| Josiane Balasko | ... | Colette Chevassu | |
| Gérard Depardieu | ... | Bernard Barthélémy (as Gerard Depardieu) | |
| Carole Bouquet | ... | Florence Barthélémy / La voisine de Colette | |
| François Cluzet | ... | Pascal Chevassu | |
| Roland Blanche | ... | Marcello | |
| Myriam Boyer | ... | Geneviève | |
| Denise Chalem | ... | Lorène | |
| Didier Bénureau | ... | Léonce | |
| Philippe Loffredo | ... | Tanguy | |
| Stéphane Auberghen | ... | Paula | |
| Jean-Louis Cordina | ... | Gaby | |
| Jean-Paul Farré | ... | Le pianist | |
| Richard Martin | ... | Man on the Tram | |
| Philippe Faure | ... | Le mari de Colette | |
| Juana Marques | ... | La fille | |
| Flavien Lebarbe | ... | Le fils | |
| rest of cast listed alphabetically: | |||
| Sylvie Orcier | ... | Marie-Catherine (uncredited) | |
| Sylvie Simon | ... | Receptionist (uncredited) | |
Directed by | |||
| Bertrand Blier | |||
Writing credits(in alphabetical order) | ||
| Bertrand Blier | writer | |
Produced by | |||
| Catherine Blier Florin | .... | co-producer | |
| Bernard Marescot | .... | executive producer | |
Cinematography by | |||
| Philippe Rousselot | |||
Film Editing by | |||
| Claudine Merlin | |||
Casting by | |||
| Margot Capelier | |||
| Marie-Christine Lafosse | |||
Production Design by | |||
| Théobald Meurisse | |||
Set Decoration by | |||
| Jean-Louis Dalloz | |||
| Martine Faure | |||
| Michel Lagrange | |||
| Xavier Legris | |||
Costume Design by | |||
| Michèle Cerf | (as Michèle Marmande-Cerf) | ||
Makeup Department | |||
| Joël Lavau | .... | makeup artist | |
| Thierry Marino | .... | hair stylist | |
Production Management | |||
| Christian Lambert | .... | unit manager | |
| Gilles Loutfi | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Philippe Chapus | .... | second assistant director | |
| Luc Goldenberg | .... | first assistant director | |
| Albane Guilhe | .... | third assistant director | |
Art Department | |||
| Michel Grimaud | .... | property master | |
Sound Department | |||
| Michel Barlier | .... | sound dubbing | |
| Paul Bertault | .... | sound engineer | |
| Louis Gimel | .... | sound engineer | |
| Stéphanie Granel | .... | sound editor | |
| Matthieu Imbert | .... | assistant sound engineer | |
| Jean-Pierre Lelong | .... | sound effects editor | |
| Jacques Lévy | .... | sound dubbing | |
| Mario Melchiorri | .... | sound effects editor | |
| Marion Monestier | .... | sound editor | |
Camera and Electrical Department | |||
| Jean-Pierre Baronsky | .... | electrician | |
| Philippe Barrillet | .... | electrician | |
| Jean-Luc Bezeau | .... | grip | |
| Valérie Blier | .... | still photographer | |
| Bernard Brégier | .... | grip | |
| Gerard Buffard | .... | grip | |
| Michel Garçon | .... | electrician | |
| Vincent Gheyssens | .... | assistant camera | |
| David Kennedy | .... | electrician | |
| Gérard Rival | .... | grip | |
| Myriam Touzé | .... | camera operator | |
| Richard Vidal | .... | electrician | |
| Eric Wiser | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Sophie Breton | .... | assistant costume designer | |
| Gil Noir | .... | assistant costume designer | |
Editorial Department | |||
| Jean-Pierre Faugeras | .... | assistant editor | |
| Yvan Lucas | .... | color timer | |
| Sylvie Quester | .... | assistant editor | |
Music Department | |||
| Odette Gartenlaub | .... | musician: piano | |
Other crew | |||
| Claude Davy | .... | press attache | |
| Sylvie François | .... | production secretary | |
| Jean-Christophe Hedier | .... | assistant press attache | |
| Chantal Malrat | .... | production administrator (as Chantal Malrat-Atanassian) | |
| Marie-Noëlle Zurstrassen | .... | script supervisor (as Marie-Noël Zurstrassen) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
In this clever take on love and relationships, the affairs of three people are enigmatically portrayed. Everyone adores Bernard's wife Florence. His friends lust for her, her friends envy her. She is very beautiful, and for Bernard there is nothing more left to desire. And that is precisely what troubles him: she may just be too beautiful. His secretary, a temp named Colette, is completely the opposite to Florence. But in her physical unattractiveness Bernard finds a refuge to his peculiar dilemma. Despite of what may seem as a logical explanation, he is not plagued by an inferiority complex. What drives Bernard is the psychological force of the middle-age crisis. Some people wonder whether what they have is as good as it gets. Bernard actually knows that. The second he is near Florence he knows that that is true; gazes of his friends reassure him in that.
With Colette, however, he feels completely at ease. There is no need for self-assertion and he is free to choose. Naturally, there is much more to this film, which is full of surprises and unexpected events. The only country where such a complex and somewhat surrealistic plot could have been brought to life, where careful avoidance of turning the film into a soap opera, a pointless comedy, or a tedious drama meets with the bittersweet taste of love and desire is France, and the philosophy of love, the satire, and the superb acting -- Depardieu, Bouquet, and Balasko make a lovely team -- are also typically French here. Ironically enough, the question of the age is inverted to "what does a MAN want?"