| John Hurt | ... | Stephen Ward | |
| Joanne Whalley | ... | Christine Keeler (as Joanne Whalley-Kilmer) | |
| Bridget Fonda | ... | Mandy Rice-Davies | |
| Ian McKellen | ... | John Profumo | |
| Leslie Phillips | ... | Lord Astor (Bill) | |
| Britt Ekland | ... | Mariella Novotny | |
| Daniel Massey | ... | Mervyn Griffith-Jones | |
| Roland Gift | ... | Johnnie Edgecombe | |
| Jean Alexander | ... | Mrs. Keeler | |
| Alex Norton | ... | Detective Inspector | |
| Ronald Fraser | ... | Justice Marshall | |
| Paul Brooke | ... | John, Detective Sgt. | |
| Jeroen Krabbé | ... | Eugene Ivanov (as Jeroen Krabbe) | |
| Keith Allen | ... | Kevin, Reporter Sunday Pictorial | |
| Ralph Brown | ... | Paul Mann | |
| Ken Campbell | ... | Editor of Pictorial | |
| Iain Cuthbertson | ... | Lord Hailsham | |
| Susannah Doyle | ... | Jackie | |
| Joanna Dunham | ... | Lady Bronwen Astor | |
| Trevor Eve | ... | Matinee Idol | |
| Oliver Ford Davies | ... | Mr. Woods, MI5 | |
| Deborah Grant | ... | Valerie (Hobson) Profumo | |
| Valerie Griffiths | ... | Landlady | |
| Czeslaw Grocholski | ... | Polish Gent | |
| Leon Herbert | ... | Lucky Gordon | |
| Chris Humphreys | ... | Clive | |
| Stefan Kalipha | ... | Hanif (as Stephan Kaliphi) | |
| Tacy Kneale | ... | Jennifer | |
| Tony Mathews | ... | Press Secretary | |
| Richard Morant | ... | D'Lazlo | |
| Mia Nardi | ... | Olga (as Mia Nadasi) | |
| Jeff Nuttall | ... | Percy Murray, Club Owner | |
| Sarah Prince | ... | Mr. Woods' Secretary | |
| Ann Queensberry | ... | Mrs. Hare | |
| Raad Rawi | ... | Aziz | |
| Terence Rigby | ... | James Burge | |
| Jennifer Scott Malden | ... | Jilly | |
| Johnny Shannon | ... | Peter Rachman | |
| Malcolm Terris | ... | Northern Gent | |
| Joan Turner | ... | Plump Neighbor | |
| Doremy Vernon | ... | Headgirl | |
| James Villiers | ... | Conservative M.P. | |
| Alison Waters | ... | Joannie | |
| Arkie Whiteley | ... | Vicky | |
| Tariq Yunus | ... | Ayub Khan | |
| Toni Shiletto | ... | Murray's Dancers | |
| Colette Dolan | ... | Murray's Dancers | |
| Jackie Harvey | ... | Murray's Dancers | |
| Kate Charman | ... | Murray's Dancers (as Kate Charmen) | |
| Mark Adelman | ... | Murray's Band | |
| John Piper | ... | Murray's Band | |
| Ray Irwin | ... | Murray's Band | |
| Patrice Serapiglia | ... | Murray's Band | |
| Anders Janes | ... | Murray's Band | |
| Susie Ann Watkins | ... | Maureen - Redhead |
Directed by | |||
| Michael Caton-Jones | |||
Writing credits | ||
| Michael Thomas | (written by) | |
Produced by | |||
| Joe Boyd | .... | executive producer | |
| Redmond Morris | .... | associate producer | |
| Nik Powell | .... | executive producer | |
| Bob Weinstein | .... | co-executive producer | |
| Harvey Weinstein | .... | co-executive producer | |
| Stephen Woolley | .... | producer | |
Original Music by | |||
| Carl Davis | |||
Cinematography by | |||
| Mike Molloy | (director of photography) | ||
Film Editing by | |||
| Angus Newton | |||
Casting by | |||
| Susie Figgis | |||
Production Design by | |||
| Simon Holland | |||
Art Direction by | |||
| Chris Townsend | |||
Costume Design by | |||
| Jane Robinson | |||
Makeup Department | |||
| Pat Hay | .... | chief makeup artist | |
| Joan Hills | .... | makeup artist | |
| Meinir Jones-Lewis | .... | chief hair stylist | |
| Liz Michie | .... | hair stylist | |
Production Management | |||
| Susan Slonaker | .... | executive in charge of production | |
| Lisa Wills | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Patrick Clayton | .... | first assistant director (as Pat Clayton) | |
| Nick Laws | .... | second assistant director | |
Art Department | |||
| Steve Allett | .... | stand-by propman | |
| Martin Asbury | .... | sketch artist | |
| Roy Biggs | .... | stand-by stagehand | |
| Jack Carter | .... | construction manager | |
| Dave Clarke | .... | chargehand dressing propman | |
| Gary Crosby | .... | stand-by painter | |
| Winston Depper | .... | dressing propman | |
| Maria Djurkovic | .... | set dresser | |
| Elli Griff | .... | art department assistant | |
| Paul Purdy | .... | chargehand stand-by props | |
| Jill Quertier | .... | buyer | |
| Suzanna Smith | .... | draughtsperson | |
| David Stone | .... | stand-by carpenter | |
| Brian Wells | .... | property master | |
| John Wells | .... | chargehand prop storeman | |
Sound Department | |||
| Mark Auguste | .... | dialogue editor | |
| Paul Cridlin | .... | boom operator | |
| Richard Fettes | .... | footsteps editor | |
| Andrew Glen | .... | assistant dialogue editor | |
| Leonard Green | .... | assistant sound editor | |
| Mark Holding | .... | sound maintenance | |
| David John | .... | sound mixer | |
| Eddy Joseph | .... | sound editor | |
| Jim Roddan | .... | additional dubbing editor | |
| Hugh Strain | .... | dubbing mixer | |
| Lionel Strutt | .... | adr mixer | |
| Steve Hancock | .... | sound camera operator (uncredited) | |
| Noel Wallace | .... | dubbing projectionist (uncredited) | |
Visual Effects by | |||
| Alan Church | .... | optical effects | |
Stunts | |||
| Gloria Jones | .... | stunt double: Joanne Whalley-Kilmer | |
Camera and Electrical Department | |||
| Simon Archer | .... | camera operator: second unit | |
| Fred Brown | .... | electrician (as Freddie Brown) | |
| Steve Burgess | .... | focus puller | |
| Eddie Collins | .... | camera operator | |
| Tom Collins | .... | still photographer | |
| Perry Evans | .... | gaffer | |
| Brian Mcgivern | .... | generator operator | |
| Ossa Mills | .... | best boy | |
| David Morani | .... | electrician (as Dave Maroni) | |
| Phil Mullally | .... | clapper loader | |
| Malcolm Smith | .... | grip | |
| Richard Tindall | .... | clapper loader | |
| Gary Turnbull | .... | focus puller: second unit | |
| Jimmy Waters | .... | grip | |
| Paul Woods | .... | electrician | |
| John Wright | .... | stand-by rigger | |
Casting Department | |||
| Abi Cohen | .... | casting assistant | |
| Beverley Keogh | .... | crowd casting (as Beverly Keogh) | |
Costume and Wardrobe Department | |||
| Catherine Halloran | .... | wardrobe supervisor | |
| Rosemary Thomson | .... | wardrobe runner | |
| Vernon White | .... | wardrobe set supervisor | |
| Kirsten Wing | .... | wardrobe mistress | |
Editorial Department | |||
| Laura Evans | .... | second assistant editor | |
| John Gavin | .... | first assistant editor | |
| Ian Seymour | .... | assistant editor | |
Music Department | |||
| Carl Davis | .... | conductor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Dick Lewzey | .... | music recordist (as Richard Lewzey) | |
| Nic Raine | .... | orchestrator | |
| Simon Chamberlain | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Mark White | .... | transportation | |
Other crew | |||
| Emma Bailey | .... | secretary to producer | |
| John Beharrell | .... | production accountant | |
| Diane Chittell | .... | production coordinator | |
| Tony Clarkson | .... | location assistant | |
| Jo Dalton | .... | assistant to director | |
| Tracy Drew | .... | title designer | |
| Penny Forrester | .... | assistant accountant | |
| Michael Garland | .... | post-production accountant | |
| Charmian Hoare | .... | dialogue coach | |
| Charles Hubbard | .... | location manager | |
| Susan Johnson | .... | assistant to producers | |
| Cindy Milo | .... | body double: Bridget Fonda | |
| Peter Ogunsalu | .... | assistant: Mr. Woolley | |
| Tonya Richardson | .... | production intern | |
| James Sherwood | .... | production runner | |
| David Szulkin | .... | production assistant | |
| Angela Wharton | .... | script supervisor (as Angela Noakes) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
If "Scandal" (1989) was not a fairly accurate recounting of Britain's John Profumo Affair, the characters and events would be too weird to be considered plausible fiction. Defense Minister Profumo's attempt to refute allegations of his involvement with Christine Keeler ultimately brought down the 10 year Conservative Party government back in the mid-1960's. "Scandal recreates these events and gives the viewer a glimpse into the personalities and possible motives of the main players in this political soap opera.
But recreating history is a secondary consideration in this film whose theme is about individuals who live in a fairy tale world until they fall victim to the grim forces that take life more seriously. The main player is Stephen Ward (John Hurt), a osteopath and recreational artist whose main goal is to be part of the right crowd, not so much immersed in this kind of society as in a position to observe it closely for his amusement. His method for doing so involves discovering ravishing young women from the poor side of town and doing a Henry Higgins number on them. The film begins with his discovery of Keeler (Joanne Whalley) who he begins grooming and introducing to prominent members of his in-crowd.
The two soon fall in love, but theirs is not a physical relationship. Stephen delights in seeing his protégé work her magic on men in authority. This eventually leads to their doom, since no one quite understands such an unconventional relationship they have no credibility when an attempt is made to make Stephen a scapegoat for the government scandal.
In retrospect the process of attacking Ward to contain the widening scandal was one of the two most shameful abuses of the judicial system in post war Britain. Coincidentally Hurt played the victim in the other one as well; "10 Rillington Place" (1971), in which Hurt is wrongly executed for a murder committed by his landlord, the now notorious serial killer John Christie.
"Scandal" is a powerful and arresting film with solid performances. Whalley has the biggest role and is a bit too intelligent looking to be completely believable as a character like Keeler. But she is so nice to look at that almost anyone would willingly trade credibility for scenery-and she is otherwise entirely convincing in an excellent performance. I first noticed her in "Willow", the film she made just before "Scandal". She had a secondary part but her scenes were the most memorable in the entire film. Hurt somehow sells you on the fact that his character derives an innocent joy from simply seeing a beautiful young woman walking down the street on a nice day.
Then again, what do I know? I'm only a child.