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Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman. The lover, Valmont, bets that he can seduce her, even though she is an honorable woman. If he wins, he can have his lover to do as he will. However, in the process of seducing the married woman, Valmont falls in love. Based on the same novel as "Dangerous Liaisons." Written by
Ed Sutton <firstname.lastname@example.org>
I must confess that the first time I saw that movie, few years after it's release, I couldn't help, but find it a pale version of Stefan Freirs "Dangerous Liaison". Recently I have seen both movies and I must say that my opinion is quite the opposite now. In "Valmont" everything is subtle and I think this is why most people didn't get it. You can destroy someone's life without having written "I'm Bad!" on your forehead. With her slow-velvet voice Annette Bening is a snake under a rock:she is terrifying. As for Colin Firth's Valmont he is charming, he flies like a butterfly, but he knows exactly what he is doing. We believe in his seduction not because we are told to but because we are seduced ourselves. People have been saying that Valmont was too light, too boyish. There is nothing boyish in the way he says at Mme de Tourvelle "Is that what you want?" You see at that point how his hight-pitched voice, that goes with his voice and smile, is only a mask, as powder was John Malkovitch's mask. Colin Firth said that Milos Forman was too subtle for his own good and I think this is why some people can still find "Dangerous Liaisons" more powerful. As for "Valmont" even if the end is a bit weak, I wouldn't hesitate to say that it is from far the best version of the two movies. For those who go by the book, as I once did, you might be puzzled by the differences with the original story but for its deep sensitivity, its wonderful cast and this art of subtlety, it's really worth every moment of it.
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