In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). ...
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Isabel, donna ricca e matura, è ossessionata da un presunto blocco sessuale e cerca di farsi curare dalla giovane psichiatra Ana. Nel frattempo, Antonio, giovane e affascinante, la seduce ... See full summary »
In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage... See full summary »
José Luis García Sánchez
Fernando Fernán Gómez,
Juan flees Madrid and an incestuous relationship with his sister, Ana, working at a mine on the Andalucian coast. When his friendship with Rosario, a local shop girl, becomes romance, Ana ... See full summary »
A bank robbery goes wrong. The robbers, two of them unemployed family men, take two hostages, one of them needing heart medication, and leave them in an apartment, tied to a bomb. The ... See full summary »
Ana is an equestrian sharpshooter for a one ring circus in Madrid for a week. Marcos is a reporter doing a Sunday supplement piece. He interviews her and she invites him to dinner with the ... See full summary »
A girl, who lives together with her cousin who earns some money by dealing and her boyfriend who is a policeman, is regularly transporting some drugs from Morocco for her cousin. As all of ... See full summary »
Set in '50s Spain, a young man (Sanz) leaves the army and looks for a job so he and his fiancée (Verdu) can get married. He rents a room from a widow (Abril), and shortly begins a torrid ... See full summary »
In childhood and youth, the three were "the inseparables." Luisa married Ángel, then two years later, she left him to marry Ramiro. After ten years, Ángel reappears, back from South America... See full summary »
Thomas is a young agoraphobic man; he's afraid of coming to any kind of contact with other people, so he lives totally isolated in his apartment. The story takes place in the near future ... See full summary »
In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later. Written by
Vicente Aranda is like the Spanish verb "erguir" - impossible to conjugate
Aranda has directed a few things which might be worth talking about, or even mentioning; but he has also made a few films which I prefer to forget about, like........um......like.......I can't remember.
"Aventis" belongs to this category. If starting off from the fact that the novelist Juan Marsé has very little intellectually o literary going for him, if Jorge Sanz has never pleased me in anything at all, and Victoria Abril has satisfied me occasionally as being an actress (and not merely a sex-object), for example in "Bicicletas son para el verano, Las" (1984), "Pazos de Ulloa, Los" (1985) (mini), or Tiempo de silencio (1986), you might be ready to accept that apart from a vague story-line which seems to meander between nowhere and somewhere else, the sight of Jorge Sanz having sex "doggy style" with Victoria Abril, is about as appetising as eating live cockroach sandwiches for breakfast.
Too much tits, bums and testicles for my liking. Near pornography in classification. Poor stuff: just in case some of you reading my comments think I praise all Spanish films. I do not: some are dreadful. "Aventis" (Si te dicen que caí) is one of them.
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