derailed the actor's career for 18 months: "After Wired (1989), everyone was afraid to touch me for fear of reprisal... It was a bittersweet situation. All of a sudden, I was starring in a major motion picture and the next thing you know, I'm being asked by reporters, 'Do you think you'll be blackballed?'" See more »


Angel Velasquez: Hey, I seen your movies, man.
John Belushi: [excited] Oh yeah? Which one?
Angel Velasquez: The one where you played a coke addict. You's a funny guy.
John Belushi: [unamused] Oh thanks. Thanks a lot.
Angel Velasquez: But you died in the end... all fucked up.
John Belushi: Hey, wait a minute... who are you?
Angel Velasquez: My friends call me Angel.
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References Saturday Night Live (1975) See more »


Two Thousand Pound Bee
Written by Mel Taylor and Don Wilson
Performed by The Ventures
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User Reviews

22 January 2013 | by (São Paulo, Brazil) – See all my reviews

It's so bad that even the Razzie's couldn't award this as being the worst movie of that year. It's too painful that John Belushi fans or even fans from the people involved with this garbage have to go through hell torturing themselves just to see how low this can get. But as common knowledge (and Coldplay!) says: if you never try you'll never know. Well, I went for it and hated it. Really hated it. Now I know! It was depressive, sad, messy, sickening to watch this, one of the most unglorifying portrayals ever presented of an artist. Fine, we know Belushi wasn't so much of a good person and who is anyway but to point fingers for most of the film saying "You were nothing but a drug addict who lived most of your days as if they were endless Saturday nights, party all the time and few responsibilities" is a low act. He was there for us in several classics such as "The Blues Brothers", "Animal House" and a few others, and also as being a great comedian with his famous appearances in SNL; and to reduce the man as being a loud cokehead is shameless and atrocious.

Not just the portrayal that bothers, the way this was written and presented is terrible as well. I refuse to say the writer of this wrote a screenplay, he made something else but not a screenplay. He took Bob Woodward's biographical work, used very little of facts and invented countless devices in order to make this appealing or as the next "Citizen Kane" due to its several flashbacks and the point of view of a journalist - represented by Woodward as a character (played by J.T. Walsh) investigating the final moments of the actor, interviewing people who knew him. It gets truly ridiculous when Woodward is taken to the very fatidic day of Belushi's death. But until that moment comes, we were already introduced to a taxi driver who is an angel of death who not only takes Belushi (played by Michael Chiklis, way before of The Shield fame) to the afterlife passing back through moments of his life and work but also he has the "power" of delivering the man to hell (a possible homage to "The Seventh Seal" but instead of a chess game it's a pinball game who'll might save John's life). Where does one came up with those ideas? The only praise I give to this involves the presentation of a film director based on John Landis. Since they couldn't use his name due to a possible lawsuit, they picked an actor who resembled him (but not that much) possibly filming "The Blues Brothers" and there's a hint of whom he might be because of a background noise of helicopters flying around (referencing the future tragedy of "The Twilight Zone: The Movie" happened in Landis segment).

There's nothing special about "Wired". Nothing. There's just too many things in it, and none of them are serviceable enough to make us interested enough. Biographical pieces tend to present good and bad moments of a person analyzed; "Wired" doesn't do that, just focus on the negative and destructive side of Belushi. And when the movie seems to be presenting his trajectory whether performing his Blues Brothers gigs or shooting a movie or the SNL skits, they're never energic, funny, careful. Worst of all: it doesn't look happy and one can say that most of those memorable moments were some of his happiest, joyful and important things in his life. Drama is cheesy and ridiculous, the comedy numbers don't provide laughs of any kind; the musical performances work sometimes. Everything goes without enthusiasm.

What's left to be said about "Wired"? The acting. Chiklis almost impressed me from time to time in playing Belushi (the first scene was one of those parts) but in the end it's just another case of an actor impersonating another actor, it goes on and off and it's disappointing. But one cannot deny some talent from his part, he can hold a movie along as the lead. I really felt bad watching one of my favorite character actors involved in this and worst he's not doing well his part. The Woodward played by Walsh doesn't sound or behave like a reporter, he seems quite naive about Hollywood and famous, making dumb questions that even viewers know the answers, he isn't intrusive as he could be and like most reporters are. The rest of the cast (Alex Rocco, Dakin Mathews, Patti D'Arbanville, Tom Bower and others) all seem to be embarrassed in their supportive roles. Best thing of the show is the guy who plays the angel, although he's a bit annoying, you can find some humor in him.

All the curiosity in the world doesn't worth wasting one hour in this, clearly one of the worst biopics ever made. 1/10

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