Carl and James are two pleasant but unambitious garbage men. Carl has a telescope with which he observes his neighbors. One evening he sees a man giving a female neighbor a hard time. As ... See full summary »
Ray Tango and Gabriel Cash are narcotics detectives who, while both being extremely successful, can't stand each other. Crime Lord Yves Perret, furious at the loss of income that Tango and Cash have caused him, frames the two for murder. Caught with the murder weapon on the scene of the crime, the two have alibi. Thrown into prison with most of the criminals they helped convict, it appears that they are going to have to trust each other if they are to clear their names and catch the evil Perret. Written by
Murray Chapman <firstname.lastname@example.org>
The production was beset with problems from its very inception. Firstly, the intended star, Patrick Swayze dropped out, then principal photography began without a completed script. As mentioned above, Sylvester Stallone had the original director of photography, Barry Sonnenfeld fired. Then, the director, Andrey Konchalovskiy was fired by producer Jon Peters. The film ultimately went over $20 million over-budget, and had to be completely reedited by Stuart Baird prior to its release. See more »
During the raid on Perret's compound, Cash is in the stairwell firing an automatic weapon that appears to shoot bullet holes in the wall of the stairwell. The bullet holes appear in different amounts and patterns between shots. Also, Tango has an automatic weapon and fires it right at the lower side of an office desk he has dived to for cover. The muzzle flash is clearly reflected on the side of the desk surface, yet no bullet hole damage occurs to the desk. See more »
Your Honor, I have been a policeman for 12 years and I think it's the best organization in the country. At times I've been accused of being too aggressive at taking criminals off the street. Well, if that's a sin, I guess I'm guilty. All the cops I've worked with are good cops.
[to fellow officers]
You are. Doing a tough job. And I only hope that the outcome of this trial is such that the whole department is not judged by what has transpired here. Thank you.
Do you have anything to add Mr. Cash?
[...] See more »
Although a poor man's Lethal weapon, this is a lot better than you might think
Okay, so this isn't the greatest film ever made. In fact, it isn't even remotely the best buddy-buddy flick ever made. But surprisingly enough, this is actually quite a winner, and succeeds far more in being a parody of the Lethal-Weapon style films than say... Loaded Weapon does. This is for several reasons.
Firstly, Stallone is the star of the show here, turning in a self-mocking parody of his own screen persona. He is flash and indestructable, yet the film acknowledges and exploits this to comedic ends. Secondly, Palance is excellent as a sneering and menacing bad guy, plotting the two cops downfall. He deserved more screen time than he actually got, and actually did a good job of being the obligatory stereotypical bad-guy.
However, the best thing of all about this film is the snappy dialogue. There is so much good banter between the two-cops that no matter how bizarre the film's scenario's get, the dialogue rescues it.
The first time I saw this, I enjoyed it and was only really let down by the ending, which feels hollow and unsatisfying in comparison to the first two reels of the film. However, this nagging problem alone, I have no hesitation in recommending this to any fan of the action-genre.
Overall: 6 1/2 out of 10.
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