After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
George Newman (Yankovic) is a normal man. Problem is, he's also a daydreamer, who can't keep hold of a steady job. His uncle decides George will be the perfect man to manage Channel 62, a station which is losing money and viewers fast. George's imagination is put to good use and he starts thinking up bizarre shows such as "Wheels of Fish" and "Raul's Wild Kingdom". The ratings start to soar again, but not everyone is happy. Written by
The Spatula City billboard was purchased by the production and it was placed for the one shot it appears in, for ease of filming it was a billboard on a highway not frequented by many travelers. For this exact reason the billboard was not purchased after the rental period ran out, and the company did not remove the phony advertisement, it is reported that for months after the film finished shooting many travelers turned on the indicated exit and inquired about Spatula City, the ad was removed shortly afterwards when the company began receiving complaints. See more »
When we see the apartment from outside, a car drives in front of the camera, and the camera, the cameraman, and offstage actors are reflected in the side of the car. See more »
Hey, George, you know those crazy dreams you're always having? You think maybe I could be in some of them from now on?
[cut to "Gone With the Wind" set, where George and Teri are dressed like Rhett Butler and Scarlett O'Hara, complete with fake Southern accents]
Honey, from now on you're gonna be in all of 'em!
Honey, let's leave this place right now! Let's go this very minute!
No, George! Let's wait until tomorrow!
But... why? WHY?
Because tomorrow... is ...
[...] See more »
It's very telling that I had to look 15 pages deep into the user comments to find one negative review of this movie. And the negative reviews were from insufferable snots.
This movie made me laugh as a teenager, but it also makes me laugh as a fully grown adult. Does that mean the humor is dumb or sophomoric? Not necessarily. What exactly is "adult humor" anyway? Does it necessarily need to contain graphic depictions of sex and generous uses of profanity to be considered sophisticated and adult?? I contend that it does not, and I cite UHF as an example.
The laughs here are genuine, and they come from lack of pretentiousness and an honest feeling that one need not take oneself too seriously at any given moment. Al lets us know that it's OK to make fun of yourself as well as the rest of society. Much of what he does is self-deprecating, and UHF is no exception. He doesn't stand around making fun of others and establishing an air of superiority over the rest of society. As George Newman, he becomes the everyman, infusing much of his own personality along with his on-stage comedic persona. And he's not afraid to kick himself around and then proceed to pull himself up via his own bootstraps. Nobody else has to be hurt.
Plot has never been a big necessity in these spoof/parody movies. "The Naked Gun," "Airplane," "Top Secret," "Johnny Dangerously," and many others have had the most skeletal of plots. Cop must find and bring to justice bad guy who shot his friend. Burned out ex-pilot must save aircraft when crew dies. Rock and roll star must overthrow Nazi plot. Mobster must overcome those who wish to take him down. And in "UHF" we have Loser Man must save TV station from evil network exec. The plot is not important; it's just a vehicle to get us from laugh to laugh and set up the next joke.
UHF's comedy, though basic, rings true, and if you'll drop all of your pretentious airs, you'll get it. (We all know you're not nearly as sophisticated as you think you are anyway.) Who among us can keep from laughing while Raul teaches poodles to fly? Who can stifle a chuckle when Stanley is doing... well... doing just about everything he does in this film? Al admits in his commentaries and interviews that "UHF" is no "Citizen Kane." But that's the beauty of it. There's nothing complex here. It's all about the laugh, and there's where this movie really scores.
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