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Directed by | |||
| Herbert Ross | |||
Writing credits(WGA) | ||
| Robert Harling | (screenplay) | |
| Robert Harling | (play) | |
Produced by | |||
| Ray Stark | .... | producer | |
| Andrew Stone | .... | associate producer | |
| Victoria White | .... | executive producer | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| John A. Alonzo | (director of photography) | ||
Film Editing by | |||
| Paul Hirsch | |||
Casting by | |||
| Hank McCann | |||
Production Design by | |||
| Gene Callahan | |||
| Edward Pisoni | |||
Art Direction by | |||
| Hub Braden | |||
| Okowita | (as Michael Okowita) | ||
Set Decoration by | |||
| Garrett Lewis | |||
| Lee Poll | |||
Costume Design by | |||
| Julie Weiss | |||
Makeup Department | |||
| Annette Bianco | .... | hair stylist | |
| David Blair | .... | hair stylist | |
| Colleen Callaghan | .... | hair stylist: Julia Roberts | |
| Hallie D'Amore | .... | makeup artist | |
| Frances A. Kolar | .... | makeup artist (as Frances Kolar) | |
| Leigh Mitchell | .... | makeup artist | |
| Carol A. O'Connell | .... | key hair stylist | |
| Christina Smith | .... | key makeup artist | |
| James Ryder | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Dean O'Brien | .... | unit production manager | |
| Ted Zachary | .... | executive in charge of production (uncredited) | |
Art Department | |||
| Barry Bedig | .... | property master | |
| Ralph Chabaud | .... | illustrator | |
| Stan Cockerell | .... | assistant property master | |
| Bobby Joe Garren | .... | greensman (as Bobby J. Garren) | |
| Roger Irvin | .... | construction coordinator | |
| Kyle Renick | .... | artistic producer: New York stage original production | |
| Catherine Tambini | .... | assistant: Mr. Pisoni | |
| Steven Wolff | .... | set designer | |
| Robert Alcala | .... | set dresser (uncredited) | |
| Scott M. Anderson | .... | assistant prop master (uncredited) | |
| Bill Iiams | .... | general foreman (uncredited) | |
| Shannon K. Irvin-Sansaricq | .... | construction assistant (uncredited) | |
| Ricky Riggs | .... | scenic foreman (uncredited) | |
| Mark Woods | .... | lead man (uncredited) | |
Special Effects by | |||
| Kevin Harris | .... | special effects coordinator | |
Camera and Electrical Department | |||
| Lou Barlia | .... | camera operator | |
| Jerry Bertolami | .... | dolly grip | |
| James Etheridge | .... | second camera operator | |
| William McConnell | .... | first assistant camera | |
| Mike Moyer | .... | gaffer | |
| Dick Oakes | .... | electrical best boy | |
| Don Reddy | .... | camera operator | |
| Zade Rosenthal | .... | still photographer | |
| John Sheeren | .... | second assistant camera | |
| Stan Vaughan | .... | best boy grip | |
| Rick A. West | .... | key grip | |
| David Sinrich | .... | grip (uncredited) | |
Casting Department | |||
| Andrea Curtis | .... | casting | |
| Bill Dance | .... | extras casting | |
Costume and Wardrobe Department | |||
| Patsy Chaney | .... | costumer | |
| Joie Hutchinson | .... | costumer (as Joann Hutchinson) | |
| Carol Kunz | .... | costumer | |
| Donna Roberts | .... | costumer | |
| Shirlee Strahm | .... | costume supervisor | |
| Gay Thomas | .... | key wardrobe assistant (uncredited) | |
Editorial Department | |||
| David Dresher | .... | first assistant editor | |
| Marcelo Sansevieri | .... | assistant editor | |
| Emmy Scharlatt | .... | assistant editor | |
Music Department | |||
| Tom Boyd | .... | musician: oboe soloist | |
| Daniel Allan Carlin | .... | supervising music editor | |
| Craig Pettigrew | .... | music editor | |
| John Richards | .... | scoring mixer: Evergreen Studios | |
| George Doering | .... | musician (uncredited) | |
Transportation Department | |||
| Jerry Jackson | .... | transportation coordinator | |
| Jon Bergholz | .... | transportation dispatcher (uncredited) | |
| Brian Kay | .... | driver (uncredited) | |
| Caroline Korney | .... | transportation dispatcher (uncredited) | |
Thanks | |||
| Robert Alost | .... | special thanks: president of Northwestern State University of Louisiana (as Dr. Robert Alost) | |
| Robert Alost | .... | special thanks: president of Northwestern State University of Louisiana (as Dr. Robert Alost) | |
| Jerry Pierce | .... | special thanks assistant to the president of Northwestern State University of Louisiana | |
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| Full cast and crew | Company credits | External reviews |
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I have always loved this movie. My mom and I watch it all the time and never get sick of it. It also never fails to make me both laugh and cry. It's amazing how real it is. I cannot relate to the events or the whole southern aspect to it, yet the movie is still easy to connect with. That is not only due to the incredible writing, but the acting is phenomenal. The characters feel so real. I have a hard time picking who I like best because everyone is so incredible in their own way. Even the more minor characters. But like I said, the impeccable writing is impossible to ignore. My mom and I can't seem to stop quoting it to each other. Although, yes, it is a chick flick, it is actually a good one. It's meaningful and powerful. And it's always nice to see a movie about women that does not revolve around them trying to get a man. I can't think of anything that is wrong in this movie. I really can't find a flaw. Every women, adolescents and on, should see this movie. I love it!