| Photos (See all 49 | slideshow) |
| William Shatner | ... | Kirk | |
| Leonard Nimoy | ... | Spock | |
| DeForest Kelley | ... | McCoy | |
| James Doohan | ... | Scotty | |
| Walter Koenig | ... | Chekov | |
| Nichelle Nichols | ... | Uhura | |
| George Takei | ... | Sulu | |
| David Warner | ... | St. John Talbot | |
| Laurence Luckinbill | ... | Sybok | |
| Charles Cooper | ... | Korrd | |
| Cynthia Gouw | ... | Caithlin Dar | |
| Todd Bryant | ... | Captain Klaa | |
| Spice Williams-Crosby | ... | Vixis (as Spice Williams) | |
| Rex Holman | ... | J'onn | |
| George Murdock | ... | God | |
| Jonathan Simpson | ... | Young Sarek | |
| Beverly Hart | ... | High Priestess | |
| Steve Susskind | ... | Pitchman | |
| Harve Bennett | ... | Starfleet Chief of Staff | |
| Cynthia Blaise | ... | Amanda | |
| Bill Quinn | ... | McCoy's Father | |
| Melanie Shatner | ... | Yeoman | |
| rest of cast listed alphabetically: | |||
| Michael Berryman | ... | Sybok Warrior (uncredited) | |
| Gene Cross | ... | Sybok Warrior (uncredited) | |
| Carey Scott | ... | Young Spock (uncredited) | |
| Mike Smithson | ... | Klingon Helmsman (uncredited) | |
Directed by | |||
| William Shatner | |||
Writing credits(WGA) | ||
| Gene Roddenberry | (creator: based on "Star Trek") | |
| William Shatner | (story) & | |
| Harve Bennett | (story) & | |
| David Loughery | (story) | |
| David Loughery | (screenplay) | |
Produced by | |||
| Harve Bennett | .... | producer | |
| Brooke Breton | .... | associate producer | |
| Mel Efros | .... | co-producer | |
| Gene Roddenberry | .... | executive producer | |
| Ralph Winter | .... | executive producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Andrew Laszlo | (director of photography) | ||
Film Editing by | |||
| Peter E. Berger | (as Peter Berger) | ||
Casting by | |||
| Bill Shepard | |||
Production Design by | |||
| Herman F. Zimmerman | (as Herman Zimmerman) | ||
Art Direction by | |||
| Nilo Rodis-Jamero | |||
Set Decoration by | |||
| John M. Dwyer | |||
Costume Design by | |||
| Nilo Rodis-Jamero | |||
Makeup Department | |||
| Janice Alexander | .... | special makeup artist (as Jan Alexander) | |
| Ellis Burman Jr. | .... | special makeup artist (as Ellis Burman) | |
| Hazel Catmull | .... | hair stylist | |
| Jeff Dawn | .... | makeup artist | |
| Wes Dawn | .... | makeup artist | |
| Katalin Elek | .... | special makeup artist | |
| Donna Barrett Gilbert | .... | hair stylist | |
| Ben Gorman | .... | Klingon and Vulcan prosthetics | |
| Edouard F. Henriques | .... | special makeup artist (as Edouard Henriques III) | |
| Rolf John Keppler | .... | special makeup artist | |
| Michael Mills | .... | special makeup artist | |
| Kenny Myers | .... | special makeup designer | |
| Ron Pipes | .... | Klingon and Vulcan prosthetics | |
| Brian Wade | .... | Klingon and Vulcan prosthetics | |
| Allan A. Apone | .... | special makeup designer (uncredited) | |
| Bruce Barlow | .... | assistant hair stylist (uncredited) | |
| Roland Blancaflor | .... | foam latex technician (uncredited) | |
| Erin Brasfield | .... | special makeup effects artist (uncredited) | |
| Tina Hoffman | .... | makeup artist (uncredited) | |
Production Management | |||
| Mel Efros | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Burt Burnam | .... | second assistant director (as Burt 'Skip' Burman) | |
| George Fortmuller | .... | second assistant director | |
| Paul F. Schlichting | .... | dga trainee | |
| Douglas E. Wise | .... | first assistant director | |
| James Lansbury | .... | second assistant director (uncredited) | |
Art Department | |||
| Richard J. Bayard | .... | construction coordinator | |
| James Betts | .... | production painter (as James H. Betts) | |
| Anthony Brockliss | .... | assistant art director | |
| Gary Clark | .... | paint foreperson (as Gary A. Clark) | |
| Antoinette J. Gordon | .... | set designer (as Antoinette Gordon) | |
| Don Hulett | .... | property master | |
| Kurt V. Hulett | .... | property master | |
| John Matheson | .... | construction foreperson | |
| Richard McKenzie | .... | set designer (as Richard Frank McKenzie) | |
| Andrew Neskoromny | .... | set designer | |
| Michael Okuda | .... | scenic artist | |
| Rick Sternbach | .... | illustrator | |
| Barton M. Susman | .... | lead person | |
| Cari Thomas | .... | scenic artist | |
| Sandy Veneziano | .... | assistant art director (as Sandy L. Veneziano) | |
