A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of ... See full summary »
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Attractive young woman, Mona, retells a surreal nightmare she had. She's in her bed when a macabre man with a gun appears and tells her to enter a crate. An assembly line is taking countless crates to their doom. She looks for a way out.
A stressed-out Kafkian man called Ruben retells an embarrassing dream he had. In it, his overbearing mother takes him, naked and embarrassed, to a noirish department store to buy him clothes, a penis and a wife. He looks for a way out.
Like a dream, some things can only be experienced to understand
This film has some of the most beautiful imagery and haunting music ever. (Not to overstate it or anything) A three hander set in a post apocalyptic Oz outback (but one which is wildly more fantastical than Mad Max), Spirits of the Air tells the story of Smith, a stranger on the run who happens upon Felix and Betty, far into the desert.
All around them are amazing images of cars buried into the ground like totems, huge flags blowing madly in the desert wind and their house itself is of the old oz pioneer style but decorated everywhere with crucifixes. Felix is an inventor obsessed with flight and making a glider, an obsession which has already left him in a wheel chair. Betty is one of the truly great film characters, just an absolute tripper - I can't describe her but the performance is a delight.
This is not a fast film, it is not action packed but is intense - the imagery and art direction are beautiful, the writing is distinct and very Australian but still universal, the soundtrack is haunting (a lot of windsound montages with a simple tune used to great effect) and the performances are both real and surreal.
Until you see this film (and for those who have enjoyed the increasingly brilliant work of Alex Proyas, you really should) you won't know what you are missing.
(By the way, to the @$#%ing mongrel who stole my Japanese import copy of the soundtrack on CD may you be locked in a room with Betty for a very long time)
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