When Robert Harling last spoke to his sister, he was telling her how hard it was to be a writer in New York and have people consider his work. His sister commented on how she wished she could help him somehow but she didn't know what she could do. When she died after surgery, Harling wrote the play that this movie is based on in her honor, thereby making him an established and respected writer.
Daryl Hannah was originally turned down for the role of Annelle as the director thought that she was too attractive to play the part, she asked if she could come in and read for the part anyway. She arrived at the studio the next day dressed as Annelle and was so unrecognisable that security refused to let her in.
Is shot in the small Louisiana town of Natchitoches. Reportedly, the filmmakers placed such a great strain on the locals, particularly those who volunteered to be extras, that several years later, when the film The Man in the Moon was shot in the same town, extras were difficult to find, as so many townspeople had been burned by the Steel Magnolias crew.
M'Lynn's home is actually two different houses. The Cook-Taylor House, owned by the Henry Taylor family and now a Bed and Breakfast in Natchitoches, was used for the outside front of the house, and most of the scenes inside the home and in the back yard. It is on Front Street by the river and can be easily located, as it is now known as "The Steel Magnolias Bed and Breakfast." During filming, the Taylors moved out and rented an apartment.
There is no parish or town in Louisiana known as Chinquapin. "Chinquapin" is the name for a type of fish and a particular breed of oak tree. The town of Natchitoches in the parish of the same name served as the backdrop for the film. The town was named after the "NAKTOSH" Indians whose names means "chinquapin eaters". Natchitoches actually does have a large Christmas Light Festival annually. Natchitoches was also the first settlement in the Louisiana Territory.
On the DVD's commentary track, Herbert Ross describes how Georges Delerue was not his first choice as a composer for this film. Another "well known" composer's music was rejected but he fails to say who.
There was some initial resistance to casting Sally Field as M'Lynn, because the producers thought no one would believe her as the mother of a 22-year-old until she pointed out that, in real life, she had a 22-year-old son.
When Bette Davis saw the off-Broadway play, she thought it would be a great film for her, envisioning herself as Ouiser, Katharine Hepburn as Clairee, and Elizabeth Taylor as Truvy. However, when she contacted the rights holders for the movie adaptation, she found out that they intended to cast much younger actresses.
Ouiser mentions that she and her friends used to dress up like nuns and go barhopping when they were young. Shirley MacLaine played a woman who dressed up as a whiskey-drinking nun in Two Mules for Sister Sara.
The title has been said to suggest that the main characters are delicate as magnolias but tough as steel, but this is not explained in the movie. The only references to the two words are Ouiser's near accusation of Drum of stealing Magnolias from her tree, and then a later comment by M'Lynn that men are supposed to be made out of steel.
Between the six female principals are twelve Academy Award nominations and five wins. Only Daryl Hannah and Dolly Parton have not won, although Parton was nominated for Best Song from "Nine to Five" and "Transamerica."
In the original source play, there are no on-stage roles for men. Although the characters all spend a great deal of time talking about the men in their lives, no male character ever actually appears during the play.
The Natchitoches Hospital Administration wanted the film company to film their actual emergency room and intensive care ward. Gene Callahan had serious reservations filming in the actual hospital, just in case a heart attack patient should arrive interrupting filming. This set was built in the gym-stage used as the main film interiors studio. Location managers, after the film was released, repeatedly called Hub Braden (Art Director) in L.A. asking where the hospital location was because their film's director wanted to shoot in the same hospital.
Upon arriving in Natchitoches, the production designer, the art director, the director, cinema photographer, location manager, and producer were based in the "Holiday Inn" for their initial meetings and production decisions. The Holiday Inn became the central home base for all arriving personnel involved with the filming company. Lori Tate, the hotel's manager, complied with requests and provided complete services for out of the ordinary requests. As the company members arrived, the hotel turned into the Magnolia Hotel! When the female cast arrived, they stayed in the hotel until their arranged rental residences were available for their lengthy film shoot. Dolly Parton moved into a river edge plantation home with picture windows facing the town's river. None of the adjacent properties had fences, open rolling green lawns separated the large houses. Spending the afternoon and evening in the residence, Dolly realized photographers with telescopic high powered lens would invade her privacy in the property. At 3 a.m., Dolly called Mrs. Tate announcing that she was moving back to the Holiday Inn immediately. Dolly remained in the hotel until the local Realtor found another rental, located on a local lake. Dolly's lakeside neighbor was Shirley Mac Laine, whose property had a dock-wharf. Shirley asked the Realtor, "would my nude sunbathing cause any problems!" "Only a traffic jam on the lake" was his reply.
