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Say Anything... (1989)

PG-13 | | Comedy, Drama, Romance | 14 April 1989 (USA)
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A noble underachiever and a beautiful valedictorian fall in love the summer before she goes off to college.

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1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Amy Brooks ...
...
Rebecca (as Pamela Segall)
Jason Gould ...
Mike Cameron
...
Joe
...
Charles Walker ...
Principal
Russel Lunday ...
Parent
Polly Platt ...
Mrs. Flood
Gloria Cromwell ...
Ruth
...
Patrick O'Neill ...
Denny
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Storyline

High school senior Lloyd Dobler wants nothing more than to go out with beautiful and intelligent Diane Court. Lloyd attempts to win her heart over the objections of her over-protective father before Diane leaves for a scholarship in England. Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Plot Synopsis

Taglines:

She's got every thing going for her. He's going for her with every thing he's got. See more »

Genres:

Comedy | Drama | Romance

Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

14 April 1989 (USA)  »

Also Known As:

...Say Anything...  »

Filming Locations:

 »

Box Office

Gross:

$20,781,385 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Pamela Adlon originally auditioned for the role of D.C. before being cast as Rebecca. See more »

Goofs

During the graduation speech Diane's hair switches from completely behind her shoulders to completely in front, and partially in front, and again to the back. See more »

Quotes

Lloyd Dobler: The rain on my car is a baptism, the new me, Ice Man, Power Lloyd, my assault on the world begins now.
See more »

Connections

Referenced in Rewind This! (2013) See more »

Soundtracks

You Want It
Written by Robin Zander and Tom Petersson
Produced by Richie Zito
Performed by Cheap Trick
Courtesy of Epic Records
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User Reviews

 
You Say it Best, When You Say Nothing at All ...
3 June 2001 | by See all my reviews

The magic, the heart of Say Anything, is that it dares to be normal. You remember the 80 teen romantic comedy genre. It was a nice idea that became an epidemic, but once and awhile there was a gem like Some Kind of Wonderful. But here is the major difference, the lack of cliche, the lack of formula, the lack of cute dialogue, and saying things without any words. Instead it is said with a look, a touch, a smile, and a tear falling down a face. It allows these talented young actors to _act_!

John Cusack plays Lloyd and it is the fact that Lloyd dares to be normal that explains why the film works. Lloyd is just a regular guy who dares to just call the beautiful class brain Diane (Ione Skye) after they graduate. It is the genuine "niceness" and persistence of Lloyd's phone call, that is responsible for her caving and saying yes. And it goes from there. What is a friendship, a respect for each other, grows into "friends with potential", and then goes even farther. Writer-director Cameron Crowe is famous for not pushing it and he perfected that style here. He doesn't try to make John and Ione look and feel "hot", he lets them continue to play young adults, who would by all rights still be awkward, nervous, testing the waters of life, love, and trust.

In a brilliant parallel, we learn of Diane's relationship with her father Jim (John Mahoney) which she has always been sure of, even when she needed to chose between her parents after their divorce. The subtle and detailed scenes between Diane and Jim are important to the twists in the story when Diane grows to trust someone other than her father and finds deceit with something she had faith in. Jim, is not your typical teen movie father. He's real and normal as well. His car is not backed into a house, he is not thrown into a great body of water, and he is not a typical ogre. He is allowed to be a three dimensional character, a driving force and an obstacle in the teen romance. Jim runs a nursing home and wants the best for Diane. He holds their relationship very dear, as it is all a part of Diane being the best she can be. That desire will end up being a double edged sword as Diane's growing pre-occupation with Lloyd the summer before she is set to go to England, threatens his plans for her. And although Jim seems to respect how Lloyd treats his daughter and him, he is bothered by Lloyd's lack of drive, that the only thing that drives Lloyd is the then almost unheard of sport of kick-boxing and Diane.

When the story comes to important moments that changes Jim, Diane, and Lloyd's world, this is when the story shines. This is when Lloyd's rambling and desperation to re-define his life due to his despair is a welcome change from the overbearing or over brooding of most teen flick "heroes". This is when Diane's confusion and discovery is so wonderfully done with little dialogue. This is when Jim, feeling his world is spiraling out of his control, grows quiet, and the power of un-showy direction from Crowe says all we need to see.

The supporting characters as well are gems, who are true supporting characters. Joan Cusack appeared uncredited as Lloyd's single mother sister who, once a blast is now uptight, but is still a supportive guardian for Lloyd. Lloyd's girl friends D.C. and Corey are like salt and pepper for Lloyd. Corey (played by Lili Taylor) is terminally depressed. She previously had attempted suicide due to fellow classmate, Joe, playing with her heart like a yo-yo and is always being the voice of negativity for Lloyd, always telling him what will go wrong, what can't happen, what should happen, and how he is different from Joe. D.C. is practically dwarfed by Corey, never being allowed to talk and never being able to steer Lloyd in a much more sane direction which Lloyd usually discovers on his own anyhow. All of the supporting characters of friends, former classmates, and residents at Jim's nursing home, are important, none are cardboard cut-out cliches. They all have dimension, depth, feeling, and we can understand their motivation, what drives them with carefully crafted scenes and dialogue.

When the ending comes, it is the subtle way they foreshadow the future instead of the standard frantic pacing most romantic comedies have when it comes to a conclusion. That in itself pretty much sums up the beauty of the film.

It is pure genius, this film is pure genius.


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