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Trust Me (1989)

 -  Comedy | Crime | Drama  -  10 November 1989 (USA)
6.1
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Ratings: 6.1/10 from 55 users  
Reviews: 3 user

An art dealer murders one of his artists in the hopes of increasing the market value of his work.

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Title: Trust Me (1989)

Trust Me (1989) on IMDb 6.1/10

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Cast

Cast overview, first billed only:
...
James Callendar
David Packer ...
Sam Brown
...
Catherine Walker
William De Acutis ...
Billy Brawthwaite
...
Nettie Brown
...
Mary Casal
Brooke Davida ...
Denise Tipton
Simon McQueen ...
Holly Windsor
...
Imelda
Marilyn Tokuda ...
Chic Girl
Barbara Perry ...
Severe Woman
Virgil Frye ...
Thug
Morris Beers ...
Man in Sandals
...
Scowling Man
Kenia ...
Latin Girl
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Storyline

An art dealer murders one of his artists in the hopes of increasing the market value of his work.

Plot Summary | Add Synopsis

Taglines:

You may be dead, but you'll be famous. See more »

Genres:

Comedy | Crime | Drama

Certificate:

R | See all certifications »
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Release Date:

10 November 1989 (USA)  »

Also Known As:

L'originale  »

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Features Night of the Living Dead (1968) See more »

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User Reviews

 
Flaky satire of the art industry. (spoilers)
5 June 2006 | by (Orlando, Florida) – See all my reviews

David Packer seemed to keep very busy as an actor in 1989 and 1990, and usually played the likable, but sometimes unsure protagonist of light comedy (see The Runnin' Kind) or romantic comedy (see You Can't Hurry Love) and it was this character that I once again expected to see here in what turned out to be an incredibly dull satire on commercial art. This black comedy with a very thin story and scattered focus might've fared much better had it been straight comedy or absurdist comedy as at least we would expect from a story of the unsuspecting artist and the art dealer plotting his demise. In fact, it would be John Water's "Pecker" to come along years later which makes the same point more amusingly, if not more effectively (although the point of commercialism and art is really straightforward). Instead, what results from the insertion of far too much seriousness, if not strange demeanor of Adam Ant (as the art dealer James Callendar who needs to absolve his debts on the infamy of an upcoming artist who's career prematurely ends on his death), and perhaps the best way to characterize this is, to borrow from the proceeding viewer's comments: sluggish.


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