5.8/10
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6 user 7 critic

Strapless (1989)

R | | Drama, Romance | 18 May 1990 (USA)
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1:19 | Trailer
An expatriate American doctor in London allows herself to lighten up when her freewheeling younger sister and a mysterious man enter her life. Her inhibitions released, the beautiful doctor learns that freedom has its own price.

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Cast

Cast overview, first billed only:
...
Dr. Lillian Hempel
...
Raymond Forbes
...
Amy Hempel
...
Mr. Cooper
...
Douglas Brodie
...
Colin
Suzanne Burden ...
Romaine Salmon
Rohan McCullough ...
Annie Rice
Billie Roche ...
Gerry
...
Mrs. Clark
Gary O'Brien ...
Mr. Clark (as Gary O'Brien)
Spencer Leigh ...
Hus
Julie Foy ...
Nurse
Jacqui Gordon-Lawrence ...
Staff Nurse
Cyril Nri ...
Harold Sabola
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Storyline

An expatriate American doctor in London allows herself to lighten up when her freewheeling younger sister and a mysterious man enter her life. Her inhibitions released, the beautiful doctor learns that freedom has its own price.

Plot Summary | Add Synopsis

Taglines:

Their dreams will become reality. Their fantasies will become obsessions. One remarkable man will change their lives forever. See more »

Genres:

Drama | Romance

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

18 May 1990 (USA)  »

Also Known As:

Bez zahamowan  »

Filming Locations:

 »

Box Office

Gross:

$764,794 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Technicolor)|

Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Amy: They're not meant to stay up, though somehow they do.
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Soundtracks

Skyred
(uncred)
Music by Chris Blackwell
De Wolfe Music Ltd
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User Reviews

 
Bizarre, ludicrous, yet mesmerizing
3 August 1999 | by (Jersey Shore USA) – See all my reviews

Bizarre is probably the best word to use when describing this film. The plot lazily, and arbitrarily, bounces back and forth between totally under-written characters and indeterminate settings (at one point I thought some scenes were taking place in Monte Carlo), with barely a nod to coherence. Blair Brown, always fascinating, doesn't have too much to work with here; her character is woefully undeveloped. The mysterious stranger is nothing more than a stalker, and no reason is given for her falling in love with him other than the luxury he can offer her. Bridget Fonda has nothing to do; the scenes in the hospital seem straight out of another movie (or an episode of St. Elsewhere). Despite the flim's almost dizzying lack of sense, I could not, at times, take my eyes away from it. This film is redolent of the sort of warm-shadowed, color-flecked rococo headiness (just look at the title sequence) that is often associated with the culture of the late eighties (watch Bonfire of the Vanities- dont turn up the volume, or pay attention to the characters, just look at the sets). Perhaps the incoherence of the film added to this mysterious gauziness. In any case, I still cant believe this came out of David Hare (despite the presence of Blair Brown). A playwright I usually admire, Hare can go off track, and this is a definite instance of that. There is even a gratuitous, non-sequitur joke about actors, done in a set that includes a poster for a Hare play. This sort of in-jokeyness is completely out of place in a film that sets itself up as a psychological mystery/romance. Also, Nick Bicat's score is distracting, often building into pointless crescendoes in the middle of talky scenes. This movie is . . . . well, lets just call it a curiosity.


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