After a jewelry theft Tommy Lane can hardly free. His girlfriend Kristen has less luck and is arrested. She's sentenced to jail in an ill-reputed female prison in Oklahoma. Tommy doesn't ... See full summary »
The frustrated housewife Leslie visits an animal shop to purchase a flea-collar. Unknowing that the owner is a werewolf, she accepts his invitation to lunch and later in his apartment. ... See full summary »
After being thrown away from home, Maria encounters a lady who complains of not having children. Almost getting raped, she ends up in an abandoned house, where she meets Matthew. When a baby is kidnapped Maria sets out to find the lady.
When the wife of the Shogun's Decapitator is murdered and he is ordered to commit suicide by the paranoid Shogun, he and his four-year-old son escape and become assassins for hire, embarking on a journey of blood and violent death.
In an attempt to sign a Hollywood starlet, struggling talent agent and former child star Howard Holloway must contend with her volatile father, a scheming long-time rival, and a producer and casting director who despise him.
Five kids are left home when their mother leaves town on a three-month vacation to Australia, only to have their geriatric babysitter die of a heart attack, leading to the eldest teen, Sue Ellen, to scam her way into taking a job at a hip Los Angeles fashion company to feed and support her needy siblings.
This is a strange and somewhat amateurish film starring the even stranger person who calls himself 'Adam Ant'. Adam Ant, born with the normal name of Stuart Goddard, formed a pop music group called Adam and the Ants, and then he decided to joint the ants by actually becoming one himself, proudly displaying the fact by means of his new moniker. The pop group had many hit songs and established a name for themselves in the music scene and in the eyes of that section of the public who have suitably entomological inclinations. By the time he starred in this film, Adam Ant had already been appearing as an actor in films and television for 12 years, so he had plenty of acting experience. In this film, he plays an unscrupulous art dealer who has discovered that he can raise the value of the paintings he exhibits by murdering the artists, since it is well known that an artist's prices go up as soon as he is dead. Makes sense, no? The film is really a very savage satirical attack on the art world, and God knows that is a subject which well deserves such treatment! Unfortunately, the film is not entirely successful. One fault of the film is the bad music composed by the normally adequate Elmer Bernstein. I was really surprised! Also, either the sound mixing was hopeless or it was just the ancient 1989 video going wonky, but the music drowned out a lot of the dialogue, and it was as if some outside broadcast were suddenly breaking in, for without warning and without any apparent justification, one would suddenly hear some Mozart playing. It was as if there were someone next door turning up his stereo, if there had been anyone next door, that is, which there is not. So it was an odd ant-like experience watching the film, never knowing from one scene to the next when the next Mozart interlude would suddenly occur and be entirely inappropriate. (Query: was Elmer Bernstein really Mozart?) A very good performance as the ingénue of the story was delivered by Talia Balsam (daughter of Martin), who is now so well known for being married to one of my favourite actors from MAD MEN (2007, see my review), John Slattery, who plays Roger Sterling. And in that series, Talia plays his wife, Mona Sterling, so there you go. Strange coincidence, that. (I noticed also that John Slattery directed some of the episodes for MAD MEN. He must be some mover and shaker, and one wonders whether Talia Balsam is both shaken and stirred as a result of all that energy her husband apparently has.) So the film creaked and groaned under the weight of its 25 years of antiquity and was not that strong to begin with, but was nevertheless a curiosity worth examining by the art collector and definitely a film to avoid if you are an art dealer who might be too sensitive to bear the burden of the odium. (I love the word odium, but rarely get a chance to use it.) It's interesting in its way, trust me.
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