In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). ...
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Daniel - a recent university graduate with Down's Syndrome - falls in love on his first day at work in the Department of Social Services. Laura is an outsider who spends her nights in the ... See full summary »
Isabel García Lorca
El Muerto is the story of a Spanish man in Argentina who one day becomes aware on the upper floor of a hospital in Buenos Aires of his approaching death. He decides to escape, to flee ... See full summary »
Miguel, a young psychiatrist working in Madrid, learns that his wife has just dumped him for no one else than his own father while he's expecting his mother-in-law's visit, who's come to ... See full summary »
María José Alfonso
Private detective Inés infiltrates the employees at a multinational corporation. Thanks to the collaboration of Manuel, she gets to the heart of company intrigues. But her investigation ... See full summary »
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Ever since her mum died, María has taken care of her father and her siblings. That's why her father's announcement of marriage to his nurse brings María's world crashing down around her. At the age of 35, she'll have to change her fate.
José Ángel Egido,
In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later. Written by
Vicente Aranda is like the Spanish verb "erguir" - impossible to conjugate
Aranda has directed a few things which might be worth talking about, or even mentioning; but he has also made a few films which I prefer to forget about, like........um......like.......I can't remember.
"Aventis" belongs to this category. If starting off from the fact that the novelist Juan Marsé has very little intellectually o literary going for him, if Jorge Sanz has never pleased me in anything at all, and Victoria Abril has satisfied me occasionally as being an actress (and not merely a sex-object), for example in "Bicicletas son para el verano, Las" (1984), "Pazos de Ulloa, Los" (1985) (mini), or Tiempo de silencio (1986), you might be ready to accept that apart from a vague story-line which seems to meander between nowhere and somewhere else, the sight of Jorge Sanz having sex "doggy style" with Victoria Abril, is about as appetising as eating live cockroach sandwiches for breakfast.
Too much tits, bums and testicles for my liking. Near pornography in classification. Poor stuff: just in case some of you reading my comments think I praise all Spanish films. I do not: some are dreadful. "Aventis" (Si te dicen que caí) is one of them.
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