| Kati Outinen | ... | Iiris | |
| Elina Salo | ... | Mother | |
| Esko Nikkari | ... | Stepfather | |
| Vesa Vierikko | ... | Aarne | |
| Reijo Taipale | ... | The singer | |
| Silu Seppälä | ... | Iiris' brother | |
| Outi Mäenpää | ... | Iiris' co-worker | |
| Marja Packalén | ... | The doctor | |
| Richard Reitinger | ... | Man in the bar | |
| Helka Viljanen | ... | Office employee (as Helga Viljanen) | |
| Kurt Siilas | ... | Policeman | |
| Ismo Keinänen | ... | Policeman | |
| Klaus Heydemann | ... | Worker | |
| Erkki Friman | ... | Member of dance band | |
| Tapani Ikonen | ... | Member of dance band | |
| Jari Lappalainen | ... | Member of dance band | |
| Lasse Luoto | ... | Member of dance band |
Directed by | |||
| Aki Kaurismäki | |||
Writing credits(in alphabetical order) | ||
| Aki Kaurismäki | ||
Produced by | |||
| Katinka Faragó | .... | producer (as Katinka Farago) | |
| Aki Kaurismäki | .... | producer | |
| Klas Olofsson | .... | producer | |
Cinematography by | |||
| Timo Salminen | |||
Film Editing by | |||
| Aki Kaurismäki | |||
Art Direction by | |||
| Risto Karhula | |||
Set Decoration by | |||
| Kari Laine | |||
Production Management | |||
| Klaus Heydemann | .... | production manager | |
| Jaakko Talaskivi | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pauli Pentti | .... | assistant director | |
Art Department | |||
| Heikki Ukkonen | .... | property master | |
Sound Department | |||
| Tom Forsström | .... | sound mixer | |
| Juuso Hirvikangas | .... | assistant sound recordist | |
| Nina Jansson | .... | sound synchronisation | |
| Jouko Lumme | .... | sound | |
Camera and Electrical Department | |||
| Marja-Leena Helin | .... | still photographer | |
| Börje Hellen | .... | assistant camera (as Börje Hellén) | |
| Olavi Tuomi | .... | lighting technician | |
| Pekka Uotila | .... | assistant camera | |
| Olli Varja | .... | lighting technician | |
Editorial Department | |||
| Eila Karkkunen | .... | negative cutter (as Eila Karttunen) | |
Music Department | |||
| Erkki Friman | .... | musician | |
| Tapani Ikonen | .... | musician | |
| Jari Lappalainen | .... | musician | |
| Lasse Luoto | .... | musician | |
Other crew | |||
| Haije Alanoja | .... | production secretary | |
| Erkki Astala | .... | publicist | |
| Marja-Leena Helin | .... | script supervisor | |
| M. Laaksonen | .... | title designer | |
| Pirjo Laivuori | .... | color definitions | |
| Jan-Eric Nyström | .... | title designer (as J-E Nyström) | |
| Jaana Puhakka | .... | production assistant | |
| Sinikka Usvamaa | .... | accountant (as Sinikka Telaranta) | |
Thanks | |||
| Willmar Andersson | .... | thanks | |
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Kaurismaki is nothing if not an efficient director. The stylistic elements of 'The Match Factory Girl' are distilled, like the vodka that is drunk throughout, to produce an intense and disturbing effect. Much of the action goes on outside the characteristically static camera frame, and Kati Outinen's deadpan face conveys a correspondingly broad range of expressions (she is excellent at signalling imminent vomiting without appearing to twitch a muscle). It's a film that moves on and out with the minimum of movement and dialogue, and its downwards pull is mesmerising. It's also bitterly funny. Late in the film the main character, Iris, approaches the shop counter and asks for a bottle of rat poison, to which the reply is: 'Small or large?'
I was fairly low when I saw this film. I came out feeling marvellous. Another triumph for the relief to be found in misery, a paradox which Kaurismaki cheerfully exploits in his dark, tragic & hilarious films.