On his first day after being released from jail for 14 armed bank robberies, Lucas finds himself caught up in someone else's robbery. Perry has decided to hold up the local bank to raise ... See full summary »
General Rancor is threatening to destroy the world with a missile he is hiding at his secret base. But to complete his goal, he needs a special computer chip, invented by the scientist Prof... See full summary »
Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come ... See full summary »
Buddy Van Horn
Two twins are separated at birth, one becoming a streetwise mechanic and the other an acclaimed classical concert conductor. Finally meeting in adulthood they each become mistaken for the other and entangled in each other's world.
Teddy Robin Kwan
On his first day after being released from jail for 14 armed bank robberies, Lucas finds himself caught up in someone else's robbery. Perry has decided to hold up the local bank to raise money so that he can keep his daughter, Meg, and get her the treatment she needs. Dugan, a detective, assumes Lucas helped plan the robbery, and hence Lucas, Perry and Meg become three fugitives. Written by
Toward the end, at a customer's house, Ned is struggling to carry Meg and walk upstairs because he said that he hadn't slept or eaten much. But when he and Lucas go to the kitchen, Ned is walking fine, as if nothing was wrong with him. See more »
[after putting a teddy bear inside his dress to look like a pregnant woman]
This is gonna be one really surprised obstetrician...
See more »
This is not as bad or as unfunny a movie as some IMDb posters make out. The central situation of Lucas (Nick Nolte), a tough, professional heist-meister, being taken hostage by Perry (Martin Short), a bungling first-time bank robber, is pleasingly ridiculous. In particular, Perry's antics in the early bank robbery scenes are laugh-out-loud funny; as is Lucas's later violent entry into the bar where Perry is being held prisoner. The section towards the end, when Perry is disguised as a woman is also reasonably amusing. The scenes between Lucas and Perry's daughter (Sarah Rowland Doroff), are quite touching, when they could easily have been been sickly sentimental. (It helps that the little girl is supposed to have a psychological problem, so she hardly speaks.)
On the downside, there are undoubtedly soggy patches in the middle of the film, including the scene where James Earl Jones and Alan Ruck, as the two policemen leading the chase for Perry and Lucas, find it hilariously funny that Lucas was treated for a gunshot wound by a crazy vet who thought he was a dog. Another defect is the whiny music, which is repetitive and irritating.
All in all, this may not be a film to spend much money on, but is worth watching if it turns up on TV.
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