Carl and James are two pleasant but unambitious garbage men. Carl has a telescope with which he observes his neighbors. One evening he sees a man giving a female neighbor a hard time. As ... See full summary »
Ray Tango and Gabriel Cash are narcotics detectives who, while both being extremely successful, can't stand each other. Crime Lord Yves Perret, furious at the loss of income that Tango and Cash have caused him, frames the two for murder. Caught with the murder weapon on the scene of the crime, the two have alibi. Thrown into prison with most of the criminals they helped convict, it appears that they are going to have to trust each other if they are to clear their names and catch the evil Perret. Written by
Murray Chapman <email@example.com>
When Brion James was originally hired to play Requin, it was a very small role with only two lines. In an effort to give the character something that would make him stand out, James decided to speak in a cockney accent. Sylvester Stallone loved it, and rewrote the script to give Requin a much bigger role. See more »
Tango smashes the screen door when he jumps through it, but when it is on top of the police chief it is in one piece. See more »
Lucky for me this place is soundproof. That way nobody gets to hear me beating the truth out of you.
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It looks to me like everyone was having one rollicking good time making Tango&Cash. This is the kind of film that you have to take as seriously as an Indiana Jones adventure. After all their can be only one Indy.
But in this case we've a pair of cowboy cops who work in different parts of Los Angeles. Sylvester Stallone as Ray Tango and Kurt Russell as Gabe Cash are certainly known to each other however due to the headlines they've gathered smashing various criminal enterprises. They're also known to master criminal Jack Palance the Professor Moriarty of the film and he's rigged one elaborate plan for their disgrace and downfall and death.
As much as Stallone and Russell are enjoying spoofing their own action images, this film is absolutely stolen by Jack Palance. With tongue firmly in cheeking and hands twirling some imaginary mustache ends in the best Snidely Whiplash tradition, Palance is having a ball with his part.
Of course even when they're in the worst of trouble there's still that oneupsmanship that Russell and Stallone can't shake. And when Russell shows an interest in Teri Hatcher whom he later finds out is Stallone's sister, things could really have gotten interesting if it weren't for the joint problems they both were having.
When you watch this film, do not for one instant take it seriously and I guarantee a real hoot.
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