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| Index | 21 reviews in total |
24 out of 35 people found the following review useful:
Truly A Work of Art..., 25 April 2000
Author:
grimes2020 from Pittsburgh, PA
From its inception, the cinema has always attempted to identify itself as
a
form of art. While there can be little doubt that many movies over the
years
have indeed earned this claim, most films released in recent years would
cause the viewer to wonder whether the images on the screen were indeed
the
work of an artistic director and cast, or simply bombardments of
entertaining images aimed at mindless audiences eating stale popcorn. For
those seeking to renew a confidence in the fading notion of the artistic
motion picture, `Some Girls' (1988) is a must-see masterpiece.
`Some Girls' is the bizarre yet thoughtful comedy which centers in on the
experiences of a young and naïve character named Michael, one of Patrick
Dempsey's first roles. Michael is thrust into a whirlwind of confusion
and
emotion from the minute he arrives in Quebec to visit his girlfriend,
Gabriella D'Arc, played by Jennifer Connelly, during Christmas break. He
is
immediately confronted with a dizzying array of bizarre events, beginning
with an abrupt statement by Gabriella informing him that she is no longer
in
love with him, but nevertheless wishes for him to stay at the at the
D'Arc's
home (a chateau which is an architectural delight).
At dinner the first night, Michael is introduced to the rest of the D'Arc
family, one of the most unusual and dysfunctional and families one could
ever dream up. Michael's eyebrows are first raised when he meets Mr.
D'Arc,
a hilarious part played by Andre Gregory, Gabriella's perpetually naked
father, who is an eccentric philosopher obsessed with the works of Pascal.
He also meets Gabriella's strict Catholic mother, the family's priest, and
Gabriella's two sisters, Simone and Irenka, played by Ashley Greenfield
and
Sheila Kelley, respectively.
The comedy develops as the sexually frustrated Michael continues to pursue
Gabriella in a desperate attempt to regain her love, while unsuccessfully
trying to fend off the constant advances of her two sisters seem to be
more
than willing to engage his appetite. More often than not, Michael finds
himself in compromising (yet unfulfilled) situations with one or more of
the
three sisters, only to be caught, usually in the nude, by Mr. Or Mrs.
D'Arc
(or even worse, the dog, Beowulf). The story sharpens with an unexpected
twist as Gabriella's maternal grandmother, played brilliantly by Lila
Kedrova, is introduced. Granny, mentally and physically decrepit, escapes
from her hospital into the wintry wilderness north of Montreal, which
leads
to an all out search and rescue operation undertaken by the family, with
Michael tagging along for the ride.
In the end, it is Michael who finds Granny (or rather, Granny finds
Michael), who confuses him with her late husband. In a series of scenes
that are uncomfortable and yet compelling, Michael gains a new perspective
on both nudity and love. Even though Granny seems confused about who
Michael is, there is no mistaking the both the depth and simplicity of her
words. While Michael's romantic mishaps and the D'Arc family's antics are
enough to make the movie funny, the scenes with Granny are the ones that
dominate the film and give it meaning.
Directed by Michael Hoffman, Mark Bentley, and Robert Redford, `Some
Girls'
is filled with more symbolism than any other movie in recent memory. The
rich and profound imagery is a currency which is well spent throughout the
entire film, all the way from the names in the film, (Beowulf, Lumiere,
etc.) to the displays of classic works of art such as Unicorn tapestries.
The most dominant symbol in the movie is Botticelli's `Three Graces,' a
painting which graces the cover of the movie. The symbol is fully
revealed
in the last scene of the movie, where the camera pans up to the painting,
which has served as the backdrop in the airport as Michael says goodbye.
In
that instant, the three D'Arc sisters are enveloped in the lore of the
Three
Graces of mythology, innocent goddesses of revelry and love; the
personifications of feminine charm and beauty. Greek mythology ascribed
to
the Three Graces (or Charities) the creative power to inspire works of
poetry and art. How fitting for a movie which is truly a work of art in
and
of itself.
