In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
Anthony Wong Chau-Sang,
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, ... See full summary »
Detective Azuma is a Dirty-Harry style rogue cop who often uses violence and unethical methods to get results. While investigating a series of drug-related homicides, Azuma discovers that his friend and colleague, Iwaki, is supplying drugs from within the police force. After Iwaki is murdered and Azuma's sister is kidnapped, he breaks all the rules to dish out his particular form of justice. Written by
Todd K. Bowman <firstname.lastname@example.org>
Kitano insisted on long takes. Close-ups easily lasted 10 seconds, medium shots went on for 20 seconds and the shot where Azuma (Kitano) walks onto the bridge and into the frame lasted 57 seconds. See more »
I'm Nito. Won't you come in?
Come in? A restaurant with dope-pushers and killers?
You know what I mean. Where's Kiyohiro?
Kiyohiro? Who's he?
Look ... if you want to question me, get a warrant first.
[Shinkai tucks a bribe into Azuma's jacket pocket]
[Nito peers closely.]
[...] See more »
There are no opening credits beyond the title. See more »
Takeshi Kitano's films that have been celebrated in the West--SONATINE and the elegant FIREWORKS--are art movies with a pulpy whiff of hickory smoke blown over them. For my money, the real Kitano is found in early pictures like BOILING POINT and this programmer, generally called in America VIOLENT COP. There's always a strange mix of art movie and pulp movie in Kitano, but in this one the balance is about fifty-fifty. Kitano's trademark style--Ozu-like tranquility pierced by chancres of irruptive violence--was never so deftly jiggered as it is here. And Kitano's own performance--log-faced yet queerly piquant--ranks with Robert Mitchum at his peak.
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