A young widower moves with his daughter into a North Carolina mountain town in 1934. He quickly takes up with a young woman with an illegitimate baby. First he must prove himself to her ... See full summary »
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The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
A soldier is dumped on a waste disposal planet and lives among a community of crash survivors on the planet and takes it upon himself to defend his new home when genetic engineered soldiers are ordered to eliminate the crash survivors.
Paul W.S. Anderson
Jason Scott Lee,
Young man is sucked into an unnamed religious cult by beautiful girl and gets increasingly under the mind control of the cult leader. After his parents fail in their efforts to talk him out... See full summary »
A young widower moves with his daughter into a North Carolina mountain town in 1934. He quickly takes up with a young woman with an illegitimate baby. First he must prove himself to her father and her three brothers. He does so first by joining them on a bear hunt and then by designing a clock tower for the small community. Trouble comes when it is revealed that the baby's father is the demented son of a mean clan across the river and they mean to take the child back. Written by
John Sacksteder <firstname.lastname@example.org>
Strong characters the focus of this exciting drama
Deceptively marketed as a "Deliverance" retread, it has, in fact, more in common with Peter Weir's "Witness" and Richard Pearce's "Heartland". Kurt Russell plays Wayland Jackson, a humble widower who begins a new life with his daughter in North Carolina. When he meets and falls in love with Collie Wright (Kelly McGilis), he must prove his mettle to her father (Lloyd Bridges) and deal with local animosity towards him.
Director Ted Kotcheff, who also made "First Blood", "Uncommon Valor" and the brilliant "Split Image", a scathing look at a religious sect, brings his considerable experience with personal politics to this well made, beautifully acted, snow-bound drama.
The film's last act is where the violence flares and the stage is set for several bloody, taut altercations. The film, however, never loses sight of its personal story and focuses closely on the courage and resilience of good, honest folk.
John Scott's score is hypnotic.
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