| Photos (see all 13 | slideshow) | Videos |
| Julian Sands | ... | Warlock | |
| Lori Singer | ... | Kassandra | |
| Richard E. Grant | ... | Giles Redferne | |
| Mary Woronov | ... | Channeler | |
| Kevin O'Brien | ... | Chas | |
| Richard Kuss | ... | Mennonite | |
| Allan Miller | ... | Detective | |
| Anna Levine | ... | Pastor's Wife | |
| David Carpenter | ... | Pastor | |
| Kay E. Kuter | ... | Proctor | |
| Ian Abercrombie | ... | Magistrate #1 | |
| Kenneth Danziger | ... | Magistrate #2 | |
| Art Smith | ... | Scribe | |
| Robert Breeze | ... | Jailor | |
| Frank Renzulli | ... | Cabbie | |
| Brandon Call | ... | Little Boy | |
| Nancy Fox | ... | Boy's Mother | |
| Harry Johnson | ... | Farmer | |
| Juli Burkhart | ... | Daughter-in-Law | |
| Rob Paulsen | ... | Gas Station Attendant | |
| Peter Sherayko | ... | Cop | |
| Gyl Roland | ... | Ticket Agent | |
| Meta King | ... | Flight Attendant | |
| Bill Dunnam | ... | Railroad Employee | |
| Wendy Feiner | ... | Passenger |
Directed by | |||
| Steve Miner | |||
Writing credits(WGA) | ||
| David Twohy | (written by) (as D.T. Twohy) | |
Produced by | |||
| Morgan Michael Fottrell | .... | associate producer | |
| Arnold Kopelson | .... | executive producer | |
| Steve Miner | .... | producer | |
| Brian Yuzna | .... | executive producer (1991 version for Trimark Pictures) | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| David Eggby | |||
Film Editing by | |||
| David Finfer | |||
Casting by | |||
| Melissa Skoff | |||
Production Design by | |||
| Roy Forge Smith | |||
Art Direction by | |||
| Jon Gary Steele | |||
Set Decoration by | |||
| Jennifer Williams | |||
Costume Design by | |||
| Louise Frogley | |||
Makeup Department | |||
| Leslie Ann Anderson | .... | hair stylist | |
| Carl Fullerton | .... | visual makeup effects | |
| Pat Gerhardt | .... | makeup artist | |
| Neal Martz | .... | visual makeup effects | |
| Peter Montagna | .... | assistant makeup artist | |
| Peter Montagna | .... | special makeup effects artist | |
| Dan Platt | .... | special makeup effects artist | |
Production Management | |||
| Morgan Michael Fottrell | .... | unit production manager | |
| Ann Wycoff | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Matt Earl Beesley | .... | first assistant director | |
| Frank Capra III | .... | second assistant director | |
| David R. Ellis | .... | second unit director | |
Art Department | |||
| Craig B. Ayers Sr. | .... | greensman | |
| Edwin M. Brewer | .... | property master | |
| Jo Brown | .... | head scenic | |
| Kelly Deco | .... | scenic paint foreman | |
| Doug Lefler | .... | storyboard artist | |
| Claire Levinson | .... | set dresser | |
| Marc Meisels | .... | set dresser | |
| Josh Olson | .... | art department coordinator | |
| Tal Wallace | .... | mason foreman | |
| W. Wayne Walser | .... | construction coordinator | |
| Everett D. Wilson | .... | scenic artist | |
| Gary Wissner | .... | assistant art director | |
| Christopher Gilman | .... | props (uncredited) | |
Sound Department | |||
| Ken Beauchene | .... | boom operator (as Ken Beauchane) | |
| G.W. Brown | .... | adr editor | |
| David E. Campbell | .... | sound re-recording mixer | |
| Dane A. Davis | .... | supervising sound editor | |
| Thom 'Coach' Ehle | .... | stereo sound consultant: Dolby | |
| Tom Hammond | .... | foley editor | |
| Trillby Kim Lowe | .... | dialogue editor (as Kimberly Lowe Voigt) | |
| John T. Reitz | .... | sound re-recording mixer | |
| Joan Rowe | .... | foley walker | |
| Gregg Rudloff | .... | sound re-recording mixer | |
| Lee Strosnider | .... | sound mixer | |
| James M. Tanenbaum | .... | sound mixer | |
| Lee Tinkham | .... | foley mixer | |
| Todd Toon | .... | assistant sound editor | |
| Jerry Trent | .... | foley walker | |
Special Effects by | |||
| Ken Pepiot | .... | special effects coordinator | |
Visual Effects by | |||
| Esther Barr | .... | effects animator: Perpetual Motion Pictures (as Ester Barr) | |
| Michael Bigelow | .... | motion control supervisor: Dream Quest Images (as Mike Bigelow) | |
