Ray Tango and Gabriel Cash are narcotics detectives who, while both being extremely successful, can't stand each other. Crime Lord Yves Perret, furious at the loss of income that Tango and Cash have caused him, frames the two for murder. Caught with the murder weapon at the scene of the crime, the two have no alibi. Thrown into prison with most of the criminals they helped convict, it appears that they are going to have to trust each other if they are to clear their names and catch the evil Perret. Written by
Murray Chapman <firstname.lastname@example.org>
The first film in which Sylvester Stallone stars as a policeman who is framed for a crime he didn't commit. The other films are Demolition Man (1993) and Judge Dredd (1995). See more »
When Tango is standing in the backyard and questioning his sister about whether or not she slept with Cash, he is not wearing any glasses. Seconds later he walks into the house to get a change of clothes from the dresser, and is suddenly now wearing them. See more »
[Conan arrives to the laundry full of vengeful prisoners]
Oh shit, it's Conan.
We're gonna get F.U.B.A.R now.
What the hell is F.U.B.A.R?
Real bad ass cops. You don't look so tough now, do you? DO YOU, YOU FUCK?
He must mean you.
Out on the streets, this pig and his cop friends, broke my ribs, my leg and my jaw.
[...] See more »
Unadulterated Sheer Brilliance, the Perfect Film ..Tango and Cash
This masterpiece of Americana is perhaps the Greatest film ever made. The amalgamation of Sylvester Stallone's sheer magnetism, and Kurt Russell's commanding stage presence, has yielded a sonnet the likes of which all Films aspire to be. Stallone portrays "Raymond 'Ray' Tango" a highly decorated narcotics detective from Beverly Hills, who penchant for the stock market, has granted him not only the finer things in life but also a means to express his sophisticated nature and aspirations of financial independence. Stallone masterfully shows the dichotomy of a character who is highly educated and well mannered, yet is beset in a cesspool of crime and depravity, Tango yearns for a better society yet will not rest on his laurels of law and order. "Gabriel 'Gabe' Cash" portrayed by the immaculate Kurt Russell, is the antipodean of Stallone's level headed Tango. Cash is pugnacious, assertive, and zealous yet his diligence to enforce law and order at all cost define this tortured soul. Although this crass inner city detective has a disheveled appearance and tough exterior he is simply trying to hide his true feelings and desires for true love in an otherwise barbaric society.
The story begins as these two rival officers are competing for the title of LA's best cop. Although their methods and approaches differ, their goals are the same; to imprison Yves Perret a diabolical drug lord who catches wind of the duos escapades. With his Criminal Empire in danger of being toppled, Perret masterfully played by Jack Pallance, enacts his plan to destroy the two. In an act of carnal malevolence he frames them for the murder of an undercover FBI agent. Perret's corruption and debauchery know no bounds, as he weaves a duplicitous web of conspiracy the likes of which have not been seen since the Warren Commission. Evidence is tampered, so-called experts bribed, and in an attempt to save their lives, Tango and Cash agree to a plea bargain, under the guise that they will be sent to a Minimum Security prison, not amongst the general population. Perret then has them sent to a Maximum Security faculty amongst inmates that have been jailed by the two supercops, in an attempt to have them assassinated. Tango and Cash must then set aside their petty differences and discover the true meaning of friendship to escape the prison to clear their once proud names, and stop Perret once and for all, in a conclusion that will rattle even the sternest of men.
The chemistry between Stallone and Russell is reminiscent of Redford and Newman, if not greater, with snide remarks being made by both parties. The action, adventure, and violence are non-stop, yet the humanity of the characters is prevalent throughout the film, adding a much needed dimension to an otherwise cliché and tired genre. Tango is not just a mindless cop, he is multidimensional protagonist, who hearkens to the days of Bogart and Cary Grant. Cash desires the admiration of a women to complete himself, which he finds in Catherine "kiki" Tango, he is not simply a generic action hero who shoots guns and makes wise ass remarks, Cash has a quintessence and Russell pours his soul into the character.
All in all this film is the crowning achievement of Stallone and Russell and the Hollywood film industry. It is a cut of history, when master Artisans the like of Russell and Stallone are brought together at their peak with visionaries leading them to produce what is their destiny ..FUBAR!!!!!!!!!
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