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Street of No Return (1989)
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Overview
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Director:
Writers:
Release Date:
6 July 1989 (West Germany)
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Plot:
A rock star-turned-bum, his vocal chords severed at the height of his career for the love of a woman, reclaims his forgotten past after viewing a music video. | add synopsis
User Comments:
Wacky at every stage,but it works!
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Cast
(Cast overview, first billed only)| Keith Carradine | ... | Michael | |
| Valentina Vargas | ... | Celia | |
| Bill Duke | ... | Lieutenant Borel | |
| Andréa Ferréol | ... | Rhoda | |
| Bernard Fresson | ... | Morin | |
| Marc de Jonge | ... | Eddie | |
| Rebecca Potok | ... | Bertha | |
| Jacques Martial | ... | Gerard | |
| Sérgio Godinho | ... | Pernoy | |
| António Rosário | ... | Meathead | |
| Dominique Hulin | ... | Dablin | |
| Gordon Heath | ... | Black Bum | |
| Joe Abdo | ... | White Bum | |
| Trevor A. Stephens | ... | Lambert (as Trevor Stephens) | |
| Filipe Ferrer | ... | Gauvreau |
Additional Details
Also Known As:
Rua Sem Regresso (Portugal)
Samuel Fuller's Street of No Return (USA)
Sans espoir de retour (France)
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Samuel Fuller's Street of No Return (USA)
Sans espoir de retour (France)
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Parents Guide:
Runtime:
France:93 min
Language:
Color:
Color (Fujicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Iceland:16 |
Canada:13+ (Quebec)
Filming Locations:
Company:
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The movie is wacky at almost every stage, and yet it undeniably works - whether through sheer naivete and flagging relevance or through simple genius, Fuller creates a totally unique and mesmerizing world of vivid colour, strange emptiness and weird evocation. It's clearly meant to be set in the US yet there's not a single interior or exterior which looks like it - Carradine plays an extremely anachronistic Europop star figure, yet the music actually has an underlying longing that's quite effective; the primal device of the black and white race riots is a distillation of Fuller's eternal theme - driven by big business, taking place in isolation on a street of no return, drained of all context or passion: the very first shot of a hammer blow to the head is incredibly jolting. All the noir elements are here, and the memory of better days hangs heavily over the plot - at the end you're amazed by how well structured it is, but it's the blinkered purity that produces the most mesmerizing results. Really memorable and weird.