Shirley's a middle-aged Liverpool housewife, who finds herself talking to the wall while she prepares her husband's chip'n'egg, wondering what happened to her life. She compares scenes in ... See full summary »
Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to Abba music and dreaming of her wedding day. Slight problem, Muriel has never had a date... See full summary »
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Shirley's a middle-aged Liverpool housewife, who finds herself talking to the wall while she prepares her husband's chip'n'egg, wondering what happened to her life. She compares scenes in her current life with what she used to be like and feels she's stagnated and in a rut. But when her best friend wins an all-expenses-paid vacation to Greece for two, Shirley begins to see the world, and herself, in a different light. Written by
A rarity in film, Pauline Collins' character Shirley sporadically engages the cinema audience by looking straight into the camera as she voices her thoughts, a technique called "breaking the fourth wall". Curiously enough, the film's director Lewis Gilbert earlier directed Michael Caine as the titular Alfie in which he also spoke his thoughts directly to the viewer. See more »
In the US version of the film, when Gillian encounters Shirley choosing underwear for her holiday the phrase "garter belt" is dubbed over the words "suspender belt". See more »
[to the camera]
Well what's wrong with that? There's a woman three doors down talks to her microwave. Talking to a microwave! Wall, what's the world coming to ?
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Shirley had lost herself in the humdrum lifestyle of a housewife with kids grown and an indifferent husband stuck in his own boring routine. She strikes out on a vacation to Greece to get in touch with the girl she once was. The show worked better as a theatre piece - as a one woman show. Here it gets cluttered up with a lot of characters and Shirley's asides to the camera do not always work. Pauline Collins is as great in the role as she was on stage. Greek men seeing this must cringe at the Tom Conte caricature of a Greek lover. I rated it an 8 for Pauline's performance and the music.
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