Nearing his 60th birthday, a movie producer discovers that he may have less than a year to live as a result of inoperable cancer. The effects of his disease take the toll on him and his ... See full summary »
Daniel von Bargen,
Lois Thornedyke, the daughter of a Pulitzer prize-winning journalist, writes a scandal column for a New York city tabloid. She gets a chance to upgrade her career when she uncovers a ... See full summary »
Three women in Hollywood talk to the camera one summer (with a coda six months later). Sara is a casting director; her soliloquies are addressed to Samson (her blind infant son) and to ... See full summary »
Portia de Rossi,
When Cheryl and her roommate quarrel, Cheryl moves into her aunt's skid-row hotel in downtown L.A. rather than return home to Ohio. The lodgers are odd, Aunt Martha is a moralizer obsessed ... See full summary »
Comedy about a San Francisco photographer whose teenage sister comes to live with her from Oregon. Most of the action took place in the apartment where the older sister had her photography ... See full summary »
Seemingly autobiographical story of a woman overwhelmed with trying to please everyone except herself, and not finding any answers until she's admitted to a rehab center by her parents. ... See full summary »
A divorcée, whose house is being fumigated, temporarily moves in with a friend, whose husband has recently passed away. Meanwhile two of the workmen make a bet that they can bed the women and the games are on. Mixed into the mess of filthy rich individuals are the divorcée's ex, her script-writer brother, his new African-American wife, the friend's precocious daughter, and the ghost of her husband. The film offers a satire on the social, racial, and hedonistic lifestyles of the rich and famous. Written by
John Sacksteder <email@example.com>
Great title; and in its day Bruce Wagner's extravagantly purple dialogue made a lot of eyes widen. In his fiction, Wagner scales astonishing heights of cruelty and scabrousness, but writing a SHAMPOO-style rondo, he seems miscast; it's as if Terry Southern had ambitions of being Ernst Lubitsch. There are savory performances generously sprinkled: Paul Mazursky is the wistful shade of a TV producer, brought by lust back to this mortal coil, and Wallace Shawn makes a sumptuous entrance, flanked by two LAPD officers, telling his hostess, "These perverse gentlemen have made a slanderous assertion."
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