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Tango & Cash (1989)

6.3
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Ratings: 6.3/10 from 64,621 users  
Reviews: 134 user | 40 critic

Two cops are framed and must clear their names.

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, (uncredited)

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Title: Tango & Cash (1989)

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Cast

Cast overview, first billed only:
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Chinese Gunman (as Phillip Tan)
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Capt. Holmes (as Eddie Bunker)
Leslie Morris ...
Roy Brocksmith ...
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Storyline

Ray Tango and Gabriel Cash are narcotics detectives who, while both being extremely successful, can't stand each other. Crime Lord Yves Perret, furious at the loss of income that Tango and Cash have caused him, frames the two for murder. Caught with the murder weapon on the scene of the crime, the two have alibi. Thrown into prison with most of the criminals they helped convict, it appears that they are going to have to trust each other if they are to clear their names and catch the evil Perret. Written by Murray Chapman <muzzle@cs.uq.oz.au>

Plot Summary | Plot Synopsis

Plot Keywords:

prison | escape | framed | fbi | lawyer | See All (142) »

Taglines:

Two of L.A.'s top rival cops are going to have to work together... Even if it kills them.


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

22 December 1989 (USA)  »

Also Known As:

The Set Up  »

Filming Locations:

 »

Box Office

Budget:

$55,000,000 (estimated)

Gross:

$63,408,614 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (heavily cut)

Sound Mix:

(70 mm prints)| (35 mm prints) (4 channels)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Director Andrei Konchalovsky was replaced towards the end of principal photography by Albert Magnoli. In his book of memoirs, Konchalovsky says that the reason he was fired was because he wanted to give the film a more serious tone than the producers wanted, and as such, his relationship with producer Jon Peters became untenable. Konchalovsky however has nothing but praise for Sylvester Stallone, who he states was a constant voice of reason on the set. See more »

Goofs

During the raid on Perret's compound, Cash is in the stairwell firing an automatic weapon that appears to shoot bullet holes in the wall of the stairwell. The bullet holes appear in different amounts and patterns between shots. Also, Tango has an automatic weapon and fires it right at the lower side of an office desk he has dived to for cover. The muzzle flash is clearly reflected on the side of the desk surface, yet no bullet hole damage occurs to the desk. See more »

Quotes

Yves Perret: There you go thinking again. That will be the cause of your downfall. Try... try to control your fear. These men are convicted killers and fugitives. They won't last long on the outside.
Lopez: Mr. Perret, we cannot rely on the police. I insist...
Yves Perret: Don't insist! Insistent people make me angry. Everything is under control.
[Slams remote]
Yves Perret: [to Requin] Cover your tracks.
See more »

Connections

Referenced in The Tonight Show with Jay Leno: Episode #20.166 (2012) See more »

Soundtracks

Let The Day Begin
Performed by The Call
Courtesy of MCA Records
Written by Michael Been
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Cheesy, dated, clichéd, predictable and basic but the lead performances and silly dialogue make it silly fun for those in the mood
6 June 2005 | by (United Kingdom) – See all my reviews

Tango is a smooth cop who dresses like a banker, deals in stocks and shares but loves the action. Cash is a rough and ready action man who lives life fast and dirty but is a better cop for it. Each man serves on opposite sides of the LA and both are thorns in the side of crime kingpin Yves Perret – accountable for losing him millions in seized drugs and weapons. Rather than just have them killed, Perret sets them both up for the murder of an undercover cop supposedly in a sting operation. With all the evidence against them they cop a plea for minimum-security sentence – which they don't get. With a violent and angry welcome for them, Tango and Cash decide they need to escape soon or be carried out – plus, bringing down Perret is now their sole focus.

Although I know just what this film was going to be like, I thought I'd try to give it a chance and watch it again with a fresh pair of eyes. Nothing about the plot summary would lead you to expect anything other than a clichéd action movie and all that comes with it. And that is almost exactly what you get with this. The plot is predictable and really you are just watching it go through the motions and do just what you expect it to at almost every stage. The action is typically over-the-top and lacking the touch of realism that is usually needed to make it really engaging and exciting – instead it is noisy and overblown, managing to be quite fun but certainly not gripping or involving. The character dynamics are also clichéd – it is love/hate, bantering, mismatched cops stuff but ironically it actually works pretty well. The main reason for this is that the script shows that at least Feldman wasn't taking it too seriously – the dialogue allows both to mock each other and stops them settling into their macho images too much.

Happily both Stallone and Russell buy into it and let themselves be made fun of as much as they get to give it. Neither are brilliant but at least they seem to have got the joke and avoid playing it too straight or just going along with the macho clichés. Of course they eventually get back to basics and (along with the film) eventually just gets down to big bangs and action movie traditions but for the majority of the film they just about do enough to make it fun – albeit fun in a silly, rather guilty way. Hatcher doesn't add a great deal but it is interesting to see how good she looked then and how well she has aged in the past 15 or so years. Palance hams it up something awful and is a little painful to watch – but he is matched by equally poor bad guys from James, Hong and a few others. Pollard does his usual stuff and is typical comic relief.

Overall this is a dumb action movie and if you hate that type of film then you will hate this. I must admit that, by the end, the sheer cheesy stupidity of the whole thing had started to grate on me somewhat but up till that point it had been silly and quite fun. The amusing banter is one plus and at least Stallone and Russell aren't taking it too seriously for the most part and provide enough to stop it being a totally predictable genre film – even if it is a close run thing.


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