On his first day after being released from jail for 14 armed bank robberies, Lucas finds himself caught up in someone else's robbery. Perry has decided to hold up the local bank to raise ...
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The daughter of a wealthy businessman has disappeared in Mexico, and all the efforts to find her have been unsuccessful. A psychologist, knowing that the girl has an ultra bad luck, ... See full summary »
Coming out from jail, Lucas has decided to change his life and behave like a good citizen. But when he is taken hostage in a bank by a hare-brained robber, no cops can believe he is not ... See full summary »
A man and a woman go out on a "big" third date. He's ashamed to admit he just lost his job, and she's afraid he'll run away if he finds out that she has a kid. Small lies lead to bigger ones and the night gets crazy very soon.
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Unable to find her runaway son, a woman deceives two of her ex-lovers from her youth, a mild-mannered teacher and a tough journalist, that each is the real father in order to obtain their ... See full summary »
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Pedro Armendáriz Jr.
On his first day after being released from jail for 14 armed bank robberies, Lucas finds himself caught up in someone else's robbery. Perry has decided to hold up the local bank to raise money so that he can keep his daughter, Meg, and get her the treatment she needs. Dugan, a detective, assumes Lucas helped plan the robbery, and hence Lucas, Perry and Meg become three fugitives. Written by
This is not as bad or as unfunny a movie as some IMDb posters make out. The central situation of Lucas (Nick Nolte), a tough, professional heist-meister, being taken hostage by Perry (Martin Short), a bungling first-time bank robber, is pleasingly ridiculous. In particular, Perry's antics in the early bank robbery scenes are laugh-out-loud funny; as is Lucas's later violent entry into the bar where Perry is being held prisoner. The section towards the end, when Perry is disguised as a woman is also reasonably amusing. The scenes between Lucas and Perry's daughter (Sarah Rowland Doroff), are quite touching, when they could easily have been been sickly sentimental. (It helps that the little girl is supposed to have a psychological problem, so she hardly speaks.)
On the downside, there are undoubtedly soggy patches in the middle of the film, including the scene where James Earl Jones and Alan Ruck, as the two policemen leading the chase for Perry and Lucas, find it hilariously funny that Lucas was treated for a gunshot wound by a crazy vet who thought he was a dog. Another defect is the whiny music, which is repetitive and irritating.
All in all, this may not be a film to spend much money on, but is worth watching if it turns up on TV.
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