`Some Girls' is not only rich in character and symbolism, however. It is
also the canvas for a brilliantly woven set of themes, including love,
sex,
nudity, life, and death. Each of these themes, most notably nudity, is
explored in great detail during the course of the film. Michael's quest
for
love brings him to a new understanding of the fine line between lust and
true love, as is evidenced in the awkward scenes with Granny. Similarly,
the prolific amount of scenes suggesting nudity address the many forms of
nudity, from the intellectual and natural nudity of Mr. D'Arc, to the
innocent yet meaningful undressing of Granny, to the hot and steamy
revelations of each of the D'Arc sisters. One of the most powerful
themes,
however, is that of life and death, which is expressed in one of the most
moving and unique death scenes ever filmed. As Granny closes the
curtains,
Michael, and the audience, learn what life, death, and love are truly all
about. Similarly, Sanna Vraa gives a short but stunning performance as
the
young Granny, in a mysterious return at the grave which solidifies the
story's lessons on life, death, and love.
As wonderfully compelling as this movie is, it should be viewed with a
great
deal of discretion. Young viewers, especially young teenagers, should be
discouraged from seeing `Some Girls.' Also, those viewers whose standards
are offended by constant references to sexuality and nudity would be wise
to
refrain from seeing `Some Girls.' The movie is rated `R' for a reason; the
sexual content and themes are very provocative.
It is precisely because of this provocation that the movie is so worth
seeing for the intended audience, mature viewers who have an appreciation
for art, in all its forms, as well as an awareness and understanding of
human nudity and sexuality. For those viewers, `Some Girls' is bound to
not
only be a delightful experience, but also one which is both challenging
and
rewarding. To them, a screening of `Some Girls' will seem like more of an
evening spent in a truly artistic setting, such as a museum or opera, than
just a crowded movie theater full of mindless spectators chomping away at
that stale popcorn.
14 out of 18 people found the following review useful:
One of the sexiest and smartest American sex comedies of recent years., 29 September 1998
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Author:
Alonso Duralde from Dallas, TX
American college student Patrick Dempsey travels to beautiful Quebec City to
spend Christmas with girlfriend Jennifer Connelly, who informs him upon
arrival that she's no longer in love with him. Spending the vacation with
her eccentric family -- including nudist/Pascal expert Andre Gregory,
staunch Catholic Florinda Balkan and the luscious Sheila Kelley -- teach him
a thing or two about the mysteries of life, love and women.
Cleverly written and gorgeously mounted -- wait til you see that house --
"Some Girls" is the kind of offbeat and eccentric comedy that the French
often do so well but Americans rarely attempt. Little-seen upon its initial
release, the film has developed a well-deserved cult following.
15 out of 21 people found the following review useful:
Not what you'd expect., 27 July 2002
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Author:
L_Miller from United States
Jennifer Connelly + "Teen Comedy" = loads of T&A, right? No. This movie
is
about a thousand times smarter and more reflective than that. This movie
made me more interested in seeing her movies for her acting and not just
the
yards of sweaty flesh. She's made some crapola since then; "Inventing the
Abbotts" was a gigantic waste of everyone involved, "Mulholland Falls"
made
me genuinely wonder if she was about to pull a Bridget Fonda but then
"Requiem for a Dream" and "A Beautiful Mind" set the world to right. This
is
a preview of the kind of career choices she was going to start making,
with
occasional forays into titillation-land to cover the rent.
It's just a movie, it's not going to reach out and change you or make
you
see God or anything. You will have to do that yourself. But it does draw
you
in anticipating a standard farce and instead getting a reflection on
desire,
wishes and the true definition of a life well lived.
There's plenty of teeny skin-and-blood (both original and new
Irony-flavored) flicks out there, rent those if you want to be cool like
everyone else. If you want to spend some time musing about a movie after
you
see it, rent this.
9 out of 13 people found the following review useful:
An overlooked gem of a romantic comedy, 21 February 1999
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Author:
P Baker from Long Island, NY
France is famed for its romantics, but Quebec? In the winter? Well,
perhaps it should be. A love-struck college student named Michael (Dempsey)
has too many naive theories about women. Then he is invited, by his
mysterious girlfriend Gabbie (Connelly) to visit her family over Christmas,
in Quebec. Ah ha, he thinks; major progress. The first thing Gabbie tells
Michael in Quebec, however, is that she no longer loves him. Yet, she wants
him to stay for the holidays. The bewildered Michael is then introduced to
Gabbie's truly bizarre family, including Gabbie's father (Gregory), a writer
who can work effectively only in the nude; a priest (Milette) who is
hopelessly in love with Gabbie's over-protective mother (Balkan); Gabbie's
sensual sister Irenka (Kelley) and her boorish boyfriend (Edwards); and a
clock-stealing sheepdog, among others.