| Ron Wilkinson | .... | set designer (as Ronald R. Wilkinson) | |
| Ed Miarecki | .... | props (uncredited) | |
| Victor M. Shannon | .... | plasterer (uncredited) | |
| Robert Van Dyke | .... | propmaker gangboss (uncredited) | |
Special Effects by | |||
| Mike Edmonson | .... | special effects assistant | |
| Michael Wood | .... | special effects supervisor (as Michael L. Wood) | |
| John McLeod | .... | special effects technician (uncredited) | |
| Mike Reedy | .... | special effects technician (uncredited) | |
| Michael A. Tice | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| John Alagna | .... | senior optical layout: optical unit | |
| Myles Ambrose | .... | electrical technician: live action effects unit (as Miles Ambrose) | |
| Eric Angelson | .... | visual effects coordinator: Associates & Ferren | |
| Valerie Baiardi | .... | effects animator: optical unit | |
| Patricia Barry | .... | assistant producer: Associates & Ferren | |
| Nicholas Baum | .... | computer engineering: live action effects unit (as Nick Baum) | |
| Stewart Brown | .... | precision printer: optical unit | |
| David Bruce | .... | animation stand camera operator: model unit | |
| Don Canfield | .... | motion control operator | |
| Paul Clemente | .... | coordinator: model unit (as Paul Michael Clemente) | |
| Susan Coursey | .... | assistant: Mr. Ferren | |
| Phillip Cullem | .... | mechanical fabrication: live action effects unit (as Phillip Cullum) | |
| David Drapkin | .... | animation stand camera operator: model unit | |
| Rachel A. Drapkin | .... | manager: model unit | |
| Joe Dubs | .... | computer animation and tactical display: Novocom, Inc. (as Joe Dubbs) | |
| Syd Dutton | .... | matte paintings: Illusion Arts | |
| Kinnereth Ellentuck | .... | film librarian: live action effects unit | |
| Michael Faerman | .... | production executive: model unit | |
| Bran Ferren | .... | visual effects | |
| Robert C. Francis | .... | electrical technician: live action effects unit (as Bob Francis) | |
| John Frith | .... | electrical technician: live action effects unit | |
| John Gaeta | .... | chief lighting technician: model unit | |
| Jim Gerken | .... | computer animation and tactical display: Novocom, Inc. | |
| Mike Gerzevitz | .... | chief lighting technician: model unit (as Michael Gerzevitz) | |
| Louis Goold | .... | optical layout: optical unit | |
| Phil Gosiewski | .... | camera operator: live action effects unit | |
| Gregory Harker | .... | senior animation stand photographer: optical unit | |
| Chester Hartwell | .... | equipment manager: live action effects unit | |
| Clint Hope | .... | special projects supervisor: live action effects unit | |
| Barry Hyman | .... | titles and opticals | |
| Paul Jordan | .... | electrical engineering: live action effects unit | |
| Michael Kellough | .... | set construction: model unit | |
| Robert Kohut | .... | mechanical fabrication: live action effects unit (as Bob Kohut) | |
| Maria Konwicka | .... | 2D artist: model unit | |
| Peter Kuran | .... | additional optical effects: VCE | |
| Susan Le Ber | .... | purchasing agent: Associates & Ferren | |
| Otto Leichliter | .... | computer engineering: live action effects unit | |
| Veronica E. Lesser | .... | 2D artist: model unit | |
| Robert Lyons | .... | motion control camera operator: model unit | |
| Jeff McGrath | .... | computer animation and tactical display: Novocom, Inc. | |
| David V. Mei | .... | senior model maker: model unit | |
| Linda Miller | .... | computer animation and tactical display: Novocom, Inc. | |
| Eric Moore | .... | props: model unit | |
| Seth Nathanson | .... | electrical engineering: live action effects unit | |
| Daniel Nauke | .... | fabricator: model unit | |
| Don Nolan | .... | optical layout: optical unit | |
| Thomas Quinn | .... | motion control support: model unit | |
| Edward Lee Rapp | .... | motion control and animation producer: model unit | |
| Dick Rauh | .... | effects animation supervisor: optical unit | |
| Jack Riedel | .... | senior motion control photographer: model unit | |
| Robert Rowohlt | .... | senior optical photographer: optical unit | |
| Mark Sawicki | .... | matte photographer: Illusion Arts | |
| Noel Scheinberg | .... | optical coordinator: model unit (as Noel Sheinberg) | |
| Robert Schulze | .... | optical photographer: optical unit | |
| James Shelly | .... | general manager: Associates & Ferren | |
| Tom Snowden | .... | optical layout: optical unit | |