| Jeff Burks | .... | animation supervisor: Dream Quest Images | |
| Jeff Burks | .... | effects animator: Perpetual Motion Pictures | |
| Dan Chaika | .... | effects assistant animator: Perpetual Motion Pictures (as Daniel Chaika) | |
| Nina Chierichetti | .... | rotoscope artist: Perpetual Motion Pictures | |
| Rene Clark | .... | production assistant: Perpetual Motion Pictures | |
| Lee Crowe | .... | effects assistant animator: Perpetual Motion Pictures (as Lee Sperling) | |
| C. Marie Davis | .... | visual effects editor: Dream Quest Images (as Marie Davis) | |
| Isobel DeLuca | .... | administrative assistant: Perpetual Motion Pictures (as Isobel De Luca) | |
| Charles L. Finance | .... | production supervisor: Perpetual Motion Pictures | |
| Alex Funke | .... | blue screen photography: Perpetual Motion Pictures | |
| James Green | .... | matte photographer: Dream Quest Images | |
| Field Gruser | .... | intern: Perpetual Motion Pictures | |
| Robert Habros | .... | visual effects supervisor: Perpetual Motion Pictures | |
| Patrick Read Johnson | .... | visual effects coordinator/miniature construction: Perpetual Motion Pictures | |
| Bill Knoll | .... | effects assistant animator: Perpetual Motion Pictures (as William Knoll) | |
| Kevin Kutchaver | .... | effects animator: Perpetual Motion Pictures | |
| Laine Liska | .... | stop-motion animator: Perpetual Motion Pictures | |
| George Lockwood | .... | optical camera operator: Perpetual Motion Pictures | |
| Richard Malzahn | .... | software programer: Perpetual Motion Pictures | |
| Mauro Maressa | .... | animation supervisor: Perpetual Motion Pictures | |
| Jeff Matakovich | .... | optical supervisor: Dream Quest Images | |
| Barry A. Nolan | .... | plate photography supervisor: Perpetual Motion Pictures | |
| Don Nolan | .... | software programer: Perpetual Motion Pictures | |
| Patty Paulick-Peraza | .... | effects animator: Perpetual Motion Pictures (as Patty Peraza) | |
| Kathleen Quaife-Hodge | .... | effects animator: Perpetual Motion Pictures | |
| Robert Scifo | .... | matte artist: Dream Quest Images (as Bob Scifo) | |
| Keith Shartle | .... | visual effects producer: Dream Quest Images | |
| Ed Thompson | .... | effects inbetweener: Perpetual Motion Pictures | |
| James Valentine | .... | rotoscope supervisor: Dream Quest Images | |
| Randy Weeks | .... | effects assistant animator: Perpetual Motion Pictures | |
| David S. Williams Jr. | .... | optical department supervisor: Perpetual Motion Pictures | |
| Megan Williams | .... | effects animator: Perpetual Motion Pictures | |
| James Balsam | .... | motion control camera operator: Dream Quest Images (uncredited) | |
| George Muhs | .... | visual effects: Dream Quest Images (uncredited) | |
Stunts | |||
| Steven Chambers | .... | stunts (as Steve Chambers) | |
| Jeffrey J. Dashnaw | .... | stunts (as Jeffrey James Dashnaw) | |
| Doc Duhame | .... | stunts | |
| Annie Ellis | .... | stunts | |
| David R. Ellis | .... | stunt coordinator | |
| Richard M. Ellis | .... | stunts (as Richard Miller Ellis) | |
| Tracy Keehn-Dashnaw | .... | stunts (as Tracy Lyn Keehn) | |
| John Meier | .... | stunts (as John C. Meier) | |
| David Welch | .... | stunts | |
Camera and Electrical Department | |||
| William D. Barber | .... | first assistant camera | |
| Michael Becker | .... | still photographer | |
| John T. Connor | .... | camera loader | |
| Skip Cook | .... | dolly grip | |
| Robert Driskell | .... | gaffer | |
| Scott Fuller | .... | second assistant camera | |
| Rick Herrington | .... | best boy | |
| Walt Lloyd | .... | camera operator | |
| Roland Neveu | .... | special photographer | |
| Randy Nolen | .... | Steadicam operator | |
| Bruce M. Pasternack | .... | camera operator | |
| Richard Ricci | .... | rigging gaffer | |
| Dylan Shephard | .... | key grip | |
| Cheryl Tyre Smith | .... | second assistant camera | |
| Michael Snyder | .... | best boy | |
| William M. Weberg | .... | grip | |
| Michael J. Wheeler | .... | first assistant camera | |
| Buddy Wilson | .... | electrician | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| Debi Manwiller | .... | casting associate | |
