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Directed by | |||
| Jay Levey | |||
Writing credits | ||
| 'Weird Al' Yankovic | (written by) (as Al Yankovic) & | |
| Jay Levey | (written by) | |
| Charles Holloway | Conan the Librarian sketch (uncredited) | |
Produced by | |||
| Joe M. Aguilar | .... | associate producer (as Joe Aguilar) | |
| Becki Cross | .... | associate producer | |
| Gray Frederickson | .... | executive producer | |
| Deren Getz | .... | co-producer | |
| John W. Hyde | .... | producer | |
| Gene Kirkwood | .... | producer | |
Original Music by | |||
| John Du Prez | |||
Cinematography by | |||
| David Lewis | |||
Film Editing by | |||
| Dennis M. O'Connor | |||
Casting by | |||
| Barbara Hanley | |||
| Cathy Henderson | |||
Production Design by | |||
| Ward Preston | |||
Set Decoration by | |||
| Robert L. Zilliox | |||
Costume Design by | |||
| Tom McKinley | |||
Makeup Department | |||
| Allan A. Apone | .... | makeup effects supervisor | |
| Lynne K. Eagan | .... | hair department head | |
| Lynne K. Eagan | .... | makeup department head | |
| Suzy Graham | .... | assistant makeup artist | |
| Roseanne McIlvane | .... | hair stylist | |
| Roseanne McIlvane | .... | makeup artist | |
| Douglas J. White | .... | special makeup effects artist (as Doug White) | |
Art Department | |||
| Michelle Baron | .... | set dresser | |
| Jennifer Wyatt-Beasley | .... | art department swing gang | |
Sound Department | |||
| Ara Ashjian | .... | sound recordist | |
| Christopher Assells | .... | sound editor | |
| Charles R. Beith Jr. | .... | sound editor | |
| Gregory Cheever | .... | sound recordist (as Greg Cheever) | |
| Clayton Collins | .... | sound editor (as Clay Collins) | |
| Andy D'Addario | .... | sound re-recording mixer | |
| Dino Dimuro | .... | sound editor | |
| G. Michael Graham | .... | sound editor | |
| Jeffrey J. Haboush | .... | sound re-recording mixer (as Jeffrey Haboush) | |
| Bo Harwood | .... | sound mixer | |
| Dan Hegeman | .... | sound editor (as Daniel Hegeman) | |
| A. David Marshall | .... | sound editor | |
| Diane Marshall | .... | sound editor | |
| Dave McMoyler | .... | supervising sound editor | |
| Art Schiro | .... | sound recordist | |
| Scott A. Tinsley | .... | sound editor (as Scott Tinsley) | |
Special Effects by | |||
| Mike Menzel | .... | special effects | |
Visual Effects by | |||
| John Coats | .... | visual effects producer (as John Coates) | |
| Tim Donahue | .... | miniatures and art directiorn: Introvision | |
| John Hora | .... | visual effects photography | |
| Richard Kilroy | .... | visual effects art director | |
| William Mesa | .... | visual effects supervisor | |
| Marcus Tate | .... | visual effects cameraman | |
| Ron Yates | .... | visual effects art director: Introvision | |
| Susan Zwerman | .... | visual effects producer: fantasy sequence and music videos | |
Stunts | |||
| George Fisher | .... | stunts | |
| Dennis Madalone | .... | stunts | |
Camera and Electrical Department | |||
| Patric J. Abaravich | .... | assistant chief lighting technician: second unit | |
| Dante Cardone | .... | gaffer: visual effects unit | |
| Dave Footman | .... | grip | |
| Tom Keefer | .... | key grip: second unit | |
| Gary Molyneux | .... | dolly grip: "b" camera | |
| Steve Reinhardt | .... | best boy electric | |
| Rick Taylor | .... | second assistant camera | |
| Peter J. Verrando | .... | 24 frame video operator | |
Casting Department | |||
| Barbara Brinkley | .... | local casting | |
| Michael Cutler | .... | casting assistant | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Dale E. Grahn | .... | color timer | |
| Mike Milliken | .... | color timer | |
| Steve Polivka | .... | assistant editor | |
| Lewis Schoenbrun | .... | first assistant editor | |
Music Department | |||
| Katherine Quittner | .... | music editor | |
| Katherine Quittner | .... | music supervisor | |
| Katherine Quittner | .... | composer: additional music (uncredited) | |
| Katherine Quittner | .... | music editor: temp score (uncredited) | |
Transportation Department | |||
| Geno Hart | .... | transportation coordinator | |
Other crew | |||
| Michael Carroll | .... | production assistant | |
| Bonnie Macker | .... | production coordinator | |
| Michael Lembeck | .... | acting coach: Weird Al Yankovic (uncredited) | |
Thanks | |||
| Trinidad Silva | .... | dedicatee | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Michael Richards battling a gang of mobsters with a mop and a staplegun. A clown being smashed with a frying pan, then force-fed dog biscuits. Emo Phillips accidently slicing off his thumb with a tablesaw. And Fran Drescher. Yup, I think it's safe to say that this movie has everything, folks!
"Weird Al" Yankovic's first (and only) movie is everything you would expect from this underappreciated comic genius. It has the same goofy charm as a Weird Al record, and works as an effective visual representation of what Al's music is all about. As you would expect, UHF contains plenty of movie parodies, all of which are spot-on and generally harmless. Die-hard fans can also look forward to seeing a wide array of "Al-isms" like Twinkie-Wiener Sandwiches, detailed rants about bizarre nonsense, usage of the word "weasel", et cetera.
Casual viewers will find the good (U-62) vs. evil (Channel 8) story a bit ho-hum and the humor a little too... Well, a little too weird. But let's face it: this film wasn't made to tell a captivating love story or to inspire us with biting social commentary. It's an excuse for using a new medium to show Al doing what Al does best: being himself. And, as all of us devoted fans can agree, we couldn't possibly ask for anything more! LONG LIVE MR. YANKOVIC!