Ray Tango and Gabriel Cash are narcotics detectives who, while both being extremely successful, can't stand each other. Crime Lord Yves Perret, furious at the loss of income that Tango and Cash have caused him, frames the two for murder. Caught with the murder weapon at the scene of the crime, the two have no alibi. Thrown into prison with most of the criminals they helped convict, it appears that they are going to have to trust each other if they are to clear their names and catch the evil Perret. Written by
Murray Chapman <firstname.lastname@example.org>
The tank-like SUV seen in the film (with a windshield shape resembling a 1990s-era Chevrolet Lumina APV minivan) was built from a 1988 Chevrolet K2500 truck. At the time of the film's release, the vehicle resembled a GM concept (a 1987 Chevrolet Blazer XT-1) which was planned as a crossover-like SUV which was powered with a Chevrolet 4.3L V6 - the engine block and cylinder heads were cast in aluminum alloy. GM did not proceed with the Blazer XT-1 but its styling cues were used with the W-body "Dustbuster" minivans (Lumina, Oldsmobile Silhouette, and Pontiac Trans Sport). See more »
When Tango is reading the sugar prices in his new jail cell, his newspaper is already ripped 2-3 inches from the top along the seam, before his cell mate throws the slinky and rips it totally. See more »
[Tango has just stuck a grenade down a bad guy's pants]
My contribution to birth control.
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Despite a very problematic ending, Tango and Cash still has plenty to make it an at least enjoyable film
Tango and Cash is one of those films that people can get a huge amount of enjoyment out of when taking it for what it is, or there will be others who'll find it not to their taste. From personal taste, there are a number of shortcomings but I cannot bring myself to hate it.
It's stylishly made, if very 80s, and competently directed, nothing comes over as amateurish. The soundtrack does pulsate with energy and is easy to remember, if a little intrusive in places(not that that is uncommon in action films). The script is snappy and delivered like dynamite, the banter between Stallone's Tango and Kurt Russell's Cash is a lot of fun. The story on the whole while very silly and predictable but it doesn't really ever become dull and it is easy to follow, the standout scenes being the opening, which is one of those scenes that sets things up so well it makes one excited for what will happen next and the brilliant prison escape, the prison scenes in general are among the better scenes in the film actually. The action, while very over-the-top, is decently edited, cool and endearingly kitsch without feeling too much. Sylvester Stallone is charismatic and effectively low-key and shows that he is at ease in the action scenes, his comic timing while much criticised in general is pretty good here, while Kurt Russell is a witty, soulful partner, the two of them being a well-matched pair. It is not everyday where you see Russell in drag, don't worry it is not as weird as it sounds.
Tango and Cash does have problems. The biggest problem is that it falls apart in the final 10 minutes, an ending so disappointing that it's easy to bring the film down more than one notch. It loses the energy that the rest of the film has and it goes well overboard in the silliness factor, with the slapsticky final fight feeling out of kilter. The main villain Perrett's comeuppance is also very anti-climatically handled. Teri Hatcher is probably at her sexiest here but her acting feels vapid. More problematic are the villains, here are very stereotypically written(especially Perrett, the drugs baron stereotype has been done a number of times and nothing interesting is done here) and only Brion James, here looking as if he is having so much fun, is memorable. You'd think that Jack Palance, a master of suavity, deadpan and intimidating menace, would be, but here he gives one of his weakest performances but it is not helped by that he is very underused and that he is the most clichéd character in the whole film. Palance was a great actor, and excelled better than most in villain roles but this is a portrayal where he does try way too hard that he's almost pantomimic, it also manages to be quite bland compared to his usual standard. His henchmen are even more blandly written, and sees James Hong in a rare completely uninvolved performance.
All in all, won't work for some and it is a long way from flawless but still incredibly entertaining and has a good deal of charm. Don't expect sophistication, anything new or depth, you'll be disappointed. In its defence though Tango and Cash never strived to be that kind of film. But if you are looking for an enjoyable, switch-your-brain-off-at-the-door film, there is a good deal to like. 6/10 Bethany Cox
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