After jetting into Natchitoches from Beverly Hills, Herbert Ross, Ray Stark, and production members of the scout party, were examining location sights on the Main Street when an urgent cell phone call came for Herbert and Ray. Meg Ryan had agreed to be in the movie but had not signed a contract. The cell phone call announced "we lost Meg Ryan, she signed for another movie!" Angry executives were very unhappy, facing an immediate casting issue to resolve losing Meg Ryan. They had no other choice but find another actress. Flying, returning to Beverly Hills, cell phone lines were hot and heavy during the entire return flight. Julia Roberts was cast in the roll. After assembling the cast at the satellite stage (gym) mock-up beauty parlor set, Herbert Ross initiated script rehearsals. Herbert was especially tough with Julia Roberts during this week of scene rehearsals. Shirley MacLaine relieved tensions created by Herb's intense work-outs. Originally, Dolly Parton's scenes were to be filmed first, which would release Dolly for her return to Hollywood, continuing her ABC TV musical comedy second season series. The network announced her series was canceled. Scheduling was revised and Dolly remained, filming the daily planned script scene sequence.
Lori Tate, since the filming ended, has become the town of Natchitoches' official historian and city guide of the film's filming location sights. She appeared in the film as Mrs. Latcherie Sr. in the wedding scenes. Knowing everybody in town, she was a wonderful source for specialty set props and for sources in the area. Lori directed the Production Designer to the baker who made the pink wedding cake and the groom's red velvet Armadillo shaped cake. The lady baker made several test Armadillo cakes for cutting tests, just to make sure the deep red cake batter color, after baking, was red. Lori Tate became the art department's favorite and brightest source in town. When an armadillo had been run down about a mile from the Holliday Inn hotel, Lori added daily flowers to the sign "killed in a role casting stampede for the part of Truvy".
Robert Harling, living and working in New York City, not only distraught over his sister's death, he was also upset with his brother in-law, who remarried within six months of his sister's demise. Stressed and distraught, Harling was advised by his fellow acting class workshop members to put his thoughts on paper. Harling began writing his story in a script form, which the acting class members would read and act out his stage directions. These segments developed, combined, and became the script for the off-Broadway workshop presentation, eventually becoming a full fledged drama presented professionally on stage. Ray Stark, prompted by Herbert Ross, negotiated the film rights for the property. Production Designer Gene Callahan (LSU) became involved because of his past association with Ray Stark, and his Louisianna heritage and knowledge of everything Southern. The film's schedule occurred during a Hollywood writer's strike, which required Robert Harling not be involved (rewrites) due to the writer's union contract. Ray Stark, Herbert Ross, and Gene Callahan flew to Natchitoches, Louisianna, South of Shreveport, scouting Robert Harling's town, (where the actual story occurred), for the film's location sight which would remove the production from the Hollywood union jurisdiction problem. Incognito, Robert Harling would be present during the filming and available for any rewrites. Negotiating with the President of Northwestern University, the University's satellite teachers training school facility provided a complex for production offices (principle/administrative and attendance offices); one large indoor gym for a stage, located in the central core of the building's offices, class rooms, and labs (art department, set decorating and property room, wardrobe, screening room, lunch-break room acting as a "green room"); another smaller gym which functioned both as a construction mill and stage; playground exteriors providing parking for the companies circus of support vehicles. The female cast were given each a motor home for a dressing room. A Georgia motor home and car/truck dealer provided the motor home vehicles and the film companies transportation requirements. The motor homes were delivered and parked on the school's front main entrance, on the grass lawn, fanned-lined parallel with the vehicles' nose pointed toward the school's main door entrance. Instead of yellow school buses, the front of the school facility looked like a gypsy camp with boardwalks, on top of the grass, set between the vehicles. Each morning's exodus, a driver steered a motor home to the filming location, creating another parking night-mare for the transportation captain. The male cast members were not provided a dressing room vehicle nor trailer.
The trivia items below may give away important plot points.
Herbert Ross wanted an authentic feel to the hospital scenes, so he hired the doctors and nurses who tended to the writer's sister (on whom the movie and play are based) during her last days in hospital to play themselves during Julia Roberts' scenes on life support.
Robert Harling's mother was on set during the filming of the scenes while Shelby was in the hospital. During the scene when Shelby is taken off life support she was asked if she wanted to leave. She declined, saying that once the scene was over she wanted to see Shelby - Julia Roberts - get up and walk away.