Costume and Wardrobe Department | |||
| Carol Fisher-Mann | .... | seamstress | |
| Mary Law Weir | .... | costume supervisor | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
Music Department | |||
| Jerry Goldsmith | .... | conductor | |
| Robin Gray | .... | scoring engineer | |
| Kenneth Hall | .... | music editor (as Ken Hall) | |
| Arthur Morton | .... | orchestrator | |
Transportation Department | |||
| Lyle Christensen | .... | driver: camera car | |
| Eddie Lee Voelker | .... | transportation coordinator | |
Other crew | |||
| Lee Blaine | .... | production assistant | |
| Bundy Chanock | .... | set medic | |
| Wendy Feiner | .... | stand-in | |
| Kenneth Mancebo | .... | production accountant | |
| Craig Pointes | .... | location manager | |
| Eliot Sekuler | .... | unit publicist | |
| Janet Lee Siegel | .... | production coordinator | |
| Andy Spilkoman | .... | production assistant | |
| Brad Stephens | .... | publicist | |
| Tracey Weddle | .... | script supervisor | |
| John Wildermuth Jr. | .... | production assistant | |
| Daniel Veluzat | .... | location liaison (uncredited) | |
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| Warlock: The Armageddon | Stardust | The Ninth Gate | Doctor Mordrid | Inferno |
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A witch hunter (Richard. E. Grant) is chasing an evil warlock (Julian Sands) that got transported from the 17th century to 1980's Los Angeles. With help from a young woman (Lori Singer) who's received a hex from the warlock, they team up and rush against the clock to stop him from getting his hands on the pages of the Grand Grimoire (satanic bible) and in doing so he could undo all creation.
Director Steve Miner (Friday the 13th Part 2 & 3, House) achieves probably his best film in "Warlock". Some people might say his best is "Lake Placid", but I couldn't stand that annoying film myself. Anyhow, the fact is the plot of "Warlock" might be very formulaic and lack depth in the religious lingo, but he delivers a pleasurable supernatural chase thriller here. Involving some enterprising performances that go in hand-to-hand with the well-paced story, witty humour and energetic action scenes. All of these elements seem to gel perfectly for an incredibly fun ride that hardly has a dull moment to be had.
There are some nice effects are on show (warlock flying through the sky) and good makeup is provided. The violence is hardly graphic, but there's some mild graphic scenes and implied violence too. Miner adds in some nice added touches with extremely solid direction that keeps a solid pace and well-orchestrated camera-work that captures the rather exquisite scenery when the film takes a detour in the countryside. Not particularly suspenseful or uneasy viewing, but well organised action set pieces, some horrific sequences and humorous moments (ingenious ending) makes up for it. There are some well-organised scenes of excitement and thrills, especially the sequences involving a farmhouse and a terrific climax in the eerie graveyard. It's layered with a potent score by Jerry Goldsmith that builds on some rare tense scenes, but more on the rapid mood of the film.
What truly make the film standout are riveting performances even though they feel hammy. There is such an excellent blend of chemistry between the leads. With each of them throwing back and forth to each other smart and witty dialogue. Julian Sands central performance leaps out as a powerful warlock out to destroy mankind. He fit's the role perfectly with this deviously venomous presence about him. Richard. E. Grant is charming as the very determined warlock hunter Giles Redferne. When these two characters meet, the confrontations between them always spices up the film. Lori Singer is enjoyable as the unknowingly Kassandra who adds to the humour and zest of the film.
The film might be nothing out of the ordinary, but you can't deny the upbeat tempo of a thrilling adventure that leads you on a whirlwind trip from Los Angeles to Boston.