In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). ... See full summary »
Ex-bullfighter who is getting turned on by killing, lady lawyer with same problem and young man driven insane by over-religious upbringing - these are the main characters in this stylish ... See full summary »
Gwyn Marcus has always wanted a marriage like her parents. She has just accepted the proposal of her boyfriend Matt, but she has misgivings about their future together. Her fear of ... See full summary »
Sarah Jessica Parker,
Brother Edgar is a generous entrepreneur of low quality socks who hides behind a self-bestowed cassock to avoid the low level corruption of local sheriffs. He has adopted Morales Pittman, ... See full summary »
Chile, second half of the 20th century. The poor Esteban marries Clara and they get a daughter, Blanca. Esteban works hard and eventually gets money to buy a hacienda, eventually to become ... See full summary »
Maria Conchita Alonso
April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, ... See full summary »
In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later. Written by
Vicente Aranda is like the Spanish verb "erguir" - impossible to conjugate
Aranda has directed a few things which might be worth talking about, or even mentioning; but he has also made a few films which I prefer to forget about, like........um......like.......I can't remember.
"Aventis" belongs to this category. If starting off from the fact that the novelist Juan Marsé has very little intellectually o literary going for him, if Jorge Sanz has never pleased me in anything at all, and Victoria Abril has satisfied me occasionally as being an actress (and not merely a sex-object), for example in "Bicicletas son para el verano, Las" (1984), "Pazos de Ulloa, Los" (1985) (mini), or Tiempo de silencio (1986), you might be ready to accept that apart from a vague story-line which seems to meander between nowhere and somewhere else, the sight of Jorge Sanz having sex "doggy style" with Victoria Abril, is about as appetising as eating live cockroach sandwiches for breakfast.
Too much tits, bums and testicles for my liking. Near pornography in classification. Poor stuff: just in case some of you reading my comments think I praise all Spanish films. I do not: some are dreadful. "Aventis" (Si te dicen que caí) is one of them.
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