When three close friends escape from Hong Kong to war-time Saigon to start a criminal's life, they all go through a harrowing experience which totally shatters their lives and their friendship forever.
Tony Chiu Wai Leung,
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A young man, Kazuo, joins a new cult religion even though he sees through the initial recruitment pretense, and participating in the activities of a new social phenomenon, some of whose ... See full summary »
In 1923, the Korean teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of ... See full summary »
Detective Azuma is a Dirty-Harry style rogue cop who often uses violence and unethical methods to get results. While investigating a series of drug-related homicides, Azuma discovers that his friend and colleague, Iwaki, is supplying drugs from within the police force. After Iwaki is murdered and Azuma's sister is kidnapped, he breaks all the rules to dish out his particular form of justice. Written by
Todd K. Bowman <email@example.com>
Kitano insisted on long takes. Close-ups easily lasted 10 seconds, medium shots went on for 20 seconds and the shot where Azuma (Kitano) walks onto the bridge and into the frame lasted 57 seconds. See more »
[Kiyohiro has been served a search warrant.]
[Azuma pulls out an envelope and a syringe.]
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There are no opening credits beyond the title. See more »
They ain't kidding, he really is a violent cop. Arty crime classic
Though I have only seen a handful of Takeshi Kitano movies, I find them inevitably a marvellous way to spend a couple of hours. Violent Cop was his first film and though not quite as accomplished as some of his later work, its still awesome. Takeshi plays Azuma, a man so unpredictable and brutal that he seems more like a character from a Kinji Fukasaku film than a policeman. It is worth noting that the film was to be directed by Fukasaku until he walked off. The story is not particularly original or involving, but the characters and the style are engrossing. Kitano really mixes things up with some great use of slow motion, a few neat surreal touches and a whole lot of tranquility periodically skewered by bloody violence. Some of the beatings Azuma administers are both unnerving and hilarious and he is captivating throughout the film. Some have complained about the long shots of peoples faces as they stare impassively at each other, or the way that a lot of scenes seem inconsequential, especially in the first half. I enjoyed all of these moments, finding that they added greatly to the characters and the atmosphere of the film. I could have done with a better story and a bit more of Kitano's surreal humour but this is still a cracking movie, well worth watching. Be warned that in the British DVD release, some scenes are spoiled by the bizarre absence of subtitles.
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