Ulrich Mühe plays a German businessman who was born completely without scruples. This makes him an eminently suitable candidate for success in the chaotic years after World War I. The ...
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Middle-aged artistes provide the focus of this drama filmed in black and white. The story is set in Paris around the time of the Gulf War. Paul is an actor leading a drab directionless ... See full summary »
Johanna ter Steege
Bologna in Italy, 1948. A period in the life of some 15 year-old youths who attend the same school and live in the same neighbourhood. Dado, a very shy boy, is one of them. Through his eyes... See full summary »
Juan flees Madrid and an incestuous relationship with his sister, Ana, working at a mine on the Andalucian coast. When his friendship with Rosario, a local shop girl, becomes romance, Ana ... See full summary »
Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her with to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and ... See full summary »
From one of the foremost woman directors comes a personal story of how history and the individual impact each other. A young woman (Juli) returns to her homeland only to find the horrors she escaped have infected it also.
Ulrich Mühe plays a German businessman who was born completely without scruples. This makes him an eminently suitable candidate for success in the chaotic years after World War I. The shameless man's story is contrasted with that of his polar opposite, a Jewish anarchist. Written by
If it is only for subject a film by Bernhard Wicki is always interesting viewing, but it also takes a lot of perseverance. This very long (would it ever end?), badly paced and boring film is no exception. Maybe the long production period (almost three years) took its toll, the film is very unsatisfactory with a couple of good scenes but on the whole it is a muddled up endeavour that sometimes simply rambles on from the one scene to the next without any overall power and structure. I could not care a bit about any of the characters.
Wicki is not shy of using some strong graphic imagery to really make his point only to achieve complete distance: ah yes another ripped off head. Furthermore he seems to have been afraid not to get the atmosphere of the period across and endlessly we have to watch how good he was trying to achieve this by maybe a 1000 props we all have to see and a rather folklore interpretation of the Jewish Berlin neighbourhood: Wicki should have concentrated on good story telling in stead. The film is not helped much by poor acting.
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