Poor Michael continues to try to woo Gabbie, and almost succeeds, but is
mightily distracted by Irenka and her younger sister, Simone (Greenfield).
Then he meets Granny (Kedrova), the crazed and dying matriarch, who mistakes
Michael for her long-dead husband of the same name. The film shifts tone as
Michael discovers that love and sex need not be the same thing. The final
lines of the movie sum it up well, as Michael muses that all his theories
about women are bulls**t.
The few professional critics who saw this film gave it very low marks, and
certainly there were things to criticize. The lead actors (Demsey,
Connelly) were sometimes unconvincing, and the plot was erratic and almost
non-existent. These were minor flaws, however, in an otherwise fascinating
film. For the most part, the acting was enjoyable, the character
development was fascinating, and the film filled with unexpected humor. The
sexual tension was kept high, with very little actual sex, and the ending
was satisfying.
10 out of 15 people found the following review useful:
The film is fiction, the family is real!, 16 February 2000
Author:
ajkandy from Montreal, Canada
The family in Some Girls are the Taylors of Montreal...the screenwriter actually dated one of the Taylor sisters and fictionalized them into this movie...The father is actually world-famous philosopher and McGill U. professor Charles Taylor. Their late mother *was* very Catholic...and the legendary house is real- an old wooden Metcalfe Avenue mansion, in Westmount- since sold, but still there. Of course, this film annoys them to no end - so don't mention it if you're invited to
7 out of 11 people found the following review useful:
Amazing love story with subtle beauty as we as the in your face kind!, 21 April 2004
Author:
skallagrimson from Riga Latvia
This is one of my all-time favorite films. It was too subtle and philosophical to make it in the mainstream. The various 'love' themes between sisters, mothers and daughters, husband and wife are all beautiful. But the love between the boy and old woman - a love that spans lives and time - goes beyond touching; it's eternal and amazing. Other than the Granny's accent being Russian and not French, I found the movie flawless! Wish it came in DVD!
7 out of 11 people found the following review useful:
Why watch it?, 21 March 2000
Author:
ND-8 from Pittsburgh, PA
Love is in the air. Be it true love or merely puppy love, it is
ever-present throughout the film, Some Girls. Starring both Patrick
Dempsey,
as Michael, and Jennifer Connelly, as Gaby, this movie contains something
for everyone, depending on how insightful the viewer chooses to be. It can
be taken as simply a hilarious comedy or a genuinely profound portrayal of
love and human nature; the viewer is given this choice.
As a comedy, Some Girls plays on Dempsey's vulnerabilities, or in other
words, the fact that he is a teenage male that has yet to figure out
women.
Michael, continually rejected by his quondam love, Gaby, is repeatedly
taken
advantage of by Connelly's on-screen sisters, Irenka and Simone, and he
inadvertently falls in love with Granny. Dempsey's naivety gets him into a
countless number of awkward situations with the women of the D'Arc family,
such as winding up in bed with them and getting caught in the nude, which
adds to the humor of the movie.
The love that Michael and Granny feel for each other is a transition
between the comical and the symbolic sides of this film. In the
wonderfully
set-up scene where Michael undresses Granny, the viewers start to feel
uncomfortable when they realize that Granny isn't going to be innocently
nude. She enjoys the attention, and because this type of sexual encounter
is
not socially accepted, it causes unease. Due to the discomfort that this
scene causes in the viewer, it becomes humorous that this teenage boy is
undressing this old woman who is quickly falling for him. However, it is
not
humor alone that is at work here. This scene sets up the rest of the movie
and allows for true love to blossom.
Although Michael went to Quebec to see his "love", Gaby, he fell in love
with the last person that he expected, or even desired to fall in love
with:
Granny. The two of them became unbelievably close during the film and
developed a love deeper than the one that he had only imagined forming
between him and Gaby. There love was true love, despite the fact that
Dempsey tried to push it aside at the very beginning. However, Michael let
up his guard, letting himself fall madly and deeply in love with Granny,
the
woman he could never have due to both society and mortality.
