Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the ... See full summary »
Detective Azuma is a Dirty-Harry style rogue cop who often uses violence and unethical methods to get results. While investigating a series of drug-related homicides, Azuma discovers that his friend and colleague, Iwaki, is supplying drugs from within the police force. After Iwaki is murdered and Azuma's sister is kidnapped, he breaks all the rules to dish out his particular form of justice. Written by
Todd K. Bowman <firstname.lastname@example.org>
Kinji Fukasaku was originally slated to direct, but had to bow out when he discovered his lead actor could only be available for periods of ten days at a time due to television commitments. The lead actor Takeshi Kitano already cast as Azuma, offered the job after a joking reference to possibly doing it, took over the director's chair after heavily rewriting the script to remove all traces of comedy. See more »
Turn yourself in tomorrow.
I didn't do anything!
You didn't do anything?
[Rams kid's head into the wall.]
Well, then I didn't do anything either!
See more »
There are no opening credits beyond the title. See more »
Takeshi Kitano's films that have been celebrated in the West--SONATINE and the elegant FIREWORKS--are art movies with a pulpy whiff of hickory smoke blown over them. For my money, the real Kitano is found in early pictures like BOILING POINT and this programmer, generally called in America VIOLENT COP. There's always a strange mix of art movie and pulp movie in Kitano, but in this one the balance is about fifty-fifty. Kitano's trademark style--Ozu-like tranquility pierced by chancres of irruptive violence--was never so deftly jiggered as it is here. And Kitano's own performance--log-faced yet queerly piquant--ranks with Robert Mitchum at his peak.
7 of 12 people found this review helpful.
Was this review helpful to you?