| Eddie Stewart | .... | precision printer: optical unit | |
| Eric Stich | .... | electrical engineering: live action effects unit | |
| Michael Sullivan | .... | model photography design and lighting: model unit | |
| Dick Swanek | .... | optical supervisor: optical unit | |
| Michael Tabacco | .... | model maker: model unit | |
| Peterson Tooke | .... | motion control stage manager: model unit | |
| Susan Tremblay | .... | 2D supervisor: model unit | |
| Bruce Vaughn | .... | assistant photographer: live action effects unit | |
| Michael Ventresco | .... | senior effects animator: optical unit | |
| Valentine Vignes | .... | assistant model wrangler: model unit | |
| Peter Wallach | .... | motion control and animation supervisor: model unit | |
| Liz Wassel | .... | 2D artist: model unit | |
| Alan D. Webb | .... | process projection support: live action effects unit | |
| Ron Webster | .... | computer engineering: live action effects unit | |
| Tom Weston | .... | photographer: live action effects unit | |
| Frost Wilkinson | .... | photographer: live action effects unit | |
| Mitch Wilson | .... | senior optical timer: optical unit | |
| Ken Wisner | .... | mechanical engineering: live action effects unit | |
| Tim Zach | .... | decals and graphics: model unit | |
| Jammie Friday | .... | animator: VCE (uncredited) | |
| Gregory Jein | .... | model constructor (uncredited) | |
| George Muhs | .... | visual effects (uncredited) | |
| Ken Walker | .... | visual effects: model unit (uncredited) | |
Stunts | |||
| Gregory J. Barnett | .... | stunt double: Leonard Nimoy (as Greg Barnett) | |
| Kenny Bates | .... | high fall stunt (as Ken Bates) | |
| David Burton | .... | stunts | |
| David R. Ellis | .... | stunts (as David Richard Ellis) | |
| Linda Fetters | .... | stunts | |
| James M. Halty | .... | stunts | |
| Freddie Hice | .... | stunts | |
| Tommy J. Huff | .... | stunts (as Thomas Huff) | |
| Terry Jackson | .... | stunts | |
| John McLeod | .... | stunt rigger: Yosemite climbing sequence (as John McCloud) | |
| Joyce McNeal | .... | stunts (as Joyce L. McNeal) | |
| Tom Morga | .... | stunts | |
| Frank Orsatti | .... | stunts | |
| Bernie Pock | .... | stunt rigger: Yosemite climbing sequence | |
| Don Pulford | .... | stunt double: William Shatner | |
| Air Randall | .... | stunts | |
| Bruce Randall | .... | stunts (as Bruce Wayne Randall) | |
| R.A. Rondell | .... | stunts | |
| Tom Wetterman | .... | stunts | |
| Glenn R. Wilder | .... | stunt coordinator | |
| Scott Wilder | .... | stunts | |
| Dick Ziker | .... | stunts | |
| R.A. Rondell | .... | stunt double: William Shatner (uncredited) | |
Camera and Electrical Department | |||
| Bruce Birmelin | .... | still photographer | |
| Werner Braun | .... | climbing rigger: Yosemite climbing sequence | |
| Jim Bridwell | .... | climbing rigger: Yosemite climbing sequence | |
| Philip Caplan | .... | camera operator (as Phil Caplan) | |
| Lex DuPont | .... | assistant camera: Yosemite climbing sequence | |
| Jon Falkengren | .... | dolly grip (as Jon A. Falkengren) | |
| Steven Haire | .... | climbing rigger: Yosemite climbing sequence | |
| Richard Hartley | .... | assistant chief lighting technician | |
| Carmon H. Howell | .... | first company grip | |
| Troy Johnson | .... | climbing rigger: Yosemite climbing sequence | |
| Bill Killey | .... | camera operator: Yosemite climbing sequence | |
| Burton Lindemoen | .... | second company grip | |
| Richard Craig Meinardus | .... | first assistant camera (as Dick Meinardus) | |
| Nadim Melkonian | .... | climbing rigger: Yosemite climbing sequence | |
| Dean Miller | .... | climbing rigger: Yosemite climbing sequence | |
| Ken Nishino | .... | first assistant camera (as Kenneth Nishino) | |
| Don Nygren | .... | chief lighting technician (as Donald O. Nygren) | |
| Keith Peterman | .... | camera operator | |
| Sean Plunkett | .... | climbing rigger: Yosemite climbing sequence | |
| Bill Russell | .... | climbing rigger: Yosemite climbing sequence | |
| Dennis Seawright | .... | second assistant camera (as Dennis B. Seawright) | |
| Walter Shipley | .... | climbing rigger: Yosemite climbing sequence | |
| Paul Sibley | .... | climbing rigger: Yosemite climbing sequence | |
| Bob Stradling | .... | assistant camera: Yosemite climbing sequence | |
| Rob Sweeney | .... | first assistant climbing photographer: Yosemite climbing sequence | |
| Jeffrey Thorin | .... | second assistant camera (as Jeffrey S. Thorin) | |