For the movie aficionado who loves symbolism, Some Girls is a wonderful
choice of movies. It is a film that can be watched over and over again and
something new will occur to the viewer each and every time that it is
watched. The viewer may discover what Botticelli's Three Graces, who
appear
several times during the film, have to do with the three D'Arc sisters or
maybe why Beowulf jumped out of the window with the clock in his mouth. He
or she may realize why the unicorn tapestry covers Gaby's bedroom door or
why the girls' father feels that he must write in the nude. The viewer may
realize that the film both begins and ends with water and why that fact is
so important. In order to appreciate these things, however, the movie must
be watched and it must be watched more than once.
Some Girls is truly a structural masterpiece. It appears as if in every
scene, there is some hidden symbol, or underlying idea, that makes the
film
multifaceted instead of just straightforward and simple to understand. The
details make the film an extraordinary one instead of just an ordinary
one.
The flashback scene exemplifies the structural merit better than any other
scene. It is perfectly choreographed, with the time being split between
the
car scene and the window-closing scene well enough to keep the viewer on
the
edge of his or her seat. The flashback went from the peacefulness of the
window closing to the frenzied ride to the hospital without falter.
Another
wonderful scene that demonstrates the film's magnificent structure is the
scene in which Michael and Granny are alone in the old abandoned house.
Nothing whatsoever prepares the viewer for what is about to come, and it
is
better left that way. It merely shows love in its purest
form.
In the same way that Michael receives something that he didn't expect from
going to Quebec, the viewer receives something that he or she probably
doesn't expect from the movie. Michael learns what love is all about and
the
viewer learns what great films are made of. By the end of the movie,
Michael
has changed for the better. He has matured, learned a little about women,
fallen in love, and maybe even gained some religion from his experiences.
He
left the three women of the D'Arc family, and moved on to the woman of the
Lumiere family. By doing this, he moved from the darkness to the light, as
their surnames symbolically imply. Hopefully, the viewer can do the same
if
they take the time to watch this exquisite film.
4 out of 6 people found the following review useful:
Classy 80s romance, 28 October 2002
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Author:
Tasos Tz. from London, England
In a perfect world Patrick Dempsey would lead a career similar of that of
John Cusack's. He is a better actor, maybe not as handsome but more
talented
and more inspiring.
'Some Girls' is a great movie and Patrick Dempsey really helps to make it
the way it is. Jennifer Connelly is as beautiful as she can be and the
story
is a beautiful 80s romantic tale.
Unfortunately this undiscovered gem never got the recognition it
deserved,
so it won't even be released on DVD. Shame...
10/10
4 out of 6 people found the following review useful:
Teen sex comedy with a touch of magical realism, 13 August 2002
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Author:
Jeffrey Poehlmann from Hollywood, CA
This film goes beyond the usual boundaries of its genre in
surprising and sensitive ways. While always amusing, it is also
genuinely intelligent and genuinely emotional without ever being
preachy or maudlin, thus placing itself far above 98% of the films
out there. Jennifer Connelly gives a luminous performance and
Patrick Dempsey infuses his character with a flawless
combination of frustration, joy and wonder. The story itself is
grounded in the "coming of age" sex comedies of the 70's and
80's, just long enough to set things in motion. Once the film really
has its own legs, however, it delves more deeply into the
complicated and strange family relations that drive the themes and
propel the plot toward a beautiful and somewhat unexpected
conclusion.
"Some Girls" has easily been among my favorite films since the
first time I viewed it as a rental I had not previously heard of. The
only tip-off that it might be something extraordinary was the superb
supporting cast, and I have rarely been so delighted at having
picked a winner.
4 out of 6 people found the following review useful:
A Fairytale Of A Movie, 27 March 2002
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Author:
richard-III from The Netherlands (Europe)
Rather unsuspecting I started watching a movie on television, co-starring young actress Jennifer Connelly whom I knew from the Jim Henson movie 'Labyrinth'. It started playful and lighthearted, but slowly grabbed me along its weird and wonderful storytelling path. This is a film to have and to hold, it grows on you. And Jennifer and her weird sisters are spellbinding and to watch out for!
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