In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). ... See full summary »
Musician brothers Cesar and Nestor leave Cuba for America in the 1950s, hoping to hit the top of the Latin music scene. Cesar is the older brother, the business manager, and the ladies' man... See full summary »
Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a result of this relationship, she changes her personality when... See full summary »
Rebecca De Mornay,
Irene is a magazine editor living under the shadow of the Pinochet dictatorship in Chile. Francisco is a handsome photographer and he comes to Irene for a job. As a sympathizer with the ... See full summary »
A month before he's to marry Carmen, Antonio finds a photograph of a man with his arm on her shoulder. The photograph triggers jealousy: he questions Carmen, Carman's friend Cinta, and his ... See full summary »
Daniel Giménez Cacho,
In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later. Written by
Vicente Aranda is like the Spanish verb "erguir" - impossible to conjugate
Aranda has directed a few things which might be worth talking about, or even mentioning; but he has also made a few films which I prefer to forget about, like........um......like.......I can't remember.
"Aventis" belongs to this category. If starting off from the fact that the novelist Juan Marsé has very little intellectually o literary going for him, if Jorge Sanz has never pleased me in anything at all, and Victoria Abril has satisfied me occasionally as being an actress (and not merely a sex-object), for example in "Bicicletas son para el verano, Las" (1984), "Pazos de Ulloa, Los" (1985) (mini), or Tiempo de silencio (1986), you might be ready to accept that apart from a vague story-line which seems to meander between nowhere and somewhere else, the sight of Jorge Sanz having sex "doggy style" with Victoria Abril, is about as appetising as eating live cockroach sandwiches for breakfast.
Too much tits, bums and testicles for my liking. Near pornography in classification. Poor stuff: just in case some of you reading my comments think I praise all Spanish films. I do not: some are dreadful. "Aventis" (Si te dicen que caí) is one of them.
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