| Joseph F. Valentine | .... | camera operator: Yosemite climbing sequence (as Joe Valentine) | |
| Patric J. Abaravich | .... | lighting technician (uncredited) | |
| Sunny Johnson | .... | grip (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Dan Bronson | .... | wardrobe: men (as John D. Bronson) | |
| Joseph Markham | .... | wardrobe: men (as Joseph R. Markham) | |
| Sue Moore | .... | wardrobe: women | |
| Ray Phelps | .... | wardrobe: men (as Raymond A. Phelps) | |
| Dodie Shepard | .... | costume supervisor | |
Editorial Department | |||
| Christopher E. Bennett | .... | apprentice film editor | |
| John Haggar | .... | assistant film editor (as John A. Haggar) | |
| Robert Raring | .... | color timer (as Bob Raring) | |
| George C. Villaseñor | .... | assistant film editor | |
Music Department | |||
| Bruce Botnick | .... | music scoring mixer | |
| Tom Boyd | .... | musician: oboe soloist | |
| Alexander Courage | .... | composer: additional music (from "Star Trek") | |
| Kenneth Hall | .... | music editor (as Ken Hall) | |
| Arthur Morton | .... | orchestrator | |
Transportation Department | |||
| Raymond A. McLaughlin | .... | transportation coordinator | |
| Gaston Veilleux | .... | transportation captain | |
Thanks | |||
| James D. Bissell | .... | special thanks (as Jim Bissell) | |
| Tim Down | .... | special thanks | |
| Jack Morehead | .... | special thanks: superintendent: Yosemite National Park Services | |
| Robert Parker | .... | special thanks | |
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| Star Trek: First Contact | Star Trek II: The Wrath of Khan | Star Trek: Generations | Star Trek III: The Search for Spock | Star Trek: Insurrection |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
What constitutes a true Trek fan? If you're wearing a pair of plastic Spock ears and waving a tricorder at the screen, you may go to the head of the class. If you can tell me Khan's full name... ooh you're good. (Hint: it's not "Khaaaaaaaaaan") and if you know all the words to "Heading Out to Eden" then you're gold.
The rest of you may read along anyway.
Star Trek V is without a doubt the most hated of all the trek films because it's light on action, even lighter on special effects, and there is no real bad guy. But think back, so were the great episodes "I, Mudd", "The Trouble with Tribbles", "A Piece of the Action" and "The Empath". In the tradition of the original series, this 5th installment of the Trek films is a timely pause for reflection. It's the most human of all the Treks, the most humorous, and for my money it's the most poetic.
I'll put it this way: the plot of the film doesn't emerge until nearly 45 minutes into it. Rightfully so; this isn't a plot-driven film. It's a film about friends, personalities and what makes us who we are. It just happens to be set in space with a bunch of aliens & such. But if you're a true Trek fan, you'll remember that that's exactly how the original series often was. Episodes like "The Deadly Years" or "All Our Yesterdays" were not so much about plot as they were about the characters Kirk, Spock & McCoy and the complexities of their interaction.
In Trek V we see the good old Spock-McCoy bickering. We see the dynamic between Kirk's fiery emotion and Spock's stoic coolness. And above all, we are reminded that these 3 are best friends through thick & thin. No, it may not be quite the heart-pounding scifi shootout that Trek II was, but that was never its intent. I take my hat off to William Shatner for having the integrity to take us back to the original Trek days, even at the risk of boring a new generation of fans. Tell me, what scifi flick has the balls to give us a campfire scene with the three main characters singing "Row, Row, Row Your Boat"? ...Twice! And just a quick word about the directing, visuals and cinematography: awesome. Shatner made excellent use of lighting, shadows, perspective and a few Hitchcockian tricks you may recognize. Shatner's directing style reminds me a lot of the Serbian master Emir Kusturica. It's a shame that this is Shatner's only major directing effort (not including documentaries & TV shows).
My advice to true Trek fans (and non-true Trek fans who managed to read this far) is SEE THIS MOVIE. I love all 6 of the Trek films, but this one really has a special place in my heart. If you're looking for more than spaceships & laser guns, I think you'll really like it, too.