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Scenes from the Class Struggle in Beverly Hills (1989)

 -  Comedy  -  July 1989 (USA)
6.2
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Ratings: 6.2/10 from 793 users  
Reviews: 12 user | 6 critic

The widow's houseboy and the divorcee's chauffeur bet on which will bed the other's employer first.

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(story), (story), 1 more credit »
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Title: Scenes from the Class Struggle in Beverly Hills (1989)

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Cast

Cast overview, first billed only:
...
Clare Lipkin
Ray Sharkey ...
Frank
...
Lisabeth Hepburn-Saravian
...
Juan
...
Peter
...
Howard
Arnetia Walker ...
To-Bel
...
...
Sidney
Edith Diaz ...
Rosa
Rebecca Schaeffer ...
...
Willie Saravian
Jerry Tondo ...
June-Bug
...
Kelly
...
Himself
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Storyline

A divorcée, whose house is being fumigated, temporarily moves in with a friend, whose husband has recently passed away. Meanwhile two of the workmen make a bet that they can bed the women and the games are on. Mixed into the mess of filthy rich individuals are the divorcée's ex, her script-writer brother, his new African-American wife, the friend's precocious daughter, and the ghost of her husband. The film offers a satire on the social, racial, and hedonistic lifestyles of the rich and famous. Written by John Sacksteder <jsackste@bellsouth.net>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

July 1989 (USA)  »

Also Known As:

A játék neve: Beverly Hills  »

Box Office

Gross:

$2,156,471 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

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Did You Know?

Trivia

This was Barret Oliver's final role before his retirement from acting. See more »

Quotes

Juan: This is for sure, some twisted sh**.
See more »

Crazy Credits

After the introductory credits the following can be found: 'for L.B. who might have smiled' See more »


Soundtracks

Autumn Sunshine
(uncredited)
Music by Harold Smart
KPM Music Ltd
See more »

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User Reviews

Rococo rondelay
18 June 1999 | by (los angeles) – See all my reviews

Great title; and in its day Bruce Wagner's extravagantly purple dialogue made a lot of eyes widen. In his fiction, Wagner scales astonishing heights of cruelty and scabrousness, but writing a SHAMPOO-style rondo, he seems miscast; it's as if Terry Southern had ambitions of being Ernst Lubitsch. There are savory performances generously sprinkled: Paul Mazursky is the wistful shade of a TV producer, brought by lust back to this mortal coil, and Wallace Shawn makes a sumptuous entrance, flanked by two LAPD officers, telling his hostess, "These perverse gentlemen have made a slanderous assertion."


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