A new collection of Weird Al Yankovic's parody and original music videos, including "The Saga Begins" and "All About The Pentiums" from the "Running With Scissors" album and "Bob" from the "Poodle Hat" album.
This is a collection of "Weird Al" Yankovic's music videos from 1983 to 1996. It also includes the title sequence he did for the movie "Spy Hard", without, for some odd legal reason, the actual titles.
Working inside a Walk/Don't Walk traffic light isn't as easy as it looks. When you learn more about Lester and James' life, you will never cross a street in the same way - especially if Julia isn't far away.
General Rancor is threatening to destroy the world with a missile he is hiding at his secret base. But to complete his goal, he needs a special computer chip, invented by the scientist Prof... See full summary »
Fact and fiction are mingled in this mockumentary about the career of music parodist "Weird Al" Yankovic. In retelling his life story, the film includes several of his music videos, ... See full summary »
Robert K. Weiss
'Weird Al' Yankovic,
George Newman (Yankovic) is a normal man. Problem is, he's also a daydreamer, who can't keep hold of a steady job. His uncle decides George will be the perfect man to manage Channel 62, a station which is losing money and viewers fast. George's imagination is put to good use and he starts thinking up bizarre shows such as "Wheels of Fish" and "Raul's Wild Kingdom". The ratings start to soar again, but not everyone is happy. Written by
During an VH-1 "Behind The Music" episode about 'Weird Al Yankovic' , Emo Philips shows an actual Screen Actors Guild residual check he earned for the film. It was for 30 cents. He stated proudly the check represented what being in the film did for his career. See more »
When Philo is putting the camera in the ceiling of R.J. Fletcher's office, we see a pencil in his mouth. In the next shot, the pencil's gone. See more »
It's very telling that I had to look 15 pages deep into the user comments to find one negative review of this movie. And the negative reviews were from insufferable snots.
This movie made me laugh as a teenager, but it also makes me laugh as a fully grown adult. Does that mean the humor is dumb or sophomoric? Not necessarily. What exactly is "adult humor" anyway? Does it necessarily need to contain graphic depictions of sex and generous uses of profanity to be considered sophisticated and adult?? I contend that it does not, and I cite UHF as an example.
The laughs here are genuine, and they come from lack of pretentiousness and an honest feeling that one need not take oneself too seriously at any given moment. Al lets us know that it's OK to make fun of yourself as well as the rest of society. Much of what he does is self-deprecating, and UHF is no exception. He doesn't stand around making fun of others and establishing an air of superiority over the rest of society. As George Newman, he becomes the everyman, infusing much of his own personality along with his on-stage comedic persona. And he's not afraid to kick himself around and then proceed to pull himself up via his own bootstraps. Nobody else has to be hurt.
Plot has never been a big necessity in these spoof/parody movies. "The Naked Gun," "Airplane," "Top Secret," "Johnny Dangerously," and many others have had the most skeletal of plots. Cop must find and bring to justice bad guy who shot his friend. Burned out ex-pilot must save aircraft when crew dies. Rock and roll star must overthrow Nazi plot. Mobster must overcome those who wish to take him down. And in "UHF" we have Loser Man must save TV station from evil network exec. The plot is not important; it's just a vehicle to get us from laugh to laugh and set up the next joke.
UHF's comedy, though basic, rings true, and if you'll drop all of your pretentious airs, you'll get it. (We all know you're not nearly as sophisticated as you think you are anyway.) Who among us can keep from laughing while Raul teaches poodles to fly? Who can stifle a chuckle when Stanley is doing... well... doing just about everything he does in this film? Al admits in his commentaries and interviews that "UHF" is no "Citizen Kane." But that's the beauty of it. There's nothing complex here. It's all about the laugh, and there's where this movie really scores.
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