Tulitikkutehtaan tyttö (1990)

Director:

Aki Kaurismäki

Writer:

Aki Kaurismäki (writer)

Release Date:

6 November 1992 (USA)

Genre:

Drama | Comedy

Plot:

Iris has a dead-end job in a match-factory, lives with her dour and forbidding parents, and her social life is a disaster...

Plot Keywords:

One Night Stand | Revenge | Rat Poison | Slap In The Face | Letter Writing

Awards:

6 wins & 1 nomination

Cast

Kati Outinen	...	Iiris
Elina Salo	...	Mother
Esko Nikkari	...	Stepfather
Vesa Vierikko	...	Aarne
Reijo Taipale	...	The singer
Silu Seppälä	...	Iiris' brother
Outi Mäenpää	...	Iiris' co-worker
Marja Packalén	...	The doctor
Richard Reitinger	...	Man in the bar
Helka Viljanen	...	Office employee (as Helga Viljanen)
Kurt Siilas	...	Policeman
Ismo Keinänen	...	Policeman
Klaus Heydemann	...	Worker
rest of cast listed alphabetically:
Erkki Friman	...	Member of dance band
Tapani Ikonen	...	Member of dance band
Jari Lappalainen	...	Member of dance band
Lasse Luoto	...	Member of dance band

Also Known As:

Flickan från tändsticksfabriken (Sweden)
The Match Factory Girl (USA)

Runtime:

68 min

Country:

Finland | Sweden

Language:

Finnish

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Iceland:L | South Korea:15 | Argentina:13 | Finland:S | Sweden:15

Filming Locations:

Helsinki, Finland

Company:

Esselte Video

Quotes:

[first lines]
Iiris: Half pint, please!

Movie Connections:

Features Room Service (1938)

Soundtrack:

Call Your Lawyer

Life will never seem as bad again

Kaurismaki is nothing if not an efficient director. The stylistic elements of 'The Match Factory Girl' are distilled, like the vodka that is drunk throughout, to produce an intense and disturbing effect. Much of the action goes on outside the characteristically static camera frame, and Kati Outinen's deadpan face conveys a correspondingly broad range of expressions (she is excellent at signalling imminent vomiting without appearing to twitch a muscle). It's a film that moves on and out with the minimum of movement and dialogue, and its downwards pull is mesmerising. It's also bitterly funny. Late in the film the main character, Iris, approaches the shop counter and asks for a bottle of rat poison, to which the reply is: 'Small or large?'

I was fairly low when I saw this film. I came out feeling marvellous. Another triumph for the relief to be found in misery, a paradox which Kaurismaki cheerfully exploits in his dark, tragic & hilarious films.