| Photos (See all 27 | slideshow) |
| Al Pacino | ... | Det. Frank Keller | |
| Ellen Barkin | ... | Helen Cruger | |
| John Goodman | ... | Det. Sherman | |
| Michael Rooker | ... | Terry | |
| William Hickey | ... | Frank Keller Sr. | |
| Richard Jenkins | ... | Gruber | |
| Paul Calderon | ... | Serafino | |
| Gene Canfield | ... | Struk | |
| Larry Joshua | ... | Dargan | |
| John Spencer | ... | Lieutenant | |
| Christine Estabrook | ... | Gina Gallagher / Lonelyheart | |
| Barbara Baxley | ... | Miss Allen | |
| Patricia Barry | ... | Older Woman | |
| Mark Phelan | ... | Murdered Man | |
| Michael O'Neill | ... | Raymond Brown | |
| Michael Fischetti | ... | Doorman | |
| Luis Antonio Ramos | ... | Omar Maldonado (as Luis Ramos) | |
| Rafael Báez | ... | Efram Maldonado | |
| Samuel L. Jackson | ... | Black Guy | |
| Damien Leake | ... | Ernest Lee | |
| Zachary Michael Simmons | ... | Ernest's Son | |
| John Thaddeus | ... | Tommy | |
| Joshua Nelson | ... | Willie | |
| Christofer de Oni | ... | Supermarket Manager | |
| Dwayne McClary | ... | Supermarket Cashier | |
| Jacqueline Brookes | ... | Helen's Mother | |
| Thom Curley | ... | Toastmaster | |
| Fred Sanders | ... | Cable Supervisor | |
| Larry Mullane | ... | Clipboard Guy #2 | |
| Anthony Calanese | ... | Clipboard Guy #3 (as Anthony Catanese) | |
| Thomas Wagner | ... | Pete, Bartender | |
| Manny Alfaro | ... | Doorman | |
| Brian Paul | ... | James Mackey | |
| Deborah Taylor | ... | Tense Woman | |
| Ferne Downey | ... | Sasha | |
| Gerald Lenton | ... | Murdered Man | |
| Nancy Beatty | ... | Raymond Brown's Wife | |
| Arun Greenaway | ... | Raymond Brown's Kid | |
| Nicolina Greenaway | ... | Raymond Brown's Kid (as Nicolina Greenway) | |
| Tony De Santis | ... | Clipboard Guy #1 | |
| Jackie Laidlaw | ... | Yuppie Detective #1 | |
| Paul Hubbard | ... | Yuppe Detective #2 | |
| Bill Haslett | ... | Surveillance Team Member | |
| James Kidnie | ... | Surveillance Team Member | |
| Bridget O'Sullivan | ... | Sherman's Wife | |
| Delaney Moore-Wickham | ... | Sarah, Helen's Daughter | |
| Franz Fridal | ... | Criminal Type | |
| James O'Regan | ... | Hallway Cop | |
| Wayne Best | ... | Hallway Cop | |
| John Bourgeois | ... | Young Cop | |
| Hugh Thompson | ... | Young Cop | |
| Philip Ho | ... | Karate Cop | |
| Igor Stern | ... | Violinist | |
| Miranda de Pencier | ... | Bride | |
| Ty Templeton | ... | Groom | |
| rest of cast listed alphabetically: | |||
| Lorraine Bracco | ... | Denice Gruber (scenes deleted) | |
| David Berni | ... | Guy At Bar (uncredited) | |
| Julianne Gillies | ... | Hostess (uncredited) | |
| Barry Godin | ... | Police Officer (uncredited) | |
| Christopher Maleki | ... | Detective (uncredited) | |
| Roger Montgomery | ... | Detective (uncredited) | |
| Anita Rossi | ... | Wedding Singer (uncredited) | |
Directed by | |||
| Harold Becker | |||
Writing credits(WGA) | ||
| Richard Price | (written by) | |
Produced by | |||
| Martin Bregman | .... | producer | |
| Michael Bregman | .... | associate producer (as Michael Scott Bregman) | |
| Louis A. Stroller | .... | producer | |
Original Music by | |||
| Trevor Jones | |||
Cinematography by | |||
| Ronnie Taylor | |||
Film Editing by | |||
| David Bretherton | |||
Casting by | |||
| Mary Colquhoun | |||
Production Design by | |||
| John Jay Moore | |||
Set Decoration by | |||
| Gordon Sim | |||
Costume Design by | |||
| Betsy Cox | |||
Makeup Department | |||
| Irving Buchman | .... | makeup artist: New York (as Irv Buchman) | |
| Bryan Charbonneau | .... | hair stylist | |
| Bob Grimaldi | .... | hair stylist: New York | |
| Irene Kent | .... | makeup artist | |
Production Management | |||
| Barbara Kelly | .... | production manager | |
| Louis A. Stroller | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Herb Gains | .... | first assistant director: New York (as Herb Gaines) | |
| Rocco Gismondi | .... | second assistant director | |
| Madeleine Henrié | .... | second assistant director (as Madeleine Henrie) | |
| Donald J. Lee Jr. | .... | second second assistant director: New York (as Donald Lee) | |
| Thomas J. Mack | .... | first assistant director (as Tom Mack) | |
| David Sardi | .... | second assistant director | |
| Michael E. Steele | .... | first assistant director (as Michael Steele) | |
| Rose Tedesco | .... | third assistant director | |
| Dick Ziker | .... | second unit director | |
Art Department | |||
| Boyd Allen | .... | head carpenter | |
| Rob Ballantyne | .... | art department trainee | |
| Richard Ferbrache | .... | assistant set decorator | |
| Steven J. Jordan | .... | set decorator: New York (as Steve Jordan) | |
| William Kane | .... | property master: New York (as Bill Kane) | |
| Sherman Labby | .... | storyboard illustrator | |
| Raman Majlath | .... | set dresser | |
| Brian A. Murray | .... | head location carpenter | |
| Jeff Poulis | .... | assistant property master | |
| Reet Puhm | .... | scenic artist | |
| Marlene Rain | .... | set decoration buyer | |
| William F. Reynolds | .... | property master: New York (as Bill Reynolds) | |
| Vic Rigler | .... | property master | |
| Robert Topol | .... | scenic chargeman: New York | |
| Wayne Wightman | .... | art department trainee | |
| Sabrina Wright | .... | set decorator: New York | |
| Lucinda Zak | .... | first assistant art director | |
Sound Department | |||
| Randle Akerson | .... | supervising sound editor | |
| Hank Brodkin | .... | sound assistant | |
| Norval D. Crutcher | .... | supervising sound editor (as Norval Crutcher) | |
| Samuel C. Crutcher | .... | sound editor (as Samuel Crutcher) | |
| Don Digirolamo | .... | sound re-recording mixer | |
| Dino Dimuro | .... | sound editor | |
| Lauren Filson | .... | adr editor | |
| Robert Glass | .... | sound re-recording mixer (as Bob Glass) | |
| Denise Horta | .... | adr editor | |
| David L. Horton Jr. | .... | foley editor | |
| Robert Knudson | .... | sound re-recording mixer (as Buzz Knudson) | |
| Bruce Lacey | .... | sound editor | |
| Ron Meredith | .... | sound assistant | |
| Steve Scanlon | .... | sound mixer: New York | |
| Steve Switzer | .... | boom operator | |
| Michael R. Tromer | .... | sound mixer: New York (as Michael Tromer) | |
| Keith A. Wester | .... | sound mixer (as Keith Wester) | |
| Norval D. Crutcher III | .... | assistant sound editor (uncredited) | |
| Steve Kohler | .... | foley recordist (uncredited) | |
| John Motyer | .... | location sound playback (uncredited) | |
| Jeffrey Wilhoit | .... | foley artist (uncredited) | |
Special Effects by | |||
| Tony Parmelee | .... | special effects (uncredited) | |
| Neil Trifunovich | .... | special effects supervisor (uncredited) | |
Stunts | |||
| Kenny Bates | .... | stunts | |
| Steve Boyum | .... | stunts | |
| Shane Cardwell | .... | stunts | |
| Billy Hank Hooker | .... | stunts (as Hank Hooker) | |
| Buddy Joe Hooker | .... | stunts | |
| Rick Parker | .... | stunts | |
| Glenn R. Wilder | .... | stunts (as Glenn Wilder) | |
| Dick Ziker | .... | stunt coordinator | |
| Dick Ziker | .... | stunts | |
Casting Department | |||
| Stuart Aikins | .... | casting: Canada | |
| Sylvia Fay | .... | extras casting: New York | |
| Scott Mansfield | .... | extras casting | |
| Joy Todd | .... | extras casting: New York | |
| Hedy Stempler | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Gail Filman | .... | wardrobe mistress | |
| Jennifer Nichols | .... | wardrobe: New York | |
| Walter Rivera | .... | wardrobe: New York | |
| Rosalie Wallace | .... | wardrobe: New York | |
| Debi Weldon | .... | wardrobe assistant | |
Editorial Department | |||
| Francine Fleishman | .... | assistant editor | |
| Phil Hetos | .... | color timer | |
| Charlene Olson | .... | assistant editor | |
| Irvin Paik | .... | assistant editor | |
| Ray Sabo | .... | negative cutter | |
| Haydn Streeter | .... | assistant editor (as Hayden Streeter) | |
| John Wright | .... | additional editor | |
Music Department | |||
| Julian Bratolyubov | .... | music copyist | |
| Dan Carlin Sr. | .... | supervising music editor | |
| Kathy Durning | .... | music editor | |
| John Richards | .... | scoring mixer: Evergreen Studios | |
Transportation Department | |||
| Tom Leavey | .... | transportation captain: New York (as Tom Leavey Jr.) | |
| Neil Montgomerie | .... | transportation coordinator | |
| Frank Singer | .... | transportation captain | |
| James Sweeney | .... | transportation captain: New York (as Jim Sweeney) | |
| Patrick Hogan | .... | driver (uncredited) | |
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| Basic Instinct | Perfect Stranger | Too Scared to Scream | So Sweet, So Dead | Jade |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Al Pacino is excellent as the lonely and alcoholic Frank Keller, a veteran New York City cop, hot on the trail of a serial killer. In addition to Keller, and his tough-minded romantic interest, Helen, played well by Ellen Barkin, a third major character is the city wherein the story takes place. Ronnie Taylor's noirish cinematography and Trevor Jones' appropriately downbeat score paint rather a lonely picture of nighttime Manhattan, with all that colorful and flashy neon and the dreary rain. The overall effect is a sense of psychological isolation, alienation, and ... danger.
It's a perfect setting for a story about a series of murders, seemingly tied together by oldies-but-goodies songs. Keller searches for a killer who seems normal, but on the inside is a smoldering volcano. As a murder mystery, "Sea Of Love" works, because of its focus, and because of its restrictive narration. The viewer knows what Frank Keller knows, but nothing more. Clues are very subtle, and lie more in what is not said, than what is said. The ending was a surprise to me. I did not see it coming.
I have a couple of problems with the film, neither of which is serious. First, there are several plot segments that seem unnecessary, and could have been edited out. Second, certain scenes involving the victims are confusing.
"Sea Of Love" is a mystery/thriller that I recommend highly. It is psychologically intense, and it has an atmosphere that is suitably sinister. The acting, the music, the cinematography, the script, and the production design are all credible. And I could listen all day to that oldies-but-goodies song by Phil Phillips